Obra de arte interactivo

Predominantly black and white in color, the artist utilizes the technique of contrast in painting to describe a narrative easily whereas color which carry their own meanings and emotions are strategically left out. Forms and figures are a fusion of organic and mechanical lines. Interestingly the art work is classified as a drawing which brings questions on the acrylic paint medium used to create it. This strategy includes the use of quick gestures on the surface to illustrate as much information

The audience then became lost and frightened as there were no signs leading them to their next destination, once again forcing them to partake in the performance. This physicalisation not only successfully involved the contemporary audience, but demonstrated the necessity of physical composition to give audiences that real experience. This use of physical composition provided immediate reaction and emotional expression through action and contrast. These elements ultimately enhanced the mood and symbolism of the performance, allowing audiences to not only partake in the production on an intimate level but also on an emotional level. Another way in which mood and symbol can be created is through the use of complicité.

The article begins with the standard issues that many art teachers are facing when imposed with the task of technology integration: not enough time to learn, little technical support, and that technology problems can impede upon valuable instruction time. However, it then goes on to illustrate how the Internet is changing the world into a global community. Students now have more networking opportunities to share ideas with other artists and students than ever before. They are no longer isolated in classrooms, but can share experiences with people all over the world, which are providing opportunities for teachers and students to shape society together. It is proposed that art teachers and students are good catalysts for this shaping of a new global culture because, according to Delacruz, “Artmaking, inuiry, and interactive digital multimedia are naturally inclined toward eclectic, creative, collaborative, and adaptive

"Technology And The Contemplation Of Art. " Journal of Visual Art Practice 3.3 (2004): 179-194. Academic Search Premier.

In this essay, I will discuss the main point of the video, what I have gained from it, and why I think it’s a learning tool. Tomaselli pieces are solely based off of perspective. The objective to his artwork is to stimulate the audience’s mind in a way that the brain can generate feeling and emotion from their own outlook. Tomaselli initiates perspective to his pieces by using figure ground space and warm colors.

Art. When we say this sole world what comes to mind? Some of us may think classic Pablo Picasso, Claude Monet, Leonardo Da Vinci or Johannes Vermeer. The Latina/Chicana part of me then comes to life and thinks about Diego Rivera, Frida Kahlo, Salvador Dali and Jose Clemente Orozco. There importance and work icon to this day providing there people not only a vehicle to express a message but as well progression through time. Serving to provide both iconic representation and dilemmas through in society. The particular art form that I want to focus on this that of Performance Art, which is a, “Performance is typically a genre in which are is presented “live”, usually by the artist but sometimes with collaborators or performers. ” (“The Art Story”,

However, computer artists now see the importance of these works as they started a “new technologically-grounded aesthetic,”3 that would be an integral part of the development of art through computers.

This artwork is a contemporary work which enmeshes various fields into itself. Hart takes elements of the world of fashion, technology, literature and music to create something which could be negotiated as avant-garde work of performance including sculpture and virtual reality. It talks about a world where all

I have worked on a project team charged with enhancing the customer’s online usability experience. Giving me the opportunity to see the connection between the arts and technology’s connection in action. The planning

In humans’ traditional concepts, artists always capable who can create really excellent works, the are gifted, and transmit their ideas to audiences by their works. However, for audience, they always passive to accept the art ideas by sense judgment. The incompleteness in art means that when artists create art works, they make them incompletely by the medium, and give audience chance to complete that by their own comprehensive. Artists should not worry about the art works presenting with incomplete, and it gives art works more possible to present more ideas to people. One artist has defined that “Incompleteness is by definition a built-in dimension in interactive media art. It cannot be anything but incomplete by the very fact that each work is always altered by external factors. In fact, the entire field of digital media is, by definition, incomplete, as it may be infinitely modified and recomposed.” In other words, audiences in incompleteness art is motivated to have courage of actions. The artist is become participants, facilitator or curator instead of just an artist.

In today’s society, technology and art go hand in hand. Art has been around for a long time but technology such as computers are still very new. These two mediums have comingled and now evolve and effect the other. Art has changed to reflect the vast improvements technology has contributed to communication and the ability to create using digital space. Technology has also changed with artist pushing the boundaries of what is technical possible in the digital realm. Much of today’s art is created and presented in digital formats. The question of whether digital art is truly art has risen among many critics in the art community.

A fascination with the human body, body were an experience that could somehow be held in common. The ways in which we might experience the body as connected or represent it as disconnected in a live performance. Shifting attention from traditional art object to the artist’s physical action further proposed that art existed in real space and real time. Marina Abramovic, a pioneer of performance art began using her own body as the subject, object, and medium in the early 1970s as she said, ‘In performance my body is object and subject.’ For the exhibition

   Abstract: This essay deals with the creative possibilities generated by the influx of inexpensive and easy to use digital recording software, hardware, and digital distribution techniques.  One of the main themes of the essay is the problem of upholding creativity and artistic integrity in an unmediated digital environment.

In these works, there is also evidence of the nature of the technique, the presentation style and the response of the audience”(20).

Consintió igualmente la creación de subequipos dentro del propio equipo; Fester y Link por un lado, haciendo con ello que los demás miembros del equipo se sintieran apartados e inferiores a ellos. A ello contribuyó incluso el propio Knowlton, al convocar una reunión únicamente con Link y Fester para examinar las nuevas teorías que este había desarrollado, en lugar de evaluarlas delante de todo el equipo como se había hecho hasta entonces.