Oedipus The King

Oedipus’ pride and a heightened sense of confidence is very conspicuous throughout the play Oedipus Rex. From the beginning of the play, Oedipus accepts the idea that he can avoid the prophecy given to him by the gods. Oedipus is also seen interrogating Creon and attempting to banish him with Tiresias towards the end of the play because they are saying facts corresponding to the prophecy. He tries to become like a god himself by thinking he could control his own fate. Although Oedipus’ pride can be justified by his accomplishments of being king; the tragedy of Oedipus is the pure result of his overwhelming pride because he killed his father, mocked Tiresias, and blinded himself.

Oedipus also displays this uncompromising attitude in his devotion to Thebes. Oedipus' loyalty to Thebes is another factor that led to the tragic figure's ruin. Aristotle explains that a tragic character is just and good, but fatal error, pride(possibly hubris), or frailty brings about his misfortune. Oedipus fits this description perfectly. Oedipus could easily have left the city of Thebes and let the plague take its course he “would be blind to misery/ not to pity [his] people kneeling at his feet”. When Apollo's word comes back in the hand of Creon, Oedipus could leave the murder of Laius uninvestigated as it had been for so long, but “rising in his pride, he protests: he pits himself in some way against whatever…seems to him to be wrong…”(Levin 178). Oedipus can not let this investigation be overlooked; he must solve the riddle of who killed King Laius because his pride overpowers him. Oedipus' pride also reveals itself again in his loyalty to the truth.

Throughout the story Oedipus feeds his ego with either power or pride. In the opening passage Oedipus addresses the people of Thebes with these words. “I thought it wrong, my children, to hear the truth from others, messengers. Here I am myself—you all know me, the world knows my fame: I am Oedipus” (Oedipus Lines 6-9). In the opening passage his referring to his fame and power. This continues to be a problem throughout the story and inevitably be his down fall. In Oedipus, Sophocles shows you that having too much power and pride can cause your down fall.

“Now my curse on the murderer. Whoever he is, a lone man unknown in his crime - or one among many, let that man drag out his life in agony, step by painful step - I curse myself as well … if by any chance He proves to be an intimate of our house, Here at my hearth, with my full knowledge, May the curse I just called down on him strike me!”(p. 1137). Oedipus’s intense pride or hubris, and his steadfast determination to uncover the mystery of Laius’s murder ironically leads him to unwittingly curse himself.

Charles could see Erik giving up as sharply as he felt it, the small spark that he’d come to label in his own mind as ‘life force’ dwindling to an ember and extinguishing. He was stepping forward before he could stop himself, blooding rushing in his ears against time as he spoke. “Dēsístite!“

“The greatest griefs are those we cause ourselves”, quote by Sophocles. Sophocles is a ancient Greek writer who created multiple plays including the tragic and heartbreaking play called Oedipus the King. Oedipus the King is a tragedy about a young king, Oedipus, who tries to help his land from disease by finding the murderer of the former king. But by solving this mystery Oedipus unravels a tragic truth about his family and fate. Over past years, they’ve been controversy of whether Oedipus is known as a tragic hero. A tragic hero is someone who makes a mistake or error that eventually leads to someone's downfall. Although there are many ways supporting Oedipus as not a tragic hero, there are multiple characteristics that define Oedipus as a

As in many other stories, the twelve different steps of the hero’s journey, which were established by Joseph Campbell, can be found. The play of Oedipus Rex, the cursed king, written by the English teacher Zachary Hamby is an example of how the hero’s journey’s twelve steps are applied in literature. The first step is called ‘Ordinary World’, which simply means that the hero of the story is still in their daily life, in their normal world. In Oedipus Rex, it means that the protagonist Oedipus is in the kingdom of Corinth where he lives as a prince.

In the events of Oedipus the King, there are many pieces of evidence contributing to my conclusion of Oedipus’ guilt. In all of greco-roman historical literature there are multiple similarities; one of which is the representation of hamartia. In this play, the protagonist’s tragic flaw is his metaphorical blindness, which ultimately leads to his literal blindness. Yes, Oedipus is a victim of fate, but every action has an equal or opposite reaction, therefore his fate does not control him; his choices do. The prophecy revealed of by the oracle of Apollo at Delphi was not inevitable, as the choices he made is what caused the prophecy to become a reality. The whole body of the play consists of him making hasty choices, that if avoided, would have prevented his prophesied fate from ever coming true.

