Oedipus Rex: The Convention of a Tragic Hero, Perfected The works of Sophocles have acted as paradigms of playwriting since their conception due, in large part, to the fact that the content, structure, and style of these pieces adhere to the traditional form that distinguishes the canons of ancient Greek theater and literature. Oedipus the King essentially embodies the formative elements of the classic tragedy (the “status-quo”), as outlined by Aristotle only one hundred years later in The Poetics; most especially in terms of the titular character, Oedipus Rex. To define the Aristotelian “tragic hero”, the character must be a high-born leader of relatively upstanding moral integrity who experiences a sharp downfall as a result of his hamartia (an error in judgement) and as a result experiences a fate worse than he might deserve, thus arousing feelings of pity and fear. Sophocles does not appear to make any attempt to challenge this status-quo in regard to the nature and the story arc of the protagonist— on the contrary, he crafts Aristotle’s own ideal tragic hero. One of Aristotle’s first requisites for a tragic hero is “moral worth,” however, of a different brand than contemporary definitions might suggest. Though modern connotations of the word “hero” often associate man with unattainably infallible standards of good, this was not customary of a Greek tragedy. Rather, a hero was expected to exhibit certain faults in order for the audience to better identify with the
The definition of tragedy is great suffering, destruction, or distress like a disaster. The term is commonly used in our society but where did it come from. Aristotle, an ancient greek philosopher, laid the foundation for the definition of a tragedy that we still use today. His idea of tragedy is a character who makes a judgment error that inevitably lead to his or her own destruction. He called this a tragic hero. Aristotle's’ idea was based on five specific characteristics. The characteristics were hamartia, peripeteia, anagnorisis, hubris and lastly, the character’s fate must be greater than deserved. The book, Oedipus The King, written by Socrates, fits Aristotle’s idea perfectly. Oedipus is an ideal tragic hero because he goes through all the five specific characteristics throughout the book.
Oedipus is described as a hero with god-like qualities. They worship him. The people of Thebes for instance believe that Oedipus ascended to the throne through God’s guidance. Sophocles play Oedipus definitely exemplifies Aristotle definition of a tragic hero. Oedipus is not only a king but a person born a noble. Oedipus takes his fate into his own hands and takes his decisions head on. He is his own cause of the things happening around him, to him and in his life. Sadly, his life falls apart, but by his own doing. He has to suffer the consequences of his actions in many ways. First, he forces Teiresias to reveal his destiny as well as his father’s name. Teiresias tries to avoid all these questions but in the end he has to head warning to Oedipus against forcing him to reveal those details. Oedipus is relentless and is determined to find the truth. He continues questioning Teiresias further. Teiresias finally
Aristotle’s tragic hero is one of the most recognizable types of heroes among literature. A tragic hero combines five major points all of which have to do with the hero’s stature in society, his faults, how these faults effect him, the punishment his faults gets him, and how he reacts to this punishment. Aristotle explained that the story of Oedipus the King, written by Sophocles, is a perfect example of a tragic hero. In the play, Oedipus is given a prophecy in which he is told that he will kill his father then marry his mother. As in many Greek plays, Oedipus tries to run from his prophecy and ends up fulfilling exactly what it is foretold. Through the play we see that Oedipus posses many of the characteristics
“Oedipus Rex” was a Greek Tragedy written by Sophocles in the fifth century BC. It was the first of a trilogy of plays surrounding the life of Oedipus. Sophocles wrote over 120 plays approximately 100 years before Aristotle even defined a tragedy and the tragic hero. Aristotle’s definition of a tragedy is “… an imitation of an action of high importance, complete and of some amplitude; in language enhanced by distinct and varying beauties; acted not narrated; by means of pity and fear effecting its purgation of these emotions” (Kennedy and Gioa 2010). According to Aristotle there were six elements to a tragedy: the plot, the character, the
Discuss whether or not a hero who is tragic by trait and definition can exist within the structure of the monomyth.
