Odyssey: The Similarities Between Gods And Humans

Heroes, as shown in literature, often undertake the most difficult tasks and place themselves in mortal danger in order to bring back, for themselves and their societies, both knowledge and treasure. Their stories follow “Hero Journey.” The Odyssey, as the epic story of the hero Odysseus, follows closely the complete cycle of a Hero Journey, both as a physical and as a psychological undertaking. The Hero Journey, used as a framework for both Odysseus’ physical and mental journeys, serves to bind the two together. Each of Odysseus’s physical difficulties can be viewed as a metaphor for a psychological hardship that he must overcome, and by overcoming these hardships, Odysseus matures—achieving a more complete understanding of himself and

Both the Odyssey and the Aeneid describe the journeys of the two Greek heroes –Odysseus and Aeneas, as they struggle towards their goal through the crises and deadly situations caused by the wrath of the gods upon them. In the Odyssey, we see that Poseidon (god of the sea/earth shaker) has a grudge against Odysseus while Athena, god of wisdom, aids him throughout his journey. Similarly in the Aeneid, we see that goddess Juno dislikes Aeneas as he is destined to destroy the city of Carthage loved by Juno during his mission to find a new land- Rome, whereas Aeneas’ mother Venus aids him.

The gods are constantly involved with mortal women and are not shamed for it, Zeus’ being especially guilty of this. However, Calypso argues that when an immortal women such as herself sleeps with a mortal man she is berated and the man is whisked away. She refers to the gods as “scandalized” in result of her involvement with Odysseus, yet they are unimpeded to sleep with any women they desire. Calypso wishes the power to be held to the same standard as the gods, but the etiquette of a goddess is to not freely become involved with mortals, as it is of a god. Calypso angrily must give up Odysseus, and in book six he finally makes his way onto another island after a near death experience awash in the sea. On this island lives Princess Nausicaa who also must undergo gender roles. The goddess Athena, disguised as a friend of the princess, convinces Nausicaa that she should take a trip to the river to wash and bathe her clothes as a plan to get her and Odysseus to meet up. Odysseus finds Nausicaa at the stream, and first she is scared because he is dirty and very fatigued. He then talks to her, and she offers him help. She asks that he accompany her back to the palace where he can get help of her parents, the king and queen. He is about to ride in the Nausicaa's wagon, but then she asks that Odysseus must follow behind, telling him about what would possibly happen if the were to ride

The relationship between gods and mortals in mythology has long been a complicated topic. The gods can be generous and supportive, and also devastating and destructive to any group of humans. Mortals must respect the powers above them that cannot be controlled. The gods rule over destiny, nature, and justice, and need to be recognized and worshipped for the powerful beings as they are. Regardless of one's actions, intentions, and thoughts, the gods in Greek myth have ultimate power and the final decision of justice over nature, mortals, and even each other.

Focus on the descriptions of the palaces of Nestor and Menelaus. Find quotations that describe their virtues:

The gods play an important part in Odysseus’ journey home, bringing him closer and farther from his homeland. They constantly intervene in the lives of the many characters in The Odyssey. Though Odysseus is a hero, the gods control his life. It is as if he were the main character in a video game and the gods are fighting over who controls his life. Personal responsibility is overshadowed by the gods’ eagerness to grab the controller.

Many authors have employed the religious beliefs of their cultures in literature. The deities contained in Homer’s Odyssey and in the Biblical book of Exodus reflect the nature of the gods in their respective societies. Upon examination of these two works, there are three major areas where the gods of the Greek epic seem to directly contrast the nature of the God of the Israelites: the way problems are solved, the prestige and status that separates the divine from the masses, and the extent of power among the immortal beings.

In the Hebrew Bible and The Odyssey there are heroic figures that play an important role through out each of the books. These heroic figures from the Bible and The Odyssey have many similarities and differences that reflect the different cultures they are from. These heroes are called upon by greater beings, such as gods, to complete difficult journeys and or tasks that the god has made them destined to complete. Each of these legendary heroes demonstrates a particular culture’s needs. Through these journeys and or tasks they are forced to overcome challenging obstacles and make sacrifices.

The Hero’s Journey is portrayed and widely known in many of the most popular films, songs, and novels. The Odyssey follows this format, and many of these entertainment pieces were inspired by this epic, such as The Chronicles of Narnia. In the Odyssey, Odysseus is led through many different adversities while trying to return home from the Trojan War. He finds himself and his crew in many situations that lead to death or put them in danger, before eventually making it home and being reunite with his family with the help of the goddess Athena. In the Chronicles of Narnia, three children are led into a strange new world in the wardrobe, where they face challenges with their enemies and have to eventually return home. They

There has long been a fashion among critics and historians, including Sir James Frazier and Graham Hancock, to insist upon taking the account of Odysseus' voyage to Hades in Book XI of the Odyssey at near face-value as a description of people and places familiar to a Greek audience of Homer's day. Both linguistics and comparative history have been employed to discover exactly how accurately this originally oral epic conveys this gritty realism. Something, however, is not right with this purely empiric approach. What is missing is an examination through the lens of ancient religious practices. Surely a literary work so teeming with deities-wise Athena, spiteful Poseidon, impish

The stories told in the Iliad and Odyssey are based on stories handed down over several generations, for they preserve (as we have seen) memories of an already quiet far distant past. The two pomes show clear connection in their language and style, in the manner in which their incidents presented, and in the combination of agreement with level, which distinguish their creation.

    Prehistoric man did not question his existence and reality - he just lived as one with nature. When prehistoric man awakened from this simple existence into the world of intelligence, he began to question his existence and reality. Homer’s The Odyssey demonstrated man’s attempt to cope with their own nature through the illusion of the gods, by using them to carry their burdens of hopelessness, helplessness, and fallibility.

The Greek gods and goddess carry many attributes, most human. They are very much like humans in the way that they have weaknesses and strengths. Even though the gods display their characteristics much more drastically than humans do, the similarities are obvious. In Rosenberg and Baker’s book, the Greek gods have many human characteristics such as vengeance, jealously, and love.

Ancient Greece was filled with so much character, from their religion to even the stories that followed them through generation to generation. One important thing to remember is how they took their religion very seriously and believed very much in their goddesses and their gods. This strong belief carried out into their everyday lives, where they began to believe that everything that happened within their day, was from the gods. With such a love and respect for these gods, they held them up on a pedestal and gave them all their respect and looked at them only as positive. These gods that play a role in their life, often act more as a spiritual guide more than anything. They take on mortal disguises to allow them to help the world without becoming noticed. As we can see in The Odyssey, the relationship between gods and mortals is close knit, but the main difference that is evident, is the power between the two. The gods may not be able to cause death upon a mortal, but they can do everything to lead towards that. In the book, the gods can make or break your day. We see within several relationships between the gods and mortals, that the power from the gods can be not only positive, but also negative. Each mortal has been influenced in some way by the gods, for either the greater good, or bad. Which goes without saying, that the Greek take their theology in believing in the gods, very seriously.

  The Aeneid is a poem of Fate, which acts as an ever-present determinant, and as such Aeneas is entirely in the hands of destiny. The unerring and inexorable passage of fate, assisted by the Gods' intervention, is impossible to prevent and its path does create many victims along the way, who are expendable for Rome to be created. In the Aeneid, mortals suffer, no matter what they do or how good a life they lead and they are unable to rely on the Gods for assistance. However, the Odyssey is a poem of morality, where the good are exulted and the bad are punished ("The blessed gods don't like wicked acts. Justice and fair play are what they respect" O.14.84). It