Through the play one can see that Oedipus’ flaw is hubris. His aggression and arrogance prevents him from making rational decisions and blinds him from seeing the truth. Oedipus refutes fate and consequently, when he is forced to see reality he destroys himself. The tragedy presents hubris as a fatal flaw of human nature and therefore warns against excessive pride. Sophocles also expresses the power the gods through Oedipus’ fight against fate. Through Oedipus’ demise the audience understands that man only has free will to an extent and in the end god’s plan with follow through. The play keeps an audience entertained through drama while simultaneously depicting a warning to humanity. Overall, Sophocles’ work is revered because of the effects his precise diction

From the very beginning, what makes Oedipus ' actions in his quarrel with Teiresias and also throughout the play so dramatically compelling, is the fact that the audience knows the outcome of the story. We know Oedipus ' fate even before he does, and there is no suspense about the outcome itself, instead, the audience anxiously awaits Oedipus to reveal his fate unto himself in his desperate quest to rid his city of the terrible plague, or maybe even more so, to simply discover his own unfortunate tale. Oedipus is relentless in his pursuit of the truth, and his determination is commendable. There is nothing that compels him to act in this way, instead he freely chooses, with much zeal, to initiate the chain of events that will ultimately lead to his downfall. It is this interplay between Oedipus’ own free will and his fated eventuality that is the crux of the play, and constitutes the main dramatic power.

Oedipus believes that he can question the gods and outsmart fate, but that arrogance placed him in the position of fulfilling the prophecy and then receiving the punishment for doing so. Also Oedipus pride causes him to place the blame on others instead of himself. Oedipus was told he must looks for the person that killed the former king Laius and deliver the punishment for their crime. Oedipus pride causes him to utter the statement “I cure myself as well...if by any chance he proves to be an intimate of our house”. His ego is so big that he is sure he didn't commit the crime and if it is someone in his country he would cure himself.

Before there was the play, Oedipus the King, there was King Laius and Queen Jocasta, rulers of the cursed Thebes. However, things weren’t going their way as Laius learned from the oracle that his son, which was trying to have, would kill him and marry his wife. With this information, he said that he wouldn’t have a son, but by that time, it was too late. And with that, he ordered a servant to bind the child to the wild, and let nature the rest. However, the servant couldn’t bare it, so the servant decided to send the child to Corinth, another kingdom, as he would be raised by royalty. Yet, that wouldn’t last long as Oedipus, the named son, was told by the oracle that would eventually kill his father and marry his mother. Determined not to follow that fate, he left home and head towards Thebes, where he would do his father no harm. Little did he know that during his travels, he would meet Laius, his real father, and get into a fight, eventually killing him. After that, he decided to be a hero and solve the riddle of the Sphinx, where he

In Sophocles’ Oedipus Rex, Oedipus is tasked with finding the murderer of Laius. In order to find answers, he looks to the prophet Tiresias. However, when Tiresias does not tell Oedipus what he wants to hear, Oedipus becomes livid. Oedipus’ extreme reaction to the truth is a clear display of his hamartia. By showing the audience Oedipus’ rage and denial, Sophocles reinforces Oedipus’ tragic flaw: excessive pride, or hubris.

One of the defining qualities of Greek tragedies is hamartia, or the protagonist’s tragic flaw. This flaw or weakness drives the plot forward, and can led to the demise of even the noblest of heroes. In “Oedipus the King” written by Sophocles, the protagonist, Oedipus was plagued with excessive pride and a short temper. Oedipus’ arrogance prevented him from seeing the truth, and ultimately led to the fulfillment of the prophecy he sought to prevent.

Sophocles were well-known as a master of tragedy. Sophocles was born at Colonus, not far from Athens. Sophocles wrote over 100 different dramatic stories. “Oedipus the King” is one of his great stories that has a mix of heroics to it and yet, we feel sorry for Oedipus and his fate that was handed to him. We ask ourselves after reading “Oedipus the King” who was this man and why did he think he could run from his destiny of fate. Was Oedipus responsible for his final fate and could he have changed his fate? We are going to talk about Oedipus and how his life unfolds from his birth. Then you, the reader will decide if you feel empathy for Oedipus and was this story about a tragic hero?