Oedipus The King, Hamlet, And She Stoops To Conquers

The Greek drama “Oedipus The King” evidently leads to the unveiling of a tragedy. Oedipus, the protagonist of the play uncovers his tragic birth story and the curse he had been baring his whole life. Oedipus is notorious for his personal insight that helped him defeat Sphinx, which lead him to becoming the king of Thebes. He is admired by the people of Thebes and is considered to be a mature, inelegant and a rational leader. From his birth, his story began with a prophecy that Oedipus would grow up to kill his father and marry his mother. Through out the play numerous people, who tell him of his unknown past, visit Oedipus. Blind to the truth he casts them away until a blind man named Therisis gives a sight of truth to Oedipus. As Oedipus learns the truth he realizes the great evil his life carries. After finding his wife and also mother hung in her bedroom, Oedipus blinds himself with the gold pins that held Jocasta’s robe. Oedipus blind to the truth is finally able to see when the old blind man visits him and tells him the truth about his life. Both metaphorically and physically sight plays a significant role in understanding the irony of a blind man seeing the truth while Oedipus who isn’t blind doesn’t seem to the truth that’s right in front of him.

Equally important to the role of fate in bringing about the downfall of Oedipus is the human flaw of arrogance that clouded Oedipus’ intellect to reason. One can ultimately see this human flaw in the beginning of the play as he says “Here I am myself – you all know me, the world knows my fame: I am Oedipus” (p 262, line 7-9). One day Oedipus heard someone say that he wasn’t his father’s son in which bothered him greatly and triggered his curiosity in whether Polybus and Merope were his biological parents. So, as a way to figure out his identity and true origins, he left to Delphi to see the Oracle. However, instead of answering Oedipus’ answer of who his true parents were, the Oracle told him of his fate that “You are fated to couple with your mother, you will bring a breed of children into the light no man can bear to see – you will kill your father the one who gave you life” (p. 297, lines 873-875). Hence, his arrogance is clearly showed as he disregards the prophecy, similar to the actions of Laius and Jocasta by escaping it, as he abandons Corinth and sets forth to a place where he “would never see the shame of all those oracles come true” (p. 297, lines 879-880). His flaw of

In Shakespeare’s Hamlet, and Sophocles, Oedipus the King, both of the main characters conform to the same classic tragic hero formula. Oedipus suffers a life based on a pre‐birth prophecy, whereas Hamlet finds himself burdened with the task of avenging his father’s death. In both situations, two kings must leave their innocence behind as the truth leads them first, to enlightenment and then to their downfall. They battle between the light, the truth and the darkness, the lie. Both Hamlet and Oedipus are similar in that they both showcase their mental state and stability, they are able to make swift decisions, and they both deal with relationships with women. Despite similarities between Hamlet and Oedipus, it is Oedipus’ consideration to do what is best for his people and city that makes him the more honourable man.

In Aristotle's work, the tragic hero can get caught up by hamartia which ends up leading him to his downfall. In Oedipus the King, which is a tragic play that is written by Sophocles it shows King Oedipus having many different flaws that are under the protection of hamartia that include madness, stubbornness, and pride that soon that end up leading to his final death. Oedipus shows an attitude of stubbornness during the progression of the play. Oedipus' stubbornness is uncovered early in the play when Tiresias who is a prophet of Apollo, mentions to Oedipus to terminate the investigation of Laius' killer. Oedipus quickly disagrees with him, he wants to find the man who murdered Lauis and brought the plague upon Thebes. Oedipus states, "By all the gods, do not deny us what you know. We ask you, all of us, on bended knees." Tiresias' persistence to withhold the truth is demolished by Oedipus' stubbornness and madness. Tiresias surrenders to Oedipus' stubbornness and states the truth which outrages Oedipus; "...The murder of the man whose murder you pursue is you." Oedipus stubbornness is so overpowering that he disregards Tiresias' bluntness without even a slight thought. Oedipus' statement, "To your heart's content. Mouth away!" which obviously shows his stubbornness when he disregards Tiresias' prophecy and regards it as gibberish. Oedipus' stubborn persistence will ultimately lead to his mother's death. At the end of the play Oedipus becomes aware that he was adopted and instantaneously investigates his origin. Jocasta, Oedipus' wife hesitantly encourages Oedipus to end his identity search, fearing that Oedipus would learn of his shameful sins of killing

Oedipus had been a lost cause since the beginning. The Greeks’ fate concept is well played in this play. Fate is not something one can run away because even knowing about it or not, one will still be dragged into the fate he or she has. One can change things about himself or herself, but at the end it was in his or her fate to change. The dimension one is in coexist with the many others one is not able to see. One may be living different lives, but at one point he or she will end up in the same point of life as the other dimensions of life.

