Oedipus Rex

Sophocles has a harsh and tragic style. He is a master at dramatic tragedies and irony. Oedipus Rex is scattered with ironic and very tragic moments. He also uses the chorus as a way to comment on a subject in the play. Foreshadows using various methods. He also uses imagery, rhetoric questions and metaphors.

Oedipus is the king of Thebes and unknown to him he is married to his mother Jocasta queen of Thebes. He does not realize that many years ago he had killed his real father without knowing it. Oedipus is seen as god like to the people of Thebes because it was him who solved the sphinxes riddles. In the play he is accused by Teiresias of killing the king and Oedipus blames his brother in law and kreon of trying to over throw him. Then his wife Jocasta comes into the scene and tells a story of how the king was killed. It is then that Oedipus learns of his childhood and becomes more suspicious then ever. He then calls a shepherd and a messenger to help answer questions. The people tell him to stop asking about the death because he may not like the answer but Oedipus makes the ultimate sacrifice and continues to

In Aristotle's work, the tragic hero can get caught up by hamartia which ends up leading him to his downfall. In Oedipus the King, which is a tragic play that is written by Sophocles it shows King Oedipus having many different flaws that are under the protection of hamartia that include madness, stubbornness, and pride that soon that end up leading to his final death. Oedipus shows an attitude of stubbornness during the progression of the play. Oedipus' stubbornness is uncovered early in the play when Tiresias who is a prophet of Apollo, mentions to Oedipus to terminate the investigation of Laius' killer. Oedipus quickly disagrees with him, he wants to find the man who murdered Lauis and brought the plague upon Thebes. Oedipus states, "By all the gods, do not deny us what you know. We ask you, all of us, on bended knees." Tiresias' persistence to withhold the truth is demolished by Oedipus' stubbornness and madness. Tiresias surrenders to Oedipus' stubbornness and states the truth which outrages Oedipus; "...The murder of the man whose murder you pursue is you." Oedipus stubbornness is so overpowering that he disregards Tiresias' bluntness without even a slight thought. Oedipus' statement, "To your heart's content. Mouth away!" which obviously shows his stubbornness when he disregards Tiresias' prophecy and regards it as gibberish. Oedipus' stubborn persistence will ultimately lead to his mother's death. At the end of the play Oedipus becomes aware that he was adopted and instantaneously investigates his origin. Jocasta, Oedipus' wife hesitantly encourages Oedipus to end his identity search, fearing that Oedipus would learn of his shameful sins of killing

4. What attitude toward the gods does Oedipus exhibit after learning of Polybos' death? Again in light of ode 2, what is foreshadowed by Oedipus' statement? What effect upon the audience might the similarity of reactions of Oedipus and Jocasta have?

“Oedipus Rex” was a Greek Tragedy written by Sophocles in the fifth century BC. It was the first of a trilogy of plays surrounding the life of Oedipus. Sophocles wrote over 120 plays approximately 100 years before Aristotle even defined a tragedy and the tragic hero. Aristotle’s definition of a tragedy is “… an imitation of an action of high importance, complete and of some amplitude; in language enhanced by distinct and varying beauties; acted not narrated; by means of pity and fear effecting its purgation of these emotions” (Kennedy and Gioa 2010). According to Aristotle there were six elements to a tragedy: the plot, the character, the

From the very beginning, what makes Oedipus ' actions in his quarrel with Teiresias and also throughout the play so dramatically compelling, is the fact that the audience knows the outcome of the story. We know Oedipus ' fate even before he does, and there is no suspense about the outcome itself, instead, the audience anxiously awaits Oedipus to reveal his fate unto himself in his desperate quest to rid his city of the terrible plague, or maybe even more so, to simply discover his own unfortunate tale. Oedipus is relentless in his pursuit of the truth, and his determination is commendable. There is nothing that compels him to act in this way, instead he freely chooses, with much zeal, to initiate the chain of events that will ultimately lead to his downfall. It is this interplay between Oedipus’ own free will and his fated eventuality that is the crux of the play, and constitutes the main dramatic power.

Aristotle’s “The Poetics” describes the process of a tragedy. It is not the guide per se of writing a tragedy but is the idea’s Aristotle collected while studying tragedies. A tragedy, according to Aristotle, consists of six major points. The first and most important is the plot, which is what all the other points are based on. Such points are: character, language, thought, melody, and spectacle (Aristotle). A prime example of the usage of these parts in a tragic drama is evident in Sophocles’ “Oedipus Rex”.

