Oedipus The King

In Aristotle's work, the tragic hero can get caught up by hamartia which ends up leading him to his downfall. In Oedipus the King, which is a tragic play that is written by Sophocles it shows King Oedipus having many different flaws that are under the protection of hamartia that include madness, stubbornness, and pride that soon that end up leading to his final death. Oedipus shows an attitude of stubbornness during the progression of the play. Oedipus' stubbornness is uncovered early in the play when Tiresias who is a prophet of Apollo, mentions to Oedipus to terminate the investigation of Laius' killer. Oedipus quickly disagrees with him, he wants to find the man who murdered Lauis and brought the plague upon Thebes. Oedipus states, "By all the gods, do not deny us what you know. We ask you, all of us, on bended knees." Tiresias' persistence to withhold the truth is demolished by Oedipus' stubbornness and madness. Tiresias surrenders to Oedipus' stubbornness and states the truth which outrages Oedipus; "...The murder of the man whose murder you pursue is you." Oedipus stubbornness is so overpowering that he disregards Tiresias' bluntness without even a slight thought. Oedipus' statement, "To your heart's content. Mouth away!" which obviously shows his stubbornness when he disregards Tiresias' prophecy and regards it as gibberish. Oedipus' stubborn persistence will ultimately lead to his mother's death. At the end of the play Oedipus becomes aware that he was adopted and instantaneously investigates his origin. Jocasta, Oedipus' wife hesitantly encourages Oedipus to end his identity search, fearing that Oedipus would learn of his shameful sins of killing

Charles could see Erik giving up as sharply as he felt it, the small spark that he’d come to label in his own mind as ‘life force’ dwindling to an ember and extinguishing. He was stepping forward before he could stop himself, blooding rushing in his ears against time as he spoke. “Dēsístite!“

In Oedipus the King, the protagonist, Oedipus, played a major role in the plot of this play. Both his stubbornness and his swift responses are strong qualities that he possesses, and they will prove to be both an asset to him, and a liability that will eventually lead to his demise. Before being crowned as king of Thebes, Oedipus was hailed as savior of the city after he single handedly solved the riddle of the Sphinx, and freed the city from the plague. He would be called upon once again to save the city from the plague that had been placed upon them by Sphinx, but this time serving as king. Acting swiftly and proactively, Oedipus send his brother in-law, Creon, to the oracle in Delphi in the hopes of gaining some advice on how to get rid of the plague before the citizens of Thebes become overly worried. In this situation, his swiftness proved to be an asset to him. As the play continues, and the situation changes, his stubbornness and swiftness will become a major liability to him. After receiving news from Creon that the only way to rid the city of the plague was to expel the murderer of Laius (former King of Thebes), Oedipus vows to find the murderer and begins the process of questioning those around him. The first person he questions is Tiresias (the blind prophet), who after threatening him, tells Oedipus that he in fact is the murderer of Laius. Oedipus’s stubbornness gets the better of him and he refuses to believe what Tiresias has told him. He then accuses both

Many people believe that fate has planned out their lives and despite efforts on their part what was meant to happen, will eventually happen. This belief has been handed down over the centuries from some of the first civilizations, such as the Greeks. However, not all Greek citizens wanted destiny to take control of their lives. Some decided to choose freewill over the will of the gods. In Oedipus the King, Sophocles writes a cautionary tale meant to warn the doubters in Greek society that regardless of their beliefs in gods and prophecies, it is necessary to heed their warnings. Oedipus, Jocasta, and Laius are Sophocles’ characters that prove that escaping one’s fate is not possible, as each of their predicted fates is realized despite extensive efforts to thwart them.

From the very beginning, what makes Oedipus ' actions in his quarrel with Teiresias and also throughout the play so dramatically compelling, is the fact that the audience knows the outcome of the story. We know Oedipus ' fate even before he does, and there is no suspense about the outcome itself, instead, the audience anxiously awaits Oedipus to reveal his fate unto himself in his desperate quest to rid his city of the terrible plague, or maybe even more so, to simply discover his own unfortunate tale. Oedipus is relentless in his pursuit of the truth, and his determination is commendable. There is nothing that compels him to act in this way, instead he freely chooses, with much zeal, to initiate the chain of events that will ultimately lead to his downfall. It is this interplay between Oedipus’ own free will and his fated eventuality that is the crux of the play, and constitutes the main dramatic power.

In the opening scene, Oedipus reveals that he really, truly cares about his people. “Oedipus’ first words, and the very fact that he has appeared in person to meet a delegation of Thebans, show that he is a man of compassion” (p.3). He reveals that he is a smart leader that has control of his emotions. He is able to be strong for his people, while still remaining transparent, and tell them the truth about the plague affecting their city; this shows the relationship he has with his community. The Thebans gathered outside the palace to ask him to take action and he is willing to do whatever he can to save Thebes. Oedipus seeks to find justice and the cause of the plague that is killing the people of Thebes so he can put an end to it.

