According to Aristotle, the driving force behind tragic works lies not in the development of characters but in the formulation of a specific plot structure. Aristotle believed that the purpose of all art is to imitate life and that human beings live their lives through events and actions. He argues that characters serve to advance the events of the plotline and that the characters themselves are not central. Aristotle's opinions on tragedy were largely constructed around Sophocles' Oedipus the King, which Aristotle called "the perfect tragedy." Considered by many to be one of the greatest plays of all time, Oedipus the King tells how Oedipus, the king of Thebes, comes to realize that he unknowingly killed his father and married …show more content…
To keep this from happening, Oedipus left home forever. On the way to Thebes at a three-way crossroad he became engaged in dispute and ended up killing a man whom he now fears may have been Laius. There was said to be one survivor of the attack for whom Oedipus sends to question.
A messenger then approaches with news that Oedipus's fa ther, Polybus, has died of natural causes. Oedipus rejoices and concedes that perhaps prophecies are, in fact, unreliable. However, he still fears going to Corinth because of the half of the prophecy that states he will sleep with his mother. The messenger tells Oedipus that he does not need to fear this, as Polybus and his wife, Merope, are not Oedipus's true parents. The messenger recounts that long ago he was approached by a shepherd who gave him a baby boy with his ankles pinned together. He brought the baby to Polybus and Merope, who raised him as their own son. Oedipus demands that the other shepherd be brought fourth to testify, but Jocasta, suspecting the terrible truth, begs her husband to stop this search and to leave well enough alone. Oedipus refuses and Jocasta runs into the palace.
Oedipus questions the shepherd who, after being threatened with torture, admits that the child was Laius's son and that Jocasta gave him the infant to be killed in order to avo id a prophecy. Oedipus finally realizes who he is and who his parents are. He screams and
In the beginning of the play Oedipus meets Laios on a road. Both were driving chariots and neither would yield the right of way. Laios attempts to kill Oedipus’ horses but Oedipus reacts fast killing Laios attendants and his own father, Laios. Oedipus went to Thebes to help and destroy a monster and bless their town. Because of his heroic act, Thebes recalls him again to help and find the murderer who killed their king Laios and punish the man. Oedipus goes and does everything he can to get evidence and find the man who killed Laios the king: “Is this your prayer? It may be answered. Come, Listen to me, act as the crisis demands… Until now I was a stranger to this tale, As I had been a stranger to the crime. Could I track the murderer without a clue?” (Sophocles 1. 1. 204 - 209). Teiresias, a chorus of Theban, elders tells Oedipus he is the murder who killed his father and also mentions he married his own mother along with having children. Oedipus finds all of that to believe and what Oedipus does is find more people to tell him the truth. Jocaste, wife and mother of Oedipus, tells him through the play to not believe such a thing. In Act three Scene five, Shepherd the man, who took Oedipus to Corinth city’s reveals to him that everything is true. Oedipus makes the decision to gouge his eyes out making himself blind to not see the whole catastrophe. He begs Creon to send him away from Theban
The Greek drama “Oedipus The King” evidently leads to the unveiling of a tragedy. Oedipus, the protagonist of the play uncovers his tragic birth story and the curse he had been baring his whole life. Oedipus is notorious for his personal insight that helped him defeat Sphinx, which lead him to becoming the king of Thebes. He is admired by the people of Thebes and is considered to be a mature, inelegant and a rational leader. From his birth, his story began with a prophecy that Oedipus would grow up to kill his father and marry his mother. Through out the play numerous people, who tell him of his unknown past, visit Oedipus. Blind to the truth he casts them away until a blind man named Therisis gives a sight of truth to Oedipus. As Oedipus learns the truth he realizes the great evil his life carries. After finding his wife and also mother hung in her bedroom, Oedipus blinds himself with the gold pins that held Jocasta’s robe. Oedipus blind to the truth is finally able to see when the old blind man visits him and tells him the truth about his life. Both metaphorically and physically sight plays a significant role in understanding the irony of a blind man seeing the truth while Oedipus who isn’t blind doesn’t seem to the truth that’s right in front of him.
This information makes Oedipus uneasy. He recalls having killed a man answering Laius' description at this very spot when he was fleeing from his home in Corinth to avoid fulfillment of a similar prophecy. An aged messenger arrives from Corinth, at this point, to announce the death of King Polybus, supposed father of Oedipus, and the election of Oedipus as king in his stead. On account of the old prophecy Oedipus refuses to return to Corinth until his mother, too, is dead. To calm his fears the messenger assures him that he is not the blood son of Polybus and Merope, but a foundling from the house of Laius deserted in the mountains. This statement is confirmed by the old shepherd whom Jocasta had charged with the task of exposing her babe. Thus the ancient prophecy has been fulfilled in each
However, in his attempts to escape the prophecy, Oedipus ran straight to it. At the time, he was unaware that he had been adopted. Instead of escaping his fate, Oedipus met Laius on the road and murdered him and four of his escorts out of anger and self-defense. This was the first event, though not actually shown in the play, that set Oedipus’s destiny into motion.
A dramatic conflict occurs when Oedipus gets into a fight with a group of men where three roads meet; one of those men is his father King Laius. He kills all the men except for one who flees from the scene and then notifies the Thebians of the tragic news. Oblivious to Oedipus, the first half of his fate (that he was trying so hard to avoid) is fulfilled. Usually crossroads signify a decision point. If Oedipus made the choice of being civil toward the strangers and not letting his temper get the best of him, he could have avoided his fate. Oedipus ends up in Thebes were he is granted the honor of being the King--he solves the Sphinx's riddle which results in the city being free from captivity. In addition, Oedipus marries his predecessor's wife, Queen Jocasta--the women who gave birth to him. Once again Oedipus has crossed paths with his fate and is still blind to it.