In the Poetics, Aristotle provides an outline of how the artist is to portray or represent the perfect Tragedy. A Tragedy, of course, was nothing more than a drama, in which the characters appeared "better" than in real life (in a comedy, they appeared "worse," according to Aristotle). Aristotle's Poetics makes several references to other dramatic works to illustrate his points, but he most commonly calls upon The Odyssey to support his argument for how a dramatic structure should be designed. However, along with the Odyssey, Aristotle extensively references Sophocles' Oedipus Rex. Both poetic works were enormously popular in their time (the former had been passed down orally for generations, and the latter won the top prizes at the dramatic festivals). Therefore, Aristotle is comfortable using both to support his viewpoint concerning Tragedy and the Tragic Hero. This paper will analyze the standards that Aristotle sets out concerning the definition of the Tragic Hero and show how Sophocles' Oedipus exemplifies Aristotle's definition of a Tragic Hero.

Oedipus is one of the most famous tragic heroes in drama history. His bizarre fate leads him to a tragic defeat that leaves the audience and reader feeling emotionally overwhelmed. According to Aristotle’s definition, Oedipus’ story makes him as a tragic hero. Oedipus is the personification of Aristotle’s characterization of a tragic hero through his ability to maintain and keep his virtue and wisdom, despite his shortcomings and situation in life. Aristotle’s observation of a tragic hero does not reveal the lack of morality or the evil of the character, based on an error in judgment. The tragedy and drama fit the Aristotelian characteristics of Oedipus.

Oedipus the King by Sophocles is about Oedipus, a man doomed by his fate. Like most tragedies, “Oedipus the King” contains a tragic hero, a heroic figure unable to escape his/her own doom. This tragic hero usually has a hamartia or a tragic flaw which causes his/hers’ downfall. The tragic flaw that Sophocles gives Oedipus is hubris (exaggerated pride or self-confidence), which is what caused Oedipus to walk right into the fate he sought to escape.

     The heart of the story unravels when Oedipus apparently begins to suffer a reversal of fortunes. At the beginning of the play, Oedipus is referred to by the priest as the “king of the land, [the city of Thebes’] greatest power” (16). Through all of Thebes he is thought of as a hero, a man who saved the city from the Sphinx and in his bravery has promised to find the killer of King Laius in order to save the city from doom and death. However, at the climax of the story Oedipus learns that he has been “cursed in [his] birth, cursed in marriage / and cursed in

Tragedy as an element of the human experience has been the subject of many of the great works of literature written in the Western tradition. For some, tragedy embodies the highest form of humanity. It is through suffering that we are able to reveal ourselves most completely. Others see tragedy as an element of morality where we are to learn well the lessons of those who tempt the gods. The Ancient Greek philosopher, Aristotle, outlined a theory of tragedy as archetypal drama in his classic work, the Poetics. He uses the play by Sophocles, Oedipus the King (hereafter "Oedipus"), as the standard model by which all other tragedies are measured. In Aristotle's view, a perfect

Many questions were raised against Oedipus in class argument about his character flaws, running from the fate, killing his father, marrying his mother, and insulting prophet etc. Here I would try to answer as much I can.

The plot is characterized as the structure of the play because it is the order in which the scenes are presented to the audience. They consist of a cause-and-effect chain in which the outcomes are dependent upon. A plot must be whole, consisting of a beginning, or incentive moment where the cause and effect chain begins, a middle, or climax where the problem is presented, and an end, or resolution. Oedipus Rex consists of a whole plot. The incentive moment that begins the cause-and-effect chain is when Oedipus promises to save his country from the plague that has hit in Thebes and, as king, orders his brother-in-law, Creon, to go to the oracle to find a solution. When Creon returns, he explains that the oracle has said in order to get rid of the plague, they have to exile or kill the unknown person who murdered the last king, Laius. The beginning of the play establishes the problem and how to reach the solution. The Climax starts when a messenger from Corinth comes to Oedipus and informs him that Polybus has died. Jocasta insists that because Polybus died of natural causes, the prophecy that he would kill his father isn’t true. However, the messenger later on confesses to Oedipus that he isn’t Polybus’ real son. He explains that he used to be a shepherd and found a baby on a hill by one of Jocasta’s old servants, that had pins in his ankles. After finding out this news, Oedipus begins to search for the servant who left him on the hill so he could find out who his real

According to Aristotle's theory of tragedy and his definition of the central character, Oedipus the hero of Sophocles is considered a classical model of the tragic hero. The tragic hero of a tragedy is essential element to arouse pity and fear of the audience to achieve the emotional purgation or catharathis. Therefore, this character must have some features or characteristics this state of purgation. In fact, Oedipus as a character has all the features of the tragic hero as demanded by Aristotle.