The intrinsically selfish nature of society often supersedes familial love. In Genesis 37, Joseph’s brothers, overcome with jealousy, sell their brother into slavery for their own personal gain. The lugubrious novella, The Metamorphosis by Franz Kafka, uses faulty relationships between family members to illustrate how family ties cannot overcome the egotistical needs of the individual. In spite of familial love, Gregor’s mother prioritizes her own well-being before her son’s. Almost immediately after realizing his own metamorphosis, Gregor’s mother calls out to him “it’s a quarter to seven. Didn’t you want to catch the train?” (6). Gregor’s personal morning routine