Fahad Khan
Prof: Ian Moore
CPL 210-101
Due date: 10/20/2014
Oedipus the King The affairs in Oedipus the King, authored by Sophocles, show a relentless desire to discover the truth around Laius’ murder and the question neighboring his own birth, force him to the awful realization of his dreadful deeds. Oedipus’s pride depicts the distrust in the gods and the expedition for the truth, leave the king restless. The idea of fate and free-will which the Greeks believed to guide everything in creation to a balanced direction. The choices a manmade was simply accountable for his own actions. The concept of both fate and free-will play a extensive role in Oedipus’s destruction. Even Though, Oedipus was the sufferer of his fate, his intentions were
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“Upon the murderer I invoke this curse- whether he is one man and all unknown, or one of many- may he wear out his life in misery or doom! If with my knowledge he lives at my hearth, I pray that I myself may feel my curse,” (pg. 438; lines 266-271). While he curses the killer, he decides to curse himself too. This hubris act showed how much pride he had in himself and his free-will allowed him unknowingly to curse himself twice within that statement. However his act was sincere regarding the former king but these characteristics is what leads him to his doom. Oedipus constantly tries to flee his fate and avoid the prophecy, if he had not been so determined to challenge the Gods, his fate could have been different. Perhaps, he was cursed and had to achieve the prophecy because he was trying to escape his destiny. He plays god throughout the play he curses himself without knowing and tries to run away from reality of knowing that he might not get far. Oedipus pushes his free-will to the next level by accusing Tiresias of treason, Oedipus and Jocasta are doubtful of his prophecy. Jocasta tells Oedipus that a previous prophecy that Tiresias revealed didn’t come true and what he was saying is false. They have made the Gods angry with them at that point because of the distrust they had for the almighty. When Oedipus learns the truth about his fate he gouges his eyes out, this act would be a curse from Tiresias because he was blind
In “Things Fall Apart” by Chinua Achebe and “Oedipus the King” by Sophocles, both Okonkwo and Oedipus possess tragic flaws, which lead to their eventual downfalls, thus making both “Oedipus The King” and “Things Fall Apart” fall under the category of tragedy. This aside, these aspects of their personalities in these texts by Sophocles and Achebe are not helped by the negative twists of fate that seem to make the problems with their behavior more pronounced, thus more tragic in the end. Due—is the nature of fate as it functions in terms of tragedy and the tragic elements of both of these stories, both Oedipus and Okonkwo are partially to blame for their demise, but on the other hand, each of these characters possesses traits that seem to invite tragedy. The difference of both these stories is that Okonkwo bears more responsibility for his downfall than Oedipus, simply because he had more opportunities to change the course of his fate. Oedipus, on the other hand, despite his rash actions, is more a victim of fate than Okonkwo.
Many times in life, people think they can determine their own destiny, but, as the Greeks believe, people cannot change fate the gods set. Though people cannot change their fate, they can take responsibility for what fate has brought them. In the story Oedipus, by Sophocles, a young king named Oedipus discovers his dreadful fate. With this fate, he must take responsibility and accept the harsh realities of what’s to come. Oedipus is a very hubris character with good intentions, but because he is too confident, he suffers. In the story, the city of Thebes is in great turmoil due to the death of the previous king, Laius. With the thought of helping his people, Oedipus opens an investigation of King Laius’s murder, and to solve the mystery,
Many people believe that fate has planned out their lives and despite efforts on their part what was meant to happen, will eventually happen. This belief has been handed down over the centuries from some of the first civilizations, such as the Greeks. However, not all Greek citizens wanted destiny to take control of their lives. Some decided to choose freewill over the will of the gods. In Oedipus the King, Sophocles writes a cautionary tale meant to warn the doubters in Greek society that regardless of their beliefs in gods and prophecies, it is necessary to heed their warnings. Oedipus, Jocasta, and Laius are Sophocles’ characters that prove that escaping one’s fate is not possible, as each of their predicted fates is realized despite extensive efforts to thwart them.
Oedipus the King by Sophocles is the story of a man who was destined to kill his father and marry his mother. The story continues in the tradition of classic Greek plays, which were based upon the Greeks’ beliefs at the time. The ancient Greeks believed that their gods decided what would ultimately happen to each and every person. Since those gods destined Oedipus to kill his father and marry his mother, Oedipus’ life was definitely fated. However, the gods only decided where Oedipus’ life would eventually lead; they never planned the route he would take to get there. All the decisions that Oedipus made in order to fulfill his destiny, and the decisions he made after the fact, were of his own free will,
In Oedipus the King, Sophocles uses his protagonist, Oedipus, to explore his pursuit of knowledge, which leads to his tragic destruction. Oedipus is a favorable king who is determined to end the curse that has been brought upon the city because the murderer of his predecessor, Laius, still lies in the city. Ironically, Oedipus delivers the curse to the city because he murdered his father, Laius. Oedipus’s desire to gain knowledge and bring the murderer of Laius to justice, results in his downfall, which causes the people around him to be greatly affected as well.
Oedipus the King, written by Sophocles, follows the tragic story of a king named Oedipus who goes from an all-powerful ruler to a hopeless blind peasant. Oedipus the King was written as a play and performed in front of an audience. Sophocles shows in Oedipus the King that one cannot escape the fate of the gods. Throughout the play Oedipus struggles to find a solution and change all the troubles in his life. The play observes the story of Oedipus who defies the gods and through the journey experiences hardships in tragic flaw, tragic fall and tragic realization.
