Oedipus Rex, Antigone, And Euripides

The use of hamartia is a key component to a tragedy in Greek times. In the festival of Dionysus, the use of hamartia played a key role in the production of tragic plays that enhances the audience experience in establishing morals and ideals in many different ways. Sophocles’ Oedipus the King is a key example of this, a play about the unfortunate destiny bestowed upon Oedipus. During the play, Oedipus attempts to flee from his destiny that he will marry his mother and kill his father. The dramatic irony where Oedipus tries to doubt the gods is imprudent and foolish, and his hamartia further led him to his tragic downfall. Throughout this tragedy, the use of hamartia is used to justify the catastrophic events that happened to Oedipus and his

Considered one of the greatest dramas of all time, Sophocles’ play Oedipus the King follows the tragic life of Oedipus, king of Thebes. Considered a Satyr play, the Oedipus trilogy is perhaps the most famous of Sophocles’ plays. Oedipus the King, is an Athenian tragedy that was first performed somewhere around 429 BC in Athens, Greece. Originally, the Greeks referred to the play as simply “Oedipus,” as that was what Aristotle referred to it as in the Poetics. Perhaps what makes this play so memorable, is Sophocles’ uses of the tragic hero as the main theme. Sophocles uses characterization and conflict to portray Oedipus as an Aristotelian tragic hero.

Sophocles has a harsh and tragic style. He is a master at dramatic tragedies and irony. Oedipus Rex is scattered with ironic and very tragic moments. He also uses the chorus as a way to comment on a subject in the play. Foreshadows using various methods. He also uses imagery, rhetoric questions and metaphors.

Greek theater encompassed many aspects that reflected the moral values and ideals of society. Their customs were tightly woven into the scripts of plays. Antigone and Oedipus the King, two renowned works of the Greek playwright Sophocles, explore these values through a plot thick with corruption, virtue, and determination. These plays reveal the burdens two Theban kings, Oedipus and Creon, as their lies and poor judgment corrode the integrity of their city, their families and themselves. Possessing a strong faith in their respective gods, the characters of these Greek plays are often led astray as they try to escape the twisted hand of fate, further warping their perception of reality. As their vain

In Aristotle's work, the tragic hero can get caught up by hamartia which ends up leading him to his downfall. In Oedipus the King, which is a tragic play that is written by Sophocles it shows King Oedipus having many different flaws that are under the protection of hamartia that include madness, stubbornness, and pride that soon that end up leading to his final death. Oedipus shows an attitude of stubbornness during the progression of the play. Oedipus' stubbornness is uncovered early in the play when Tiresias who is a prophet of Apollo, mentions to Oedipus to terminate the investigation of Laius' killer. Oedipus quickly disagrees with him, he wants to find the man who murdered Lauis and brought the plague upon Thebes. Oedipus states, "By all the gods, do not deny us what you know. We ask you, all of us, on bended knees." Tiresias' persistence to withhold the truth is demolished by Oedipus' stubbornness and madness. Tiresias surrenders to Oedipus' stubbornness and states the truth which outrages Oedipus; "...The murder of the man whose murder you pursue is you." Oedipus stubbornness is so overpowering that he disregards Tiresias' bluntness without even a slight thought. Oedipus' statement, "To your heart's content. Mouth away!" which obviously shows his stubbornness when he disregards Tiresias' prophecy and regards it as gibberish. Oedipus' stubborn persistence will ultimately lead to his mother's death. At the end of the play Oedipus becomes aware that he was adopted and instantaneously investigates his origin. Jocasta, Oedipus' wife hesitantly encourages Oedipus to end his identity search, fearing that Oedipus would learn of his shameful sins of killing

In Phaedo and the The Odyssey, the main characters, Socrates and Odysseus, provide examples of different lifestyles. When conversing with his followers for the last time, Socrates’s thoughts demonstrate his views on the life of a philosopher. Comparatively, Odysseus lives the life of an epic hero aiming to return home. In their respective stories, both characters confront death, either their own or another character’s. Due to the developments in Phaedo and The Odyssey, I will argue that people's views of the afterlife stand as the main determination for how they believe they should live their lives.

Daniel Nierenberg Comparative Essay 11-20-01 "Oedipus Rex" & "Antigone" It is only natural that an author use similar vessels of literature, such as figurative language, literary devices, and elements in his/her work. It is even more apparent between works that are connected by character, time, and theme. Sophocles did this when he wrote "Oedipus Rex" and "Antigone". When comparing the two pieces, it becomes evident that very similar vessels connected these very different plays.

