The poem “Final Song” by MO may seem like a light love song about the final stage in an insignificant relationship, but really it is about how love is not only obsessive, but destructive: not a feeling worth having. These two show us that love is a destructive feeling of obsession. The first line of the poem, “Please, won’t you wait? Won’t you stay” (1), depicts the distress and desperation that the woman feels in this situation. This idea is displayed via the repetition of the question in this line. Moreover, the author is very clingy and obsessed with her lover – the main reason for their dysfunctional and fragile relationship. She is pushing her partner over the edge by not giving him enough space to breathe. Furthermore, the destructive
There was too much grim endurance in his nature to ever let him understand the fear and weakness of a woman. She must stay quiet and wait”. The author’s writing skill is mature enough to successfully emerge the readers to his story plot
The complexity of their relationship is illustrated as the bond between the two constantly evolves, the two transition from distant to loving, experience straining challenges, and the role of caretaker reverses. The first example can be found
In everyday life, a relation is always identified as trust and support. In this novel, a relation between a husband and a wife is shown in a different way. Min, one of the characters in the story, is shown losing her mental stability and is living with her two children. She did not have any contact with her husband in few years and neither did he try to contact
To satisfy his thirst, Tom started searching for beautiful girls in the nearby town. In the next town, he found a gorgeous young lady named Isobel who had blond curly hair, hazel eyes, and curvy figure. Isobel was flattered by Tom’s look and body. They both first met at the mall in the coffee shop and they liked each other so much that they started dating on the same day. There was only one big problem with their relationship that Isobel was married and Tom knew it, but he still continued dating because he badly wanted to have pleasure with Isobel. Tom and Isobel usually met after midnight at the Lover’s Lane and make out in Isobel’s car. One night, the lovers decided to meet little early than usual because of some family emergency. They met at the same place and did the same thing, but this time there was a couple who saw them together. Alex, Isobel’s husband, was the richest and powerful person in the whole town. He had many connections throughout the town. Tom and Isobel tried to hide their affair, but the truth always overcomes lie. After few days, Alex heard people talking in the office about Isobel’s affair and how she makes out with her lover in the car every night. Alex went crazy with anger, hatred, and jealousy. He got angry and vowed to take revenge on them.
The situation of the story starts of splendid and merry until the wife’s “little surprise” results into a more saddening conclusion. The husband’s identity is much like a controlling, punishing introvert. The wife’s identity was opposite to her husband, a loving, open hearted extrovert. These opposing identities
The art of poetry speaks to people through the deep meanings represented in the words of the author. These meanings are meticulously pieced together through the mind of the writer. Readers can unveil the words to find truth within the work. The truth being presented in George Gascoigne’s poem illustrates a man that has given up on love because of his past heartbreak. It’s obvious that past failed relationships have altered the speaker’s view of love. George Gascoigne utilizes metaphors in “For That He Looked Not Upon Her”, to revel the truths that are embedded in the poem.