The messenger reveals that Polybus and his wife are not Oedipus’s real parents. Oedipus was brought to palace to be raised after being found by a Sheppard. Oedipus asks that this shepherd reveal the truth to him, but Jocasta begins to beg him not to stop to try and find out the truth. The Sheppard finally reveals that Oedipus is son of Laius. Oedipus screams when he realizes the truth about his parents. A messenger says Jocasta has hanged herself, and Oedipus has chosen to stab out his eyes. Oedipus now declares he must be punished and exiled. He asks Creon to look after his daughters, Antigone and Ismene. Creon accepts the ascendency to the throne.
Oedipus the King is a tragedy that displays irony throughout the play. In the play, King Laius and his wife Jocasta learn that in the prophecy their newborn son, Oedipus, will kill his father and marry his mother. In order to prevent the prophecy from occurring, they decide to bind and tie his ankles and then abandoned him. When Oedipus grew up, he eventually learned about this prophecy and decided to leave his parents. What he did not realize was that the parents who raised him were not his biological parents. On his voyage to Thebes, Oedipus ended up in a chariot accident
Aristotle’s tragic hero is one of the most recognizable types of heroes among literature. A tragic hero combines five major points all of which have to do with the hero’s stature in society, his faults, how these faults effect him, the punishment his faults gets him, and how he reacts to this punishment. Aristotle explained that the story of Oedipus the King, written by Sophocles, is a perfect example of a tragic hero. In the play, Oedipus is given a prophecy in which he is told that he will kill his father then marry his mother. As in many Greek plays, Oedipus tries to run from his prophecy and ends up fulfilling exactly what it is foretold. Through the play we see that Oedipus posses many of the characteristics
Aristotle also outlined the characteristics of a good tragic hero. He must be "better than we are," a man who is superior to the average man in some way. In Oedipus 's case, he is superior not only because of social standing, but also because he is smart ¬ he is the only person who could solve the Sphinx 's riddle. At the same time, a tragic hero must evoke both pity and fear, and Aristotle claims that the best way to do this is if he is imperfect. A character with a mixture of good and evil is more compelling that a character who is merely good. And Oedipus is definitely not perfect; although a clever man, he is blind to the truth and refuses to believe Teiresias 's warnings. Although he is a good father, he unwittingly fathered children
When the Greeks received bad prophecies, they often tried to avoid their fate through actions of their own. When Laius hears that his son will kill him, he tries to avoid it. He, along with Iocaste, pins their child’s legs together and gives him to a messenger to be disposed of on a mountain. However, out of pity for the boy, the messenger gives the baby to a shepherd of a nearby town, Corinth. Thus the boy grows up to become Oedipus. Later in his life, Oedipus learns
Sophocles's Oedipus Rex is probably the most famous tragedy ever written. Sophocles's tragedy represents a monumental theatrical and interpretative challenge. Oedipus Rex is the story of a King of Thebes upon whom a hereditary curse is placed and who therefore has to suffer the tragic consequences of fate (tragic flaws or hamartia). In the play, Oedipus is the tragic hero. Even though fate victimizes Oedipus, he is a tragic figure since his own heroic qualities, his loyalty to Thebes, and his fidelity to the truth ruin him.
One moment, Oedipus is brimming with hope; the next, he’s sure that he is the killer of his father, King Laius. Every time Oedipus thinks that it can’t possibly be him, evidence proves otherwise. His wife, Jocasta, attempts to prove his innocence but “lets out part of the dire secret by her allusion to the ‘triple crossroads’” (Haigh). By attempting to assist Oedipus, she
When he learns from the oracle Delphi that he will kill his father, Oedipus runs away from Corinth to avoid the prophecy’s fulfillment. Unknown to him, he embarks on a journey that brings him closer to fulfilling the prophecy that he will defile his mother’s bed and murder the father who engendered him (951-954). It is while he is on the run from his foster father that he comes face to face with his fate; he meets and kills King Laius, his own father, at the three crossroads.
The messenger remarks that Oedipus need not worry, because Polybus and his wife, Merope, are not Oedipus’s biological parents. The messenger, a shepherd by profession, knows firsthand that Oedipus came to Corinth as an orphan. One day long ago, he was tending his sheep when another shepherd approached him carrying a baby, its ankles pinned together. The messenger took the baby to the royal family of Corinth, and they raised him as their own. That baby was Oedipus. Oedipus asks who the other shepherd was, and the messenger answers that he was a servant of Laius.
However, the driving force of Oedipus' fact-finding mission is an attempt to end the plague which racks his city. He does not realize the personal consequences his hunt will have for him, and his "loyalty to the truth" (23) is based on his ignorance of it. In fact, if we examine the events leading up to Oedipus' revelation, the incidental nature of his "quest for identity" becomes apparent. First, he summons Tiresias to name the killer, whom Oedipus does not at the time believe to be himself. Then a messenger arrives from Corinth, unbidden by the king, revealing that Oedipus is not truly Polybus' son. Finally, the shepherd reveals all of Oedipus' past, after having been called for the purpose of providing more information about Laius' death. The coincidental nature of these events is somewhat at odds with Dodds' vision of Oedipus as a sort of Greek private detective who relentlessly ferrets out clues in a self-destructive search for his parents. Oedipus is eager to find the truth, but the most pivotal witnesses for the true story of his birth either come to him of their own volition, or are convened by Oedipus in the hopes that they will tell him something entirely different. In the end, he resigns himself to the truth which would have been clear much earlier (as it was to Jocasta), had he