Discoveries may compel individuals to affirm or challenge their perspective on themselves and the wider world. This idea of discovery offering new understandings and renewed perceptions of ourselves and others is reflected in the poem, ‘Stopping by Woods on A Snowy Evening’ by Robert Frost and the short story, ‘The Yellow Wallpaper’ by Charlotte Perkins Gilman. Robert Frost’s poetry reflects an enduring interest in how landscape can evoke contemplation and reflection about one’s place in society and the purpose of their existence. This idea is also closely reflected in my related text ‘The Yellow Wallpaper’. The concept of discovery in the two texts is conveyed as intellectual and emotional, derived from moments of reverie and loneliness. …show more content…
This acknowledgement is conveyed through the last stanza, in the alliterative phrase, “The woods are lovely, dark and deep,” which conveys that the woods offer the persona a much-needed break from the chaos of society and provides solitude. “but I have promises to keep,” signifies an interruption of the personas trance like state from nature and self-reflection. The repetition of the last line, “and miles to go before I sleep” shows that the persona realises that their journey is incomplete. This realisation compels the persona to appreciate nature and assert their perspective on themselves and the wider world, helping them to establish their place in society.
Similarly, in ‘The Yellow Wallpaper’ the narrator’s lack of self-expression and intellectual simulation through confinement drives her mad but enables her to discover the societal confinement placed on her through which the reader also discovers the oppression of other women in society. The narrator suffers from postpartum depression and is put on a rest cure. She isn’t allowed to write or do anything that is intellectually stimulating. The narrator disagrees and believes that a distraction would be best for her, so she continues to write hiding her journal. Through her entries. she has revelations of her true feelings towards her husband’s ideas which feel oppressive. This enables the reader to understand the power imbalance in her relationship with her
“The Yellow Wallpaper” is a symbolic tale of one woman’s struggle to break free from her mental prison. Charlotte Perkins Gilman shows the reader how quickly insanity takes hold when a person is taken out of context and completely isolated from the rest of the world. The narrator is a depressed woman who cannot handle being alone and retreats into her own delusions as opposed to accepting her reality. This mental prison is a symbol for the actual repression of women’s rights in society and we see the consequences when a woman tries to free herself from this social slavery.
"The Yellow Wallpaper" tells the story of a woman living in the nineteenth century who suffers from postpartum depression. The true meaning implicit in Charlotte's story goes beyond a simple psychological speculation. The story consists of a series of cleverly constructed short paragraphs, in which the author illustrates, through the unnamed protagonist's experiences, the possible outcome of women's acceptance of men's supposed intellectual superiority. The rigid social norms of the nineteenth century, characterized by oppression and discrimination against women, are supposedly among the causes of the protagonist's depression. However, it is her husband's tyrannical attitude what ultimately
"The Yellow Wallpaper" takes a close look at one woman's mental deterioration. The narrator is emotionally isolated from her husband. Due to the lack of interaction with other people the woman befriends the reader by secretively communicating her story in a diary format. Her attitude towards the wallpaper is openly hostile at the beginning, but ends with an intimate and liberating connection. During the gradual change in the relationship between the narrator and the wallpaper, the yellow paper becomes a mirror, reflecting the process the woman is going through in her room.
"The Yellow Wallpaper" is about a creative woman whose talents are suppressed by her dominant husband. His efforts to oppress her in order to keep her within society's norms of what a wife is supposed to act like, only lead to her mental destruction. He is more concerned with societal norms than the mental health of his wife. In trying to become independent and overcome her own suppressed thoughts, and her husbands false diagnosis of her; she loses her sanity. One way the story illustrates his dominance is by the way he, a well-know and
‘The Yellow Wallpaper’ is centred in the writer’s narration, by setting the narrator to be not entirely reliable and an oppressed woman. The character are showed to be feeling trapped and unhappy with
In “The Yellow Wallpaper,” the narrator, already suffering with Post-Partum Depression, is further constrained when her husband John prescribes her resting treatment for her illness. John clarifies that she must lie in bed in the same, enclosed room, refrain from using her imagination and especially abstain from writing. This, in turn, forces the narrator deeper into her
Instructed to abandon her intellectual life and avoid stimulating company, she sinks into a still-deeper depression invisible to her husband, which is also her doctor, who believes he knows what is best for her. Alone in the yellow-wallpapered nursery of a rented house, she descends into madness. Everyday she keeps looking at the torn yellow wallpaper. While there, she is forbidden to write in her journal, as it indulges her imagination, which is not in accordance with her husband's wishes. Despite this, the narrator makes entries in the journal whenever she has the opportunity. Through these entries we learn of her obsession with the wallpaper in her bedroom. She is enthralled with it and studies the paper for hours. She thinks she sees a woman trapped behind the pattern in the paper. The story reaches its climax when her husband must force his way into the bedroom, only to find that his wife has pulled the paper off the wall and is crawling around the perimeter of the room.
