Oedipus The King And Crito Analysis

The theme of sight and blindness is undoubtedly important to notice while reading Oedipus the King. The number of times the words “see” or “blind” are in the play make it make it undeniably obvious that they are significant. The theme is developed throughout the dialogue, through characters such as Tiresias and Oedipus, and also directly in the irony of the play. It is important in a play about the truth because almost every character was “blind” to the truth. All of the characters, except one, can physically see, but mentally cannot see the truth.

The tragedy embodies one’s willingness to ignore the truth and test the limits of free will in a larger aspect of the play and life. As the play progresses and Oedipus is still on the hunt to find the man who killed King Laius, a messenger is sent

Another aspect of the theme that was observed through references of blindness and sight is guilt and disgrace. From the beginning of the play, Sophocles establishes the theme of guilt which can be seen throughout the play, as Oedipus tries to find the person who was guilty for the murder of King Laius. His search to find the guilty individual leads him to the truth which is that he murdered King Laius, who was his father, and that he married his mother Jocaste. After finding this out, he enters an epiphany of guilt and shame as he recognizes this morbid fact. He says after blinding himself “If I had eyes, I do not know how I could bear the sight of my father, when I came to the house of Death,

Oedipus’ foolish decisions ultimately lead to his downfall in the play. Oedipus chooses to kill Laios. He chooses to marry Iocaste. He chooses to forcefully, and publicly, assume the mission of discovering the identity of Laios’ murderer saying ironically, “I say I take the son’s part, just as though I were his son, to press the fight for him and see it won,” (633). He proceeds on this mission and chooses to ignore the warnings of Creon, Iocaste, Teiresias, the messenger, the shepherd, and anyone who attempts to stand between him and the truth; and, he chooses to blind himself. In the end, Oedipus’ most foolish choice prevails throughout the play; the choice of illusion over reality ultimately costs him his life.

Although he is clever man, he is blind to the truth. Even though he did not know that Laius and Jocasta are his parents, He still kills a man old enough to be his father and marry a woman old enough to be his mother. One would think that a man with a disturbing prophesy over his head as Oedipus should be very careful about whom he marries or kills. The fact that a tragic hero is not perfect evokes both pity and fear. Oedipus although being a good father, husband, and son, he unwillingly destroys his parents, wife and children. Oedipus is human, regardless of his pride, his intelligence or his stubbornness and the audience recognize his humanity in his agonizing reaction to his sin. Watching this, the audience certainly moved to both pity and fear, pity for this broken man and fear that his tragedy can be their own.

One way that the play highlights the severity of Oedipus’s crimes of parricide and incest is through the chorus, which also represents how the audience is expected to react. After hearing Tiresias’s prophecy about Laius’s murderer, the chorus is horrified by the implications of what Tiresias has said, saying, “Now, even horses of the wind are too slow for his escape. The son of Zeus leaps after him with blazing thunderbolts, and the horrible death-goddesses cannot be shaken off his trail,” (Sophocles, 2003, p. 81). They are saying that the crimes are so unforgiveable that Apollo, the son of Zeus, will smite this person and they will be chased by death-goddesses, or furies, who chase those who commit crimes against their family members and basically saying that they can’t escape the justice of the gods, which turns out to be true. Later, once Oedipus realizes that he is the same baby that Jocasta tried to have killed, the chorus chimes in again saying, “O, Oedipus, one harbor served you as a child and as a father sailing into marriage.

In the beginning of the play Oedipus meets Laios on a road. Both were driving chariots and neither would yield the right of way. Laios attempts to kill Oedipus’ horses but Oedipus reacts fast killing Laios attendants and his own father, Laios. Oedipus went to Thebes to help and destroy a monster and bless their town. Because of his heroic act, Thebes recalls him again to help and find the murderer who killed their king Laios and punish the man. Oedipus goes and does everything he can to get evidence and find the man who killed Laios the king: “Is this your prayer? It may be answered. Come, Listen to me, act as the crisis demands… Until now I was a stranger to this tale, As I had been a stranger to the crime. Could I track the murderer without a clue?” (Sophocles 1. 1. 204 - 209). Teiresias, a chorus of Theban, elders tells Oedipus he is the murder who killed his father and also mentions he married his own mother along with having children. Oedipus finds all of that to believe and what Oedipus does is find more people to tell him the truth. Jocaste, wife and mother of Oedipus, tells him through the play to not believe such a thing. In Act three Scene five, Shepherd the man, who took Oedipus to Corinth city’s reveals to him that everything is true. Oedipus makes the decision to gouge his eyes out making himself blind to not see the whole catastrophe. He begs Creon to send him away from Theban

The tale of Oedipus and his prophecy has intrigued not only the citizens of Greece in the ancient times, but also people all over the world for several generations. Most notable about the play was its peculiar structure, causing the audience to think analytically about the outcomes of Oedipus’ actions and how it compares with Aristotle’s beliefs. Another way that the people have examined the drama is by looking at the paradoxes (such as the confrontation of Tiresias and Oedipus), symbols (such as the Sphinx), and morals that has affected their perceptions by the end of the play. Nonetheless, the most important aspect is how relevant the story is and how it has influenced modern ideas like that of Freud and other people of today.

