Essay on Oedipus, a Tragic Hero

By definition tragic heroes can be considered one who is held up high by society for the good deeds they bring, but is then slowly or quickly taken away from that grace and placed in a world far below what they were originally. An example of this is the excerpt and the tragedy of Oedipus the king. The play shows that the faults humanity can fall through when put into a very stressful situation. Oedipus is a tragic hero because he wants to improve the lives of his citizens, he has a major human flaw of being impulsive and easily irritable, Oedipus takes more punishment than what the play told, his life and fate was not fully under his control, and he makes a vast realization with an equal amount of change.

Creon then tries to warn Oedipus about his condemning, “To slur a good man’s name/With baseless slander is one crime-another/Is rashly to mistake bad men for good./Cast out an honest friend, and you cast out/Your life, your dearest treasure.” [pg42]. As Creon tries to convince him to go about things in a more timely, and sensible way Oedipus hears none of it and still pursues his march of getting to the bottom laying the blame elsewhere all along the way. As Creon and Teriesas both note suggestions to Oedipus’ involvement he still pursues further investigation without the littlest consideration at his own guilt. This lack of foresight, and understanding again is another cause to Oedipus’ self-inflicted downfall. However, there are many factors that contribute his downfall that he could not have prevented and were truly acts of fate and destiny. His self-assurance to his wisdom that was bred by his “mother-wit and not by bird-lore” (as he takes a stab at Teriesas pg 37) really comes to surface during his encounter with a riddling Sphinx. This inflated view of his wisdom later leads to his downfall. But it was only by fate that he ignorant Oedipus was awarded a IQ freebie from the

Oedipus is a very ignorant character. The play reveals that he killed his father and slept with his mother. To make matters worse, he has no idea that he has done either of these things. As the play progresses, hints of Oedipus’s wrongdoings pop up sporadically, yet he does not catch on until the end. Other characters realize what is going on before Oedipus does. It is Oedipus’s ignorance that prolongs his search for King Laius’s killer and his realization of his

This information makes Oedipus uneasy. He recalls having killed a man answering Laius' description at this very spot when he was fleeing from his home in Corinth to avoid fulfillment of a similar prophecy. An aged messenger arrives from Corinth, at this point, to announce the death of King Polybus, supposed father of Oedipus, and the election of Oedipus as king in his stead. On account of the old prophecy Oedipus refuses to return to Corinth until his mother, too, is dead. To calm his fears the messenger assures him that he is not the blood son of Polybus and Merope, but a foundling from the house of Laius deserted in the mountains. This statement is confirmed by the old shepherd whom Jocasta had charged with the task of exposing her babe. Thus the ancient prophecy has been fulfilled in each

Considered one of the greatest dramas of all time, Sophocles’ play Oedipus the King follows the tragic life of Oedipus, king of Thebes. Considered a Satyr play, the Oedipus trilogy is perhaps the most famous of Sophocles’ plays. Oedipus the King, is an Athenian tragedy that was first performed somewhere around 429 BC in Athens, Greece. Originally, the Greeks referred to the play as simply “Oedipus,” as that was what Aristotle referred to it as in the Poetics. Perhaps what makes this play so memorable, is Sophocles’ uses of the tragic hero as the main theme. Sophocles uses characterization and conflict to portray Oedipus as an Aristotelian tragic hero.

The messenger reveals that Polybus and his wife are not Oedipus’s real parents. Oedipus was brought to palace to be raised after being found by a Sheppard. Oedipus asks that this shepherd reveal the truth to him, but Jocasta begins to beg him not to stop to try and find out the truth. The Sheppard finally reveals that Oedipus is son of Laius. Oedipus screams when he realizes the truth about his parents. A messenger says Jocasta has hanged herself, and Oedipus has chosen to stab out his eyes. Oedipus now declares he must be punished and exiled. He asks Creon to look after his daughters, Antigone and Ismene. Creon accepts the ascendency to the throne.

621 ln. 149-150) after Creon tells him why they stopped searching for Laius’s killer. Dramatic irony is present when Oedipus tries to skirt the horrible prophecy of him killing his father and coupling with his mother, because in fleeing Corinth to avoid murdering Polybus, he is actually taking the correct path to fulfill the prophecy. Again his overconfidence and pride contributes to his impending doom; in believing that he has outwitted the gods he challenges his fate. Although he has enough reverence to the deities not to assume himself to be an equal with the gods, but greater than them it is clear through the word usage that Oedipus perceives himself to be of a greater importance than the lesser mortals that surround him “One of you summon the city here before us, tell them I’ll do everything. God help us, we will see our triumph-or our fall” (p. 621 ln. 163-165). He is conceited to think that he can shape his own destiny and the gods punish him for this arrogance.

