Oedipus's Treatment Of Women In The Odyssey

In Sophocles’ piece, King Kreon prohibited the burial of Polynices, Antigone’s brother, because he was seen as a traitor to his country. Antigone blatantly disobeyed King Kreon’s proclamation because she thought that Polynices ought to be buried not only because he was blood- family, but because the gods law states that burial is a necessary ceremony. Her sister, Ismene, tried to warn her of the trouble she could find herself in, if King Kreon finds out that it was Antigone who had buried her brother, the traitor. (Blondell, 21). In addition, Antigone does not hesitate to admit to this illegal deed when the guards catch her in the act (Blondell, 37,38). While she acted out of respect for her brother and the gods, it was selfish in the fact that she was only thinking of herself. She did not hesitate to disregard King Kreon’s law and did not take any factor into consideration. Antigone accepted that her life was the price to pay for her civil disobedience, but her actions also, unintentionally, led to the death of two other people. Although, in the end, King Kreon sees that Antigone was right, the reason for which she had fought, and ultimately lost her life for, had no significant positive effect on anyone else.

In the first section of Odyssey, mortal women are presented to us as controlled by the stereotypes and expectations of the culture of the day, and it is only within that context that we can consider the examples Homer provides of women to be admired or despised. He provides us with clear contrasts, between Penelope and Eurycleia on the one hand, and Helen and Clytemnaestra on the other.

Sophocles’ Theban tragedy, Oedipus the King, is not sexist. The prominent play portrays both men and women justly. The events presented by Sophocles exemplifies a level of admiration and respect for women that was not ordinary in ancient Greece. This is predominantly achieved through the dialogue of Jocasta and Oedipus, illustrating a corresponding relationship. In addition, the behavior of Jocasta, analysis of other literature, as well as the bad fortune of the male characters reaffirm that the Oedipus the King is not sexist.

Gender and its roles are exposed in the story of Antigone as the central themes. Roles and rules are set and followed by several people in this era, this is appreciated in this text. Ideas of contradiction to these rules were not explored. In Greek mythology, several women held positions of power, but none of these women were human, making the idea of a powerful woman godlike and unattainable, as if to keep woman in their place, which of course, was always under the rule of the superior gender, the male. To challenge a patriarchy with feminism was dangerous, for both sexes were equally protective of it, leaving the challenger desolate in the battle against it. To rely on women to help other women rebel against this social norm was not probable, in the contrary, women held each other accountable for complying to these rules and punished those who didn’t. Women were their gender’s prevalent critics and suppressors, not only because they feared the repercussions, but since they didn’t have the means to rebel against it.

Leading up to the point of her death, Antigone resisted Kreon’s (the king) decision to leave her brother, Polyneices to die in the open with his remains picked upon by stray animals. According to Kreon, Polyneices was a traitor to the city after being defeated by his brother (who was also killed in a duel) in a war over the throne. Kreon used the law as his

Getting caught burying her brother led to Antigone being brought in to face Kreon, the establisher of the immoral decree,

For this informative report I will attempt to point out the roles women and how they are viewed in ancient Greece. I will then show how these views are present in Homer’s "The Odyssey." How are women, goddess or mortal, conveyed in "The Odyssey?"

     Many people regard Homer’s epics as war stories—stories about men; those people often overlook the important roles that women play in the Odyssey. While there are not many female characters in the Odyssey, the few that there are, play pivotal roles in the story and one can gain a lot of insight by analyzing how those women are portrayed. Homer portrays the females in contradictory ways: the characters of Athena and Eurykleia are given strong, admirable roles while Melantho, the Sirens and Circe are depicted in a much more negative way. Penelope—the central female character—is given both negative and positive attributes.

Does Homer exhibit gender bias in the Odyssey?  Is the nature of woman as depicted in the Odyssey in any way revealing? Upon examining the text of the Odyssey for differential treatment on men and women, it becomes necessary to distinguish between three possible conclusions.  One, differences in treatment reflect the underlying Homeric thesis that  women are "different but equal in nature,"  Two, different treatment  of men and women in the text reflect a thesis that women are "different and unequal in nature" -- arguments about misogyny fall in here but a host of other interpretive possibilities are possible too. Three, the different treatment reflects simple ignorance. How much do we attribute what we discover to male authorship -- or

Her uncle King Kreon enacts a law that enemies of the battle will not be buried this includes Polyneices (203-210). Antigone must honor her brother and

The Odyssey is the tale of the Greek hero Odysseus, written by Homer around 8th century B.C. about his journey home at the end of the Trojan War. Odysseus spends ten years of his life on this voyage, guided by the Greek goddess, Athena. While Odysseus is battling Poseidon and attempting to free himself from the grasp of Calypso’s influence, his wife and son, Penelope and Telemachus, struggle to maintain his kingdom in Ithaca. He is pronounced dead and his faithful yet weakening wife is overwhelmed with men who wish to marry her.

There is a distinct contrast between men and women in the Odyssey. Frequently, men are associated with war and battle, while women tend to be portrayed as weaker, enchanting, more beautiful characters. Even the goddesses are not an exception to this concept. In fact, the female immortals of greek mythology were the most alluring of all. Twice Odysseus was seduced by goddesses; he spent one year with Circe and another seven with the nymph Calypso.

Antigone chose to give her brother Polyneices a proper burial even though it was against the king’s law. She tried talking her sister Ismene to join her on her quest because Polyneices was both of their brothers, but Ismene did not want to disobey Kreon’s order (Blondell 19-24). This left Antigone to handle this on her own, which takes a lot of courage and dedication to what she believes in. Antigone went on with her plan to bury Polyneices and his body was eventually found by a guard (Blondell 30). When the guard brought the news to Kreon he was furious and the Chorus had suggested it was a Gods doing, which led me to believe that they did not think anyone one else was willing to risk it all by not listening to their kings orders (Blondell 32). A good lesson to learn from Antigone is that even if you break the law you have to admit your doing especially when you know what you did was morally right and what you stand for as an individual. When Antigone was accused of breaking the law and burying Polyneices she did not even hesitate saying, “I don’t deny it; I admit the deed was mine.” (Blondell 38). She even goes on to tell King Kreon that his choice to not allow the burial of Polyneices is morally wrong and how he is disobeying the God Zeus who is offended by improper treatment of a corpse (Blondell 38). Though Antigone knows the consequence for disobeying the king, she continues to fight for her brother’s honor and makes sure to point out the king’s foolish decision. Even in her last words she questions what kind of men can make suffer and then gives her respects to the town, gods, and rulers.

            Before comparing the women of the Odyssey to those of Athens, it is beneficial to take a look into the lives of the latter.  A respected woman was to have characteristics including obedience, virtue, refinement, productivity, honor, beauty, talent and intelligence (social consciousness).  Sarah B. Pomeroy has studied this aspect of ancient life and

Euripides and Sophocles wrote powerful tragedies that remain influential to this day. The vast majority of work recovered from this time is by male authorship. What remains about women of this time is written through the lens of male authors’ perspective and beliefs about the role of women in Greek culture. The works of these two playwrights frequently characterize women as unstable and dangerous. Agave, Antigone, and Medea are all undoubtedly the driving force behind the tragic action in these plays. It is their choices that lead to the pain and death of the people around them. Through an examination of the evidence from three separate works, Antigone, The Bacchae, and The Medea, the role of women in ancient Greek tragedy becomes clear. The actions of Agave, Antigone, and Medea repeatedly prove their characters instability and danger.