In the Poetics, Aristotle provides an outline of how the artist is to portray or represent the perfect Tragedy. A Tragedy, of course, was nothing more than a drama, in which the characters appeared "better" than in real life (in a comedy, they appeared "worse," according to Aristotle). Aristotle's Poetics makes several references to other dramatic works to illustrate his points, but he most commonly calls upon The Odyssey to support his argument for how a dramatic structure should be designed. However, along with the Odyssey, Aristotle extensively references Sophocles' Oedipus Rex. Both poetic works were enormously popular in their time (the former had been passed down orally for generations, and the latter won the top prizes at the dramatic festivals). Therefore, Aristotle is comfortable using both to support his viewpoint concerning Tragedy and the Tragic Hero. This paper will analyze the standards that Aristotle sets out concerning the definition of the Tragic Hero and show how Sophocles' Oedipus exemplifies Aristotle's definition of a Tragic Hero.
Oedipus is one of the most famous tragic heroes in drama history. His bizarre fate leads him to a tragic defeat that leaves the audience and reader feeling emotionally overwhelmed. According to Aristotle’s definition, Oedipus’ story makes him as a tragic hero. Oedipus is the personification of Aristotle’s characterization of a tragic hero through his ability to maintain and keep his virtue and wisdom, despite his shortcomings and situation in life. Aristotle’s observation of a tragic hero does not reveal the lack of morality or the evil of the character, based on an error in judgment. The tragedy and drama fit the Aristotelian characteristics of Oedipus.
Oedipus Rex, or Oedipus the King is Sophocles’s first play of “The Theban Cycle.” It tells the story of a king that tries to escape his fate, but by doing so he only brings about his downfall. Oedipus is a classic example of the Aristotelian definition of a tragic hero. Aristotle defines a tragic hero as a basically good and noble person who causes his own downfall due to a flaw in his character.
A tragic hero, as defined by Aristotle, is a man who is great but also terribly flawed, who experiences misfortunes while still remaining admirable to the audience at the end of the play. One of Aristotle’s favorite works, Oedipus the King, a play by Sophocles, is a play that above all others, defines the meaning of what a true tragic hero really is. In the play, Oedipus the King, the story unfolds after Oedipus unintentionally kills his own father and goes on to marry his mother. The events of the play are tragic, but it is the way that Oedipus handles the tragedies that make him a tragic hero.
Sophocles's Oedipus Rex is probably the most famous tragedy ever written. Sophocles's tragedy represents a monumental theatrical and interpretative challenge. Oedipus Rex is the story of a King of Thebes upon whom a hereditary curse is placed and who therefore has to suffer the tragic consequences of fate (tragic flaws or hamartia). In the play, Oedipus is the tragic hero. Even though fate victimizes Oedipus, he is a tragic figure since his own heroic qualities, his loyalty to Thebes, and his fidelity to the truth ruin him.
According to Aristotle, "the hero of tragedy should be "a man who is neither a paragon of virtue and justice nor undergoes the change to
Tragedy as an element of the human experience has been the subject of many of the great works of literature written in the Western tradition. For some, tragedy embodies the highest form of humanity. It is through suffering that we are able to reveal ourselves most completely. Others see tragedy as an element of morality where we are to learn well the lessons of those who tempt the gods. The Ancient Greek philosopher, Aristotle, outlined a theory of tragedy as archetypal drama in his classic work, the Poetics. He uses the play by Sophocles, Oedipus the King (hereafter "Oedipus"), as the standard model by which all other tragedies are measured. In Aristotle's view, a perfect
Throughout Poetics, Aristotle describes what traits a tragedy must have to be successful. To support these choices, he makes use of a small analysis of many tragedies, including many of Sophocles’ plays; Oedipus Rex is one of the plays mentioned in Aristotle’s Poetics. Some of these traits include a successful plot structure, recognition scenes, and a correct choice for its hero. In Oedipus Rex, Sophocles fulfills all of these requirements.
Thesis: In Sophocles’ “Oedipus”, Oedipus is exemplified as a tragic hero according to Aristotle’s definition because his story appeals to the reader’s humanity in the way he maintains his strengths after inadvertently causing his own downfall.
According to Aristotle's theory of tragedy and his definition of the central character, Oedipus the hero of Sophocles is considered a classical model of the tragic hero. The tragic hero of a tragedy is essential element to arouse pity and fear of the audience to achieve the emotional purgation or catharathis. Therefore, this character must have some features or characteristics this state of purgation. In fact, Oedipus as a character has all the features of the tragic hero as demanded by Aristotle.