     Throught Oedipus Rex, Oedipus displays his heroism many times. From the Prologue of the play to the moment in which he leaves Thebes, Oedipus' heroics are extremely apparent; however, at the same time, the decisions which make Oedipus a hero ultimately become the decisions which bring him to shame and exile.

Remaining true to the characteristics of Ancient Literature, Sophocles reveals Oedipus’ identity and something about his character when the Queen reveals a prophecy that was spoken to King Laios about his son, “It said that Laios was destined to die at the hands of a son born to him and me. Yet, as rumor had it, foreign bandits killed Laios at a place where three roads meet”

When Oedipus hears that he is the killer, his pride is wounded for he cannot accept the truth. His judgment is so blurred that he also begins to view Creon as a traitor for using Tiresias. Creon’s words sum up Oedipus’s rage when he said, “Oedipus, your husband, he’s bent on a choice of punishments for me, banishment from the fatherland or death” (715-717). Jocasta is even surprised with Oedipus’s unusual character, as she said, “For the love of God, Oedipus, tell me too, what is it? Why this rage? You’re so unbending” (767-769). The reason why Oedipus pride is so wounded can be because his negative experiences with the Gods. As a baby, he was condemned to death, yet he survived and learned the horrible truth of his prophecy. In attempt to escape that life, he lost belief in the word of the gods because he refused that the prophecies should come true. This struggle between God and Oedipus only tears his moral beliefs as he has to be stone cold to survive his tribulations. This meant giving no consideration against people who presently posed a great threat to him.

By definition, a tragic hero is a character who is unavoidably doomed. That hero’s fate has already been decided but the character usually spends the entire course of a story trying tirelessly and unsuccessfully to change that. Oedipus easily falls into this definition. Oedipus is also a hero that

Oedipus Rex, or Oedipus the King is Sophocles’s first play of “The Theban Cycle.” It tells the story of a king that tries to escape his fate, but by doing so he only brings about his downfall. Oedipus is a classic example of the Aristotelian definition of a tragic hero. Aristotle defines a tragic hero as a basically good and noble person who causes his own downfall due to a flaw in his character.

One moment, Oedipus is brimming with hope; the next, he’s sure that he is the killer of his father, King Laius. Every time Oedipus thinks that it can’t possibly be him, evidence proves otherwise. His wife, Jocasta, attempts to prove his innocence but “lets out part of the dire secret by her allusion to the ‘triple crossroads’” (Haigh). By attempting to assist Oedipus, she

When he learns from the oracle Delphi that he will kill his father, Oedipus runs away from Corinth to avoid the prophecy’s fulfillment. Unknown to him, he embarks on a journey that brings him closer to fulfilling the prophecy that he will defile his mother’s bed and murder the father who engendered him (951-954). It is while he is on the run from his foster father that he comes face to face with his fate; he meets and kills King Laius, his own father, at the three crossroads.

However, the driving force of Oedipus' fact-finding mission is an attempt to end the plague which racks his city. He does not realize the personal consequences his hunt will have for him, and his "loyalty to the truth" (23) is based on his ignorance of it. In fact, if we examine the events leading up to Oedipus' revelation, the incidental nature of his "quest for identity" becomes apparent. First, he summons Tiresias to name the killer, whom Oedipus does not at the time believe to be himself. Then a messenger arrives from Corinth, unbidden by the king, revealing that Oedipus is not truly Polybus' son. Finally, the shepherd reveals all of Oedipus' past, after having been called for the purpose of providing more information about Laius' death. The coincidental nature of these events is somewhat at odds with Dodds' vision of Oedipus as a sort of Greek private detective who relentlessly ferrets out clues in a self-destructive search for his parents. Oedipus is eager to find the truth, but the most pivotal witnesses for the true story of his birth either come to him of their own volition, or are convened by Oedipus in the hopes that they will tell him something entirely different. In the end, he resigns himself to the truth which would have been clear much earlier (as it was to Jocasta), had he