The Use of Literary Devices in Robert Frost's Stopping by Woods on a Snowy Evening
In “The Yellow wallpaper”, the wallpaper is a metaphor that expresses women’s protest against the repression of the society and their personal identity at the rise of feminism. During the Victorian era, women were kept down and kept in line by their married men and other men close to them. "The Yellow Wallpaper", written By Charlotte Perkins Gilman, is a tale of a woman, her mental difficulties and her husband’s so called therapeutic treatment ‘rest cure’ of her misery during the late 1800s. The tale starts out in the summer with a young woman and her husband travelling for the healing powers of being out from writing, which only appears to aggravate her condition. His delusion gets Jane (protagonist), trapped in a room, shut up in a bed making her go psychotic. As the tale opens, she begins to imagine a woman inside ‘the yellow wallpaper’.
Throughout history and cultures today, women have been beaten, verbally abused, and taught to believe they have no purpose in life other than pleasing a man. Charlotte Perkins Gillam uses her short story, "The Yellow Wallpaper" as a weapon to help break down the walls surrounding women, society has put up. This story depicts the life of a young woman struggling with postpartum depression, whose serious illness is overlooked, by her physician husband, because of her gender. Gillman 's writing expresses the feelings of isolation, disregarded, and unworthiness the main character Jane feels regularly. This analysis will dive into the daily struggles women face through oppression, neglect, and physical distinction; by investigating each section
In the “Yellow Wallpaper” by Charlotte Perkins Gilman, there are many of literary techniques that illustrates the theme to express the story. Irony, imagery and symbolism are some literary devices that is presented among the story. “The Yellow Wallpaper” is a short story about a woman who has a mental illness but cannot heal due to her husband’s lack of acceptance and how she struggles to express her own thoughts and feelings. The story appears to take place during a time where women were oppressed. Women were treated as if they were under one’s thumb in society during this period which is approximately the 19th century.
The speaker refers to the night as his acquaintance. This implies that the speaker has a lot of experience with the night, but has not become friends with it. Thus, because even the night, which has been alongside the speaker in comparison to anything or anyone else, is not a companion to the speaker, the idea of loneliness is enhanced. In addition, “rain” (2) is used to symbolize the speaker’s feelings of gloom and grief, because there is continuous pouring of the rain, which is unlikely to stop. In line 3, “city light” is used to convey the emotional distance between the speaker and society. Although the speaker has walked extensively, he has not yet interacted with anyone – thus distancing himself even further from society. Moreover, the moon, in lines 11 to 12, is used as a metaphor of the speaker’s feelings. The speaker feels extremely distant from society that he feels “unearthly.” The idea of isolation and loneliness in this poem is used as the theme of the poem; and the use of the setting and metaphors underscores the idea that the speaker feels abandoned from society.
“The Yellow Wallpaper” provides an insight into the life of the narrator- a woman suppressed and unable to express herself because of her controlling husband- leading the reader down her fall to insanity, allowing for her inner conflict to be clearly expressed. The first person point of the view the author artfully uses and the symbolism present with the wallpaper cleverly depicts the inner conflict of the narrator, losing her own sanity due to the constraints of her current life. However, while it seems that the narrator in “ The Yellow Wallpaper” succumbed to her own insanity, the endless conflict within herself and her downward spiral to insanity is seen through a different light, as an inevitable path rather than a choice taken as the story develops.
In the article “‘Too Terribly Good to Be Printed’: Charlotte Gilman’s ‘The Yellow Wallpaper,’” Conrad Shumaker explains the genius of “The Yellow Wallpaper” and how its themes reflect the patriarchal society of the time period. Shumaker identifies one theme as the detriment of suppressing the narrator’s sense of self and that “by trying to ignore and repress her imagination, in short, John eventually brings about the very circumstance he wants to prevent” (590). John confines his wife in a yellow “nursery” in order to “cure” her of her illness, banning her from writing and discouraging her imagination. His plan backfires when her mind, unable to find a proper outlet, latches onto the yellow wallpaper that eventually drives her to madness. Another theme that Shumaker points out is that the dynamic of a domineering husband and an obedient wife is a cage that the narrator is desperately trying to free herself from. John constantly dismisses the narrator’s opinions and thoughts and insists that he knows what is best for her. Shumaker points out that the husband, a representation of the patriarchal society, is clearly depicted as the villain and that he “attempts to ‘cure’ her through purely physical means, only to find he has destroyed her in the process” (592). At the end of the story, because of her confinement and inability to express herself, the narrator fully descends into insanity, “escaping” the
In the story “The Yellow Wallpaper,” Gilman creates a character of a young depressed woman, on the road to a rural area with her husband, so that she can be away from writing, which appears to have a negative effect on her psychological state. Lanser says her husband “heads a litany of benevolent prescriptions that keep the narrator infantilized, immobilized, and bored literally out of her mind. Reading or writing herself upon the wallpaper allows the narrator to escape her husband’s sentence and to achieve the limited freedom of madness which constitutes a kind of sanity in the face of the insanity of male dominance” (432). In the story both theme and point of view connect and combine to establish a powerful picture of an almost prison-type of treatment for conquering depression. In the story, Jane battles with male domination, because she is informed by both her husband and brother countless brain shattering things about her own condition that she does not agree with. She makes every effort to become independent, and she desires to escape from the burdens of that domination. The Yellow Wallpaper is written from the character’s point of view in a structure similar to a diary, which explains her time spent in her home. The house is huge and old with annoying yellow wallpaper in the bedroom. The character thinks that there is a woman behind bars in the design of the wallpaper. She devotes a great deal of her