Essay on Oedipus and Hamlet

Images of disease dominate Shakespeare's Hamlet as well as Sophocles play, Oedipus the King, Both Hamlet and Oedipus face many problems with death. Hamlet is seeking out the killer of his father as well as Oedipus. They feel that justice hasn't been served properly and they must seek out the killer of their fathers' in order for justice to be served. In both Hamlet and Oedipus the King, there is mass turmoil amongst family relationships, the inner problems they face, and the lack of free will they had.

Hamlet by William Shakespeare and Oedipus the King by Sophocles are both tragic stories which contain many elements of which are similar and different. Although both Hamlet and Oedipus suffer from fate, Hamlet’s father is murdered by his brother Claudius, while Oedipus kills his own father. Both Hamlet and Oedipus have the opportunity to shun their fate, but the two men believe themselves to be the only individual who can resolve the predicament which they are faced with. The homeland of Hamlet and Oedipus, Denmark and Thebes, are both in a state of tumult. After Hamlet’s father’s death Denmark was presided by a new court, after Claudius, who in addition to murdering Hamlet’s father, became king by marrying his

Often the past will present answers to questions about the future as well as questions of the now, and in Oedipus Rex, Oedipus’ past plays an integral role in his pursuit of righting the wrongs that are affecting him in the present. In the play, Oedipus must identify who has killed Laius in order to exile them to solve the qualms of his people, and in a dialogue with Jocasta, who happens to be his wife as well as his mother, she reveals to him details of the death of Laius that seem far too familiar for his comfort (Sophocles 27). This revelation of information acts as a catalyst that forces Oedipus to make the connection between his past and what Jocasta is telling him. This realization that he may have been responsible for Laius’ death exposes him to the weight of the pursuit of justice sometimes hold for humans. Through this dialogue, Oedipus comes to fear that he is the culprit of the scandal that is plaguing the situation, thus putting him in the position of a criminal who will face the due punishment for the crime. This internal conflict that Oedipus experiences creates and

Considered one of the greatest dramas of all time, Sophocles’ play Oedipus the King follows the tragic life of Oedipus, king of Thebes. Considered a Satyr play, the Oedipus trilogy is perhaps the most famous of Sophocles’ plays. Oedipus the King, is an Athenian tragedy that was first performed somewhere around 429 BC in Athens, Greece. Originally, the Greeks referred to the play as simply “Oedipus,” as that was what Aristotle referred to it as in the Poetics. Perhaps what makes this play so memorable, is Sophocles’ uses of the tragic hero as the main theme. Sophocles uses characterization and conflict to portray Oedipus as an Aristotelian tragic hero.

In Shakespeare’s Hamlet, and Sophocles, Oedipus the King, both of the main characters conform to the same classic tragic hero formula. Oedipus suffers a life based on a pre‐birth prophecy, whereas Hamlet finds himself burdened with the task of avenging his father’s death. In both situations, two kings must leave their innocence behind as the truth leads them first, to enlightenment and then to their downfall. They battle between the light, the truth and the darkness, the lie. Both Hamlet and Oedipus are similar in that they both showcase their mental state and stability, they are able to make swift decisions, and they both deal with relationships with women. Despite similarities between Hamlet and Oedipus, it is Oedipus’ consideration to do what is best for his people and city that makes him the more honourable man.

The tragedy of Hamlet, Shakespeare’s most popular and greatest tragedy, presents his genius as a playwright and includes many numbers of themes and literary techniques. In all tragedies, the main character, called a tragic hero, suffers and usually dies at the end. Prince Hamlet is a model example of a Shakespearean tragic hero. Every tragedy must have a tragic hero. A tragic hero must own many good traits, but has a flaw that ultimately leads to his downfall. If not for this tragic flaw, the hero would be able to survive at the end of the play. A tragic hero must have free will and also have the characteristics of being brave and noble. In addition, the audience must feel some sympathy for the tragic hero.

Compare and contrast Oedipus and Hamlet. Is Oedipus more a man of action? Or is he more a man driven by whim and sudden, rash decisions? Which character is more selfless? Does Hamlet show any signs of selfish motives in his actions or inactions? Which protagonist seems more learned? wiser? more religious? more loving? more incestuous? Which seems to be a better murder investigator? Does Oedipus have any of Claudius' motives when he kills the king, Laius? Then which murderer is more blameworthy--Oedipus or Claudius?