Before there was the play, Oedipus the King, there was King Laius and Queen Jocasta, rulers of the cursed Thebes. However, things weren’t going their way as Laius learned from the oracle that his son, which was trying to have, would kill him and marry his wife. With this information, he said that he wouldn’t have a son, but by that time, it was too late. And with that, he ordered a servant to bind the child to the wild, and let nature the rest. However, the servant couldn’t bare it, so the servant decided to send the child to Corinth, another kingdom, as he would be raised by royalty. Yet, that wouldn’t last long as Oedipus, the named son, was told by the oracle that would eventually kill his father and marry his mother. Determined not to follow that fate, he left home and head towards Thebes, where he would do his father no harm. Little did he know that during his travels, he would meet Laius, his real father, and get into a fight, eventually killing him. After that, he decided to be a hero and solve the riddle of the Sphinx, where he

Like all classical Greek tragedies, Sophocles’s Oedipus the King features a chorus that sings several odes over the course of the play. In Sophocles’s play, the chorus is composed of old Theban men and represents the population of Thebes as a whole. The chorus recites a parodos, four stasima, and a brief exodus. Through the choral odes, Sophocles reflects on the events and motifs of the play, including piety and faith in the Gods, the inevitability and the uncertainty of fate, and the dichotomy of right and wrong.

Oedipus the King by Sophocles is about Oedipus, a man doomed by his fate. Like most tragedies, “Oedipus the King” contains a tragic hero, a heroic figure unable to escape his/her own doom. This tragic hero usually has a hamartia or a tragic flaw which causes his/hers’ downfall. The tragic flaw that Sophocles gives Oedipus is hubris (exaggerated pride or self-confidence), which is what caused Oedipus to walk right into the fate he sought to escape.

King of Thebes, owner of a family tree that identically resembles Medusa on a bad hair day, and the inspiration for a psychologically-riveting complex, Oedipus, tragic hero of Sophocles’ Oedipus the King, exposes troubling truths about the human condition and, acting as an exemplary precaution for the entirety of humanity, demonstrates how a self-destructive struggle between love, anger, and fate, conveyed through an unorthodox love affair between mother and son (Who gets custody in a divorce?), an inhuman fight where son slays father and an uncomfortably persistent aphorism that fate trumps all relates to not only the prehistoric Athenians who saw the play live but to the modern man, some two-and-a-half-thousand years later. As the climax gets closer, the plot falling together, twisting around, characters tragically dying left and right, Sophocles stops dramatically veiling his message and unfurls his honesty about the inescapable destiny of humanity. The crowds pile out, reflecting on what Oedipus’ cataclysmic undoing means to their life. Still trembling from the recent emotionally-impactful katharsis, the Athenians realize that Oedipus’ multitudinous achievements account to nothing once met with inexorable human stupidity and transpose this dilemma to their own relative prosperity and the plague-ridden Athens, now sure of their looming doom, restlessly awaiting the apocalyptic fate that conquered Oedipus.

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The ancient Greek philosopher Aristotle once identified the key ingredients of the tragedies that his culture is so famous for. These ingredients include a character with a fatal flaw, the realization of the fault for a particular problem and the final sudden reversal of fortune. For many tragedies, the fatal flaw is demonstrated as excessive pride, which usually serves as the driving force of the play’s action. It is common, even beneficial, to have pride in oneself, but when it becomes expressed as arrogance or in defiance of one’s fate, it is considered excessive and often leads men to engage in activities that will lead to their downfall. Aristotle (1998) stated “the tragic hero falls into bad fortune because of some flaw in his

As I stated in a previous essay, Oedipus The King is a play by Sophocles which belongs to the genre of tragedy and focuses on a man named Oedipus, king of a place called Thebes, and his efforts to put an end to a plague that has devastated the city. He believes that in order to put an end to the plague, he must find the man that murdered the previous king of Thebes; a man by the name of Laius (Sophocles pg.8-10). Prophecy plays an important role in this play and as Oedipus’ investigation progresses, he ends up finding out a lot of things about himself and his origins resulting in conflict between the characters and Oedipus himself.

Like most greek tragedies, Oedipus the King had a tragic hero whose downfall was the result of a tragic flaw. Oedipus, like other greek characters, did not see his errors until his reign was coming to an end. Oedipus, the man who saved Thebes did not understand that every good thing must come to an end. A tragic hero defined by Aristotle has five characteristics that lead to their downfall and their understanding of why the situation happened. Oedipus is the ideal tragic hero because his downfall followed the five characteristics.

In all the passages that have been written through history on how an excellent man should behave, one writing stands out from all of them. Aristotle’s, The High-Minded Man. This manuscript explains that for any play to be truly considered a tragedy, its hero must meet Aristotle’s standards for a high-minded man. In the tragedy of Oedipus Rex, by Sophacles, Oedipus clearly meets the requirements to be called a high-minded man. Oedipus is expressive about his thoughts, exceptionally important in society, and lastly an honorable man.