There are two excellent tragedies in world literature, Hamlet and Oedipus the King. Oedipus the King was written by Sophocles and Hamlet was one of the famous dramas of Shakespeare. There were some similarities and several differences between the two tragedies. Although the plays were both set in different time periods, they had similar themes about fate and free will. Their plots were also analogous. However, the two main character had a major vital difference that Hamlet is a tragedy of inaction and Oedipus is a tragedy of action.

Oedipus is a man of unflagging determination and perseverance, but one who must learn through the working out of a terrible prophecy that there are forces beyond any man’s conceptualization or control. Oedipus’ actions were determined before his birth, yet Oedipus’ actions are entirely determined by the Gods who control him completely. In the beginning of this tragedy, Oedipus took many actions leading to his own downfall. He tried to escape Corinth when he learned of the prophecies that were supposed to take place in his life. Instead, he

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From the very beginning, what makes Oedipus ' actions in his quarrel with Teiresias and also throughout the play so dramatically compelling, is the fact that the audience knows the outcome of the story. We know Oedipus ' fate even before he does, and there is no suspense about the outcome itself, instead, the audience anxiously awaits Oedipus to reveal his fate unto himself in his desperate quest to rid his city of the terrible plague, or maybe even more so, to simply discover his own unfortunate tale. Oedipus is relentless in his pursuit of the truth, and his determination is commendable. There is nothing that compels him to act in this way, instead he freely chooses, with much zeal, to initiate the chain of events that will ultimately lead to his downfall. It is this interplay between Oedipus’ own free will and his fated eventuality that is the crux of the play, and constitutes the main dramatic power.

Throughout the vast history of literature, various concepts have come and gone. The idea of fate or fatalism has been a concept that has survived the test of time. Numerous characters have succumbed to the power of fate and the character of Oedipus from Sophocles’ Oedipus the King is a prime example of the vast power of fate within literature. Sophocles effectively depicts the wrath of fate as he portrays how Oedipus fell victim to fate and his efforts to disregard fate were futile. Once again fate manages to triumph and displays no character whether king or slave can avoid its gaze.

Oedipus the King by Sophocles is about Oedipus, a man doomed by his fate. Like most tragedies, “Oedipus the King” contains a tragic hero, a heroic figure unable to escape his/her own doom. This tragic hero usually has a hamartia or a tragic flaw which causes his/hers’ downfall. The tragic flaw that Sophocles gives Oedipus is hubris (exaggerated pride or self-confidence), which is what caused Oedipus to walk right into the fate he sought to escape.

Sophocles's Oedipus Rex is probably the most famous tragedy ever written. Sophocles's tragedy represents a monumental theatrical and interpretative challenge. Oedipus Rex is the story of a King of Thebes upon whom a hereditary curse is placed and who therefore has to suffer the tragic consequences of fate (tragic flaws or hamartia). In the play, Oedipus is the tragic hero. Even though fate victimizes Oedipus, he is a tragic figure since his own heroic qualities, his loyalty to Thebes, and his fidelity to the truth ruin him.

Tragedies are literary works or dramas where the main character is brought to ruin or suffers extreme sorrow, especially as a consequence of a tragic flaw or moral weakness. Oedipus the King is a Greek tragedy written by Sophocles that was first performed around 429 BC. Hamlet is a tragedy written by William Shakespeare at an uncertain date between 1599 and 1602 set in Denmark. King Oedipus and Hamlet are both tragic heroes in their plays; both characters meet an unfortunate end because of the choices they made. Although, both stories were written in different time periods by different authors, the themes in "Hamlet" and "Oedipus the King" is self- destruction of the tragic hero, decision and indecision, fate and free will.

No one can deny freewill of a person totally, so as fate. But as I m in favor of Oedipus, the protagonist of ancient Greek play “Oedipus Rex” by Sophocles. I think here in it, fate is more responsible for Oedipus’ end.

Hamlet is the typical kind of son almost every father and mother would want: intelligent, loving, caring, strong and loyal. Yet, some scholars believe that he is just another emotional character, defying our eyes to think that his acts are innocent, when his real purpose is to take his mother for himself. This gives scholars, like Ernest Jones, the impression that Hamlet’s actions were encouraged by an Oedipus complex, characterized by feelings of intense rivalry with a father figure in regards to a mother’s spousal affection. Even though there are lines that can be interpreted to show that Hamlet may have had such a desire for his mother, when these lines are examined in the full context of the