Oedipus is a man of unflagging determination and perseverance, but one who must learn through the working out of a terrible prophecy that there are forces beyond any man’s conceptualization or control. Oedipus’ actions were determined before his birth, yet Oedipus’ actions are entirely determined by the Gods who control him completely. In the beginning of this tragedy, Oedipus took many actions leading to his own downfall. He tried to escape Corinth when he learned of the prophecies that were supposed to take place in his life. Instead, he
Oedipus the King was written by Sophocles and was is titled Oedipus Rex in Latin. It is one of the most well-known Greek tragedies. As is the case with Greek tragedies—or roughly most tragedies that make their way to stage—fate plays a key role in the events in Oedipus Rex. Oedipus discovers there is a plague on his city. The only way to lift the plague is by slaying the former king’s killer. As the play’s acts unfold one discovers about the prophecy concerning Oedipus. The prophecy states that Oedipus is destined to kill his father and marry his mother. But was this just by chance or his predetermined fate.
Oedipus the King by Sophocles is about Oedipus, a man doomed by his fate. Like most tragedies, “Oedipus the King” contains a tragic hero, a heroic figure unable to escape his/her own doom. This tragic hero usually has a hamartia or a tragic flaw which causes his/hers’ downfall. The tragic flaw that Sophocles gives Oedipus is hubris (exaggerated pride or self-confidence), which is what caused Oedipus to walk right into the fate he sought to escape.
Large-scale questions of such ideas are raised in Sophocles’ play, “Oedipus the King”—a story that deals with the tragic hero, Oedipus, and his demise. Oedipus progresses through the play struggling against his own wicked destiny: the prophecy that declares that he would kill his father and marry his mother. Ultimately, Oedipus fulfills this prophecy; in fact, he had completed his fate without his own knowing and before the play even begins. Despite his belief that he was fighting against his prophesized destiny, Oedipus was ironically fulfilling it, and he slowly brings about his own downfall. He becomes a victim of his own fate. In this regard, “Oedipus the King” explores a terrifying concept: Oedipus never had free will—a puppet in every sense to the higher beings that decided his ending for him.
In “Oedipus,” Sophocles writes about a man who is hunted down by his cruel fate, and whose life is ruined in attempt to run away from it. The ancient Greek perspective reflects on the matter of the story and how the god’s highly influence the lives of humans. This viewpoint basically shows the unbounded power the Greek gods have; by being the gods of destiny, and leaving man at a helpless position. Fate plays a massive role in the lives of humans and as was believed by the ancient Greeks, their lives were simply directed by a decision of gods and goddesses. Oedipus knew his fate set by a curse cast on him; however, even when being aware it is impossible to escape fate, he still attempted to run away from it. As the play progresses Oedipus begins to understand the unbearable truth as he states “I’ve called down a dreadful curse upon myself,” followed by a response “I simply didn’t know!” (1103). It is the will of the man to realize what is inevitable and what choice is. In the Ancient Greece, Gods were praised and worshiped and any command stated by them is the undecided future. Oedipus acting as a blinded man who did not know of such fact led him to his fate and ironically is what later led him to blind himself (Gould). When Oedipus stabs his eyes out with the
Oedipus’ destiny or fate had little to do with his downfall. The prophet told Oedipus that he was destined to kill his father and marry his mother, but the prophet never mentioned Oedipus murdering Laius on the highway, or solving the Sphinx’s riddle, or accepting and taking advantage of his kingship. Oedipus blinding himself was an example of free will, “for he removed from…[Jocasta’s] garment the golden brooches which she was wearing…” by choice “…and struck the sockets of his own eyes..” blinding himself Free will and hubris, according to the ancient Greeks, were separate from unavoidable fate. Oedipus’s fate was to kill his father and marry his mother. However, everything else, including fleeing Corinth, solving the Sphinx’s riddle, and finally pursuing the truth about his life, was by his own free will, a direct result of his ego and pride. Oedipus Rex is a story about the dangers of pride and arrogance, one teaching about the importance of humility and tolerance, and one stressing about the control of hubris, a potentially perilous quality that destroyed Oedipus’s vision and his life.
King of Thebes, owner of a family tree that identically resembles Medusa on a bad hair day, and the inspiration for a psychologically-riveting complex, Oedipus, tragic hero of Sophocles’ Oedipus the King, exposes troubling truths about the human condition and, acting as an exemplary precaution for the entirety of humanity, demonstrates how a self-destructive struggle between love, anger, and fate, conveyed through an unorthodox love affair between mother and son (Who gets custody in a divorce?), an inhuman fight where son slays father and an uncomfortably persistent aphorism that fate trumps all relates to not only the prehistoric Athenians who saw the play live but to the modern man, some two-and-a-half-thousand years later. As the climax gets closer, the plot falling together, twisting around, characters tragically dying left and right, Sophocles stops dramatically veiling his message and unfurls his honesty about the inescapable destiny of humanity. The crowds pile out, reflecting on what Oedipus’ cataclysmic undoing means to their life. Still trembling from the recent emotionally-impactful katharsis, the Athenians realize that Oedipus’ multitudinous achievements account to nothing once met with inexorable human stupidity and transpose this dilemma to their own relative prosperity and the plague-ridden Athens, now sure of their looming doom, restlessly awaiting the apocalyptic fate that conquered Oedipus.
Sophocles’ play, Oedipus the King, has risen many questions concerning the main character and whether or not he acts on free will or if his future is predestined by the gods. I am going to test the theory that although Oedipus believes he is acting on his own free will, he is in fact a victim of the gods. I will analyze several different sources that discuss fate and human agency in Oedipus the King and then proceed to build my original argument on the archaic debate.
Faith is a very important aspect in life. It is the trust or the bond between your actions and yourself. Oedipus the King, by Sophocles, and Hamlet, by William Shakespeare, show really good examples of faith. They start the same, but end in opposites within themselves. Both Hamlet and Oedipus start off as curious innocent individuals, and from there just find themselves or whatever they’re trying to achieve. Both stories explain faith and share similar concepts as well as differences.