To describe the world of Oedipus Rex I have selected the phrasing; “false sense of security”. Although it was not the concluding word on my tree, I realized that it was important to describe the play and its world as such. Having a “false sense of security” could be a feeling that the characters have but it could also be an underlying contribution to the play itself. Think of it as that feeling when the characters on stage assume they are overly secure but we, as audience members, start to realize that they are actually not. This describes the world in which the character, Oedipus, lives in. One filled with fate, denial, spirituality, dependence, fear, smugness, and blindness. All of these words which create a false atmosphere.

“Oedipus Rex” was a Greek Tragedy written by Sophocles in the fifth century BC. It was the first of a trilogy of plays surrounding the life of Oedipus. Sophocles wrote over 120 plays approximately 100 years before Aristotle even defined a tragedy and the tragic hero. Aristotle’s definition of a tragedy is “… an imitation of an action of high importance, complete and of some amplitude; in language enhanced by distinct and varying beauties; acted not narrated; by means of pity and fear effecting its purgation of these emotions” (Kennedy and Gioa 2010). According to Aristotle there were six elements to a tragedy: the plot, the character, the

The effect of pride is the centers piece of man’s perpetual role in his own destruction. This is illustrated by various characters’ such as Creon in Antigone by Sophocles, Oedipus in Oedipus the King by Sophocles and the Trojans in the Aeneid by Virgil. In the Antigone we see the consequence of one’s pride and desire for power take hold, when Creon decides to punish Antigone for disobeying the law off the land and proving Polynices with a burial. The disregard for any form of sympathy would eventually come to hunt Creon, in a reversal of fortune that would see him loose not only his power but his family as well. A similar pattern is observed in the Aeneid by Virgil, where the Trojans filled with pride and neglecting the voice of reason,

Humans can attempt to avoid a certain fate but if destinies are fixed they cannot be altered. Sophocles supports the notion that free will eludes us in works such as Oedipus the King and Antigone. Oedipus, Creon, Antigone, and Tiresias are characters in these epics whose lives represented the battle of truth and wisdom. Oedipus attempted to escape the prophecy in which he killed his own father and married his mother. He hastily discovered his past while trying to cure his city, and his efforts to change his fate fail when the prophecy is realized. His daughter Antigone wanted revenge after Oedipus’ death. Creon would not bury her brother so she did it herself and then allowed Creon to punish her by enclosing her in a tomb. She believed in

Over the course of history, rulers have been looked as responsible for the wellbeing of the people and a representation of the civilization. These rulers have often been strong dominant males, as depicted in Sophocles’ two Greek tragedies, Oedipus the King and Antigone. The plays are written in a series falling into the same setting. Oedipus and Creon both deal with being rulers in contrasting styles and we can see their true characteristics when stressful situations arise during their respective reigns. Oedipus is portrayed as a strong, yet fair ruler to his citizens. However, when Creon obtains power soon after, he embodies conflicting ideals and looks to serve his personal ego. Unlike Creon from Sophocles’ Antigone, Oedipus in Oedipus the King values his family, recognizes the importance of women, and serves well as a king. As a result, Oedipus’ demise was due to fate; however Creon’s demise was his own construction.

Oedipus the King by Sophocles is about Oedipus, a man doomed by his fate. Like most tragedies, “Oedipus the King” contains a tragic hero, a heroic figure unable to escape his/her own doom. This tragic hero usually has a hamartia or a tragic flaw which causes his/hers’ downfall. The tragic flaw that Sophocles gives Oedipus is hubris (exaggerated pride or self-confidence), which is what caused Oedipus to walk right into the fate he sought to escape.

Sophocles ' play “Oedipus Tyrannus” is an enigma. His play includes incest, murder and self-enlightenment all leading into the main theme of fate. Athenians believed that fate is not left up to man, but that is provided solely on the whims of the gods. Because of his dramatic approach to his plays Sophocles was considered one of the most brilliant and creative writers of his time.

The answer to the question of whether personal desires affect people’s actions more than the influence of others may seem like a one sided answer. However, upon closer inspection, it is acceptable to say that although some would argue that people’s own desires dictate their actions, the influences of others play a more prominent role in how an individual acts. The Greek tragedies “Medea” and “Oedipus Rex” are both stories that explore this controversial topic. “Oedipus Rex” follows the story of a king named Oedipus. His land is plagued, and the only way to get rid of this plague is to exile the one who killed the previous ruler of Thebes. Oedipus begins his search, along the way communicating with people that help him learn