In his essay, “Introduction to Oedipus the King”, Bernard Knox supports free will by stating that Oedipus’ downfall was not caused by fate. According to Knox there is not a doubt that, “Oedipus is the free agent who, by his own self-willed action, discovers that his own predicted destiny has already been fulfilled” (86). He clearly states that Oedipus is responsible for his free actions during the play. He insists that Oedipus’s made the decisions to discover the truth about himself.

Throughout the play, characters like Tiresias and King Laius respond to suffering in a way that protects others. On page 177, Tiresias is reluctant to share Oedipus’

Sophocles’s reliance on dramatic irony is apparent throughout the entire story. From the start of the play—where Oedipus searches for the murderer of the fallen king—the audience is already aware of Oedipus’s story. Ironically, readers grasp that Oedipus was the murderer of Laius and therefore the cause of the plague. Oedipus himself, however, lacks any knowledge of his participation in the event and believes that he has managed to avoid the prophecy’s fruition. As such, Sophocles’s use of the device affects the way the plot progresses. Mainly, the author bases the conflict on Oedipus’s “blindness”. It draws out the story until it reaches its climax. Throughout the play, Oedipus is in denial of his involvement in the death of Laius despite being told several times of his guilt. One such time occurred when Teiresias, an old blind prophet, reluctantly told Oedipus of his actions. As to be expected, Oedipus reject his words with scorn, threatening the old man. “Do you imagine you can always talk like this, and live to laugh at it hereafter?” (lines 425-426) Oedipus further insults Teiresias physical blindness, not realizing his own metaphorical blindness. As per dramatic irony, however, readers know the one who is truly blind was Oedipus. Teiresias further makes this apparent. “You have your eyes but see not where you are in sin, nor where you live, nor whom you live with. Do you know who your parents are?” (lines 482-484) Events such as these seem to be a recurring theme in the play. Oedipus is made aware of the truth by another character, and then he fervently accuses them. Because of this, the audience becomes familiar with the pattern. The dramatic

Sophocles Oedipus the King is a tragic play which discusses the tragic discovery of Oedipus that he has killed his father and married his mother. The story of Oedipus was well-known to the Athenian's. Oedipus is the embodiment of the perfect Athenian. He is self-confident, intelligent, and strong willed. Ironically these are the very traits which bring about his tragic discovery. Oedipus gained the rule of Thebes by answering the riddle of Sphinx. Sophocles used the riddle of the sphinx as a metaphor for the 3 phases of Oedipus' life and to further characterized him as a tragic man. The Sphinx posed the following riddle to all who came to obtain the rule of Thebes: “What is it that walks on 4 feet and 2 feet and 3 feet and has only one voice, when it walks on most feet it is the weakest?” Oedipus correctly answered “Man” and became the king of Thebes. This riddle is a metaphor for the life of Oedipus. As a child man crawls on his hands and knees this is the four feet to which the Sphinx refers. Also, man is at his weakest as a small child. He depends solely on others for his nourishment and well-being. Oedipus was the child of Jocasta and King Laius who was taken to the mountain by a Shepard to be killed so the omen of the god Apollo that Laius' son would kill him and lay with Jocasta would not come true. Oedipus was the weakest of his life at this point.

While this pride could be commendable at the beginning of the play, here it has become exaggerated to the extent that it becomes nearly absurd. His pride makes him choose to deny the truth which pushes him to presume and accuse Creon and Teiresias of treason. This demonstrates Oedipus’ blindness to the truth, the truth about the fact that Polybus and Merope are not his real parents, Jocasta is both his wife and mother as Teiresias says “ To her that gave [you] birth, [you shall be proved] a son and husband both” (Oedipus the king, Sophocles lines 536-537), he is “The land’s pollution” as Teiresias call him, referring to Oedipus as Laius’ murderer whom he is searching for and finally Oedipus is not aware that Laius is his father. During their meeting Teiresias tells Oedipus “You have your eyes but see not where you are in sin, nor whom you live with.” Here Sophocles uses the prophet’s words to emphasise Oedipus’ lack of foresight and through this metaphor of sight, he also reveals ironically that the blind prophet has a greater ability to see what is happening in Oedipus’ life unlike Oedipus who sees and understand none and has no idea of what is happening and will happen to him. Towards the end of their discussion, Teiresias prophesise using the metaphor of sight and blindness that “But soon he will be shown to be a citizen true native Theban, and he’ll have no joy of the discovery: blindness for sight and

The first reason Oedipus is given the tragic hero title is due to him being determined to improve the lives of his citizens as well as his own in the process. Oedipus wants to bring this city out of ruin and have it prosper like it should. Not only does Oedipus want to help others, but he is willing to bring closure to some infamous cases that have plagued his world such as the killing of Laius, and his adopted father. In the play, Oedipus personally takes it upon himself to send out a messenger to the oracle of Delphi in order to find more information about Laius’ killer. He also goes out of his way to find out about what happened to his adopted father. Even if Oedipus is in denial about what happened that fateful night, he is still willing to face the consequences if he came up as Laius’ killer.

"Oedipus the King" is a tragic play showing a shift from the belief of fate to freedom of choice. Therefore, Oedipus the king is a great example of those who run from fate ends up fulfilling their fate