This paper is the rough draft version. There are grammatical errors and other such errors in it.

Throughout William Shakespeare’s classic play, Hamlet, it is very clear that the Prince of Denmark suffers from severe parental problems. These problems bear a stark resemblance to those borne by Oedipus, the classic staple of Greek mythology. The similarities, however, end and begin with an unhealthy obsession towards the mothers of each character and a distinct distaste towards the father that would border on hatred. Oedipus is, due to childhood experiences that were uncontrollable to him, largely unaware of these issues and even takes steps to disprove them. Hamlet, on the other hand, finds himself in this situation due to circumstances that he encounters later in life. While both Hamlet and Oedipus have very unnatural and unusual

Oedipus Rex, or Oedipus the King is Sophocles’s first play of “The Theban Cycle.” It tells the story of a king that tries to escape his fate, but by doing so he only brings about his downfall. Oedipus is a classic example of the Aristotelian definition of a tragic hero. Aristotle defines a tragic hero as a basically good and noble person who causes his own downfall due to a flaw in his character.

A tragic hero, as defined by Aristotle, is a man who is great but also terribly flawed, who experiences misfortunes while still remaining admirable to the audience at the end of the play. One of Aristotle’s favorite works, Oedipus the King, a play by Sophocles, is a play that above all others, defines the meaning of what a true tragic hero really is. In the play, Oedipus the King, the story unfolds after Oedipus unintentionally kills his own father and goes on to marry his mother. The events of the play are tragic, but it is the way that Oedipus handles the tragedies that make him a tragic hero.

Sophocles's Oedipus Rex is probably the most famous tragedy ever written. Sophocles's tragedy represents a monumental theatrical and interpretative challenge. Oedipus Rex is the story of a King of Thebes upon whom a hereditary curse is placed and who therefore has to suffer the tragic consequences of fate (tragic flaws or hamartia). In the play, Oedipus is the tragic hero. Even though fate victimizes Oedipus, he is a tragic figure since his own heroic qualities, his loyalty to Thebes, and his fidelity to the truth ruin him.

Curiosity and revenge are what make every form of entertainment in the action genre truly enjoyable. The characters draw the audience in and take them through a plot to find justice. Separated by around 2000 years, Sophocles's Oedipus Rex and Shakespeare's The Tragedy of Hamlet: Prince of Denmark both possess a plot akin to each other with a similar main idea of attempting to discover the main character’s father’s murderer. These famous tragedies depict two tragic heroes plagued with incestuous mothers and bad luck who fight to find truth and justice. Although both plays are similar in plot, the characterization of Hamlet and Oedipus have crucial differences which begin to appear: Oedipus is dependent on external forces and unorganized in his search for his father’s killer, whereas Hamlet is highly affected by internal forces and meticulous with his planning.

The tragic flaw of a human being is usually checked with the method he or she reacts with to the circumstances that life throws upon him or her. Contemporary society appears to be fixated on giving gatherings of people cases of such individuals who, in spite of the affliction of their lives, that still transcend. In fact, maybe nobody is more fit for indicating triumph over struggles than Sophocles and William Shakespeare. In both Oedipus and Hamlet, for example, the primary characters struggle with many obstacles and consequences and find themselves with unimaginable problems furthermore and are compelling to choose what the correct decision will be. This develops to Oedipus and Hamlet becoming motivated, courageous people and also becoming dishonest to themselves throughout the two books. Shakespeare and Sophocles’ plays show that sometimes when dealing with consequences and the obstacles there are different ways to react instead of leading to a tragedy. Oedipus and Hamlet’s motivation in dealing with problems is evident when the two primary characters want to find out the murderers of their father’s. Their courageous actions develop them towards having one goal, which was to kill the former King, and show courageous traits towards other people. They become dishonest to their themselves and is showed throughout the two books, which then causes misfortune for both of them in the end. Despite the resemblances of the two, Hamlet is in control of his activities, and he very

Hamlet is the main character and protagonist in the play “Hamlet” by William Shakespeare. Hamlet is the Prince of Denmark. He is the son of Queen Gertrude and King Hamlet, who was murdered by his uncle Claudius. Hamlet is a very unique individual and handles many situations in unusual ways. Hamlet is an extremely intriguing and complex character that appears to change with every different perspective.