In the story the author portrays the protagonist differently from the other characters because she talks about the physical appearance of other characters and when it comes to the narrator we have no idea what she looks like but she is developed partially through her relationship with other characters, although we the readers do come the find out that the narrator is around the age of 15-17 years old and we can assume that she has a bad relationship with her parents because first of all she talks about them maybe once or twice in the whole story and second of all we know that they sent her to boarding school so that alone proves that her relationship with them is lacking. As readers we also know that she has trouble opening up in the story she say “To open your heart. You open your legs but can’t, or don’t dare anyone, to open your heart” (237). This is a prime example of how author characterizes the protagonist as broken and emotionally damaged. And as the story progress the author becomes more honest with us the readers and herself, she starts the reveal the pain she is in and how lonely she feels. The narrator gives us an example of how she feels after sex by saying “After sex, you curl up like a shrimp, something deep inside you ruined, slammed in a place that sickness at
Consciously, the woman communicates that she yearns for her lover, yearns to engage in sexual intercourse with him. Subconsciously, however, the need to “bear” her partner’s “weight” indicates that there is a burden attached to her expectations surrounding this engagement. This specific word choice takes the passion out of the erotic, so much so that the psychoanalytic interpreter is left to wonder why this woman is actively pursuing something that she clearly does not enjoy. To draw upon the developing thesis, the answer is that she does so in order to avoid acknowledging her repressed sexuality. In this way, the lover is not a ‘lover’ in the romantic sense of the word, but rather a sexual object. He is an objectified prop manipulated in order to fulfill
be with him, it makes me nervous.” (Gilman pg. 204) She is very articulate and likes to write but due to her controlling husband is not allowed to; so, she keeps it hidden. Maybe, due to the fact what she writes about are her inner thoughts and feelings which reflect on those around her. ” There
The narrator is an undoubted neurotic man. Fist of all, he is pure isolated, which comes to surface when his wife mentions that he is on possession of any friends. In a sense, he feels
Every relationship is not the best relationship because sometimes it is like your trapped and isolated so that makes it harder to adjust and bond. In the story “ The Story Of An Hour” Mrs. Mallard was in an overbearing relationship to where she felt trapped. However, her luck would soon change when she gets terrible news about her husband’s death. Meanwhile, the freedom that she thinks she has at that moment will soon be no more because her husband will not be dead. Furthermore, she will soon lose it once the news is broken to her about Mr. Mallard’s status of health. However, just from that, she will begin losing her sanity and herself all at once. And in the end, will die of a joy that kills or sadness that kills. This relationship can be good or bad because it is not always what the spouse wants (Chopin 720) “The Story Of An Hour” relationships are not for everyone simply because it is a commitment until death and some people aren’t as committed.
Her marriage also causes her to lose control. Even within the one thing that is supposed to hold strong, she is alone. Her husband, leaving her on a daily basis to work, insists that she cannot write nor visit friends and family. Thus, he leaves her alone during the day to sit
He incorporates the analytical side and issue between the human interaction to develop diction. In this essay, Berry repeatedly repeats the phrase, “I will love you forever” (para 22) and the words “marriages,friendships, kinships, and neighborhoods” which causes an emphasis on how Berry wants us, the reader to relate and understand the life between both men and women. Berry explains how men and women start to distance themselves from each other in which what they say as in “ I love you” and “Forever” have no meaning. It is easy to say through a text but it is rare to say it in that person's face. Humans have left the old romantic tradition, and now words seem to have no meaning in which we doubt our partner. This leads Berry to identify the structure between the cause and effect between the relationship between men and women. The cause and effect transition when he states “it may explode because of the pressure inside it”( para 17) meaning that there comes a certain point in the relationship where insecurities and question will arise which ties to the stereotype which leads into competition. “What one person can do another person can do just as well or a new person can do better” (para 18) demonstrates the repetition of the word “person” which is used to target and bring the understanding that we are all the same which leads us to become strong individuals, which leads to a sense of competition with one another to turn
The author shows how much the character needs freedom that the husband prevents her from getting it. This creates the complication and the plot of the story. She goes ahead to enhance it using strong characters and a vivid setting ( the house containing the yellow wall paper) which helps in maintaining the attention of the readers and also attracting more readers. In developing the plot, the author sends a significant amount of time on details and remains focused on it by ensuring that each entry in the journal made by the narrator has a meaning and adds to the overall progress of the story.
The third stanza goes on to define the pain, only now in more emotional terms, such as "It hurts to thwart the reflexes / of grab, of clutch" (14-15), as well as the pain of continuously having to say good bye, each perhaps as if for the last time: "to love and let / go again and again" (15-16). These lines reinforce the impression that the first stanza's definition of "to love differently" is in fact an anti-freedom or state of emotional anarchy, now using words like "pester" to describe any separation; the poet is compelled "to remember / the lover who is not in the bed" (16), hinting at obsessive tendencies as being possible components of the relationship. We also learn that she believes love requires work, which she cannot do without her partner's assistance, and that this lack of cooperation frustrates her. She believes this neglected effort is the other party's fault by his failure to do his fair share, thereby leaving her own efforts ineffective, the whole of it characterized as an effort "that gutters like a candle in a cave / without air" (19-20). Her demands of this work are quite broad, encompassing being "conscious, conscientious and concrete" in her efforts and optimistically calling this work "constructive" (20-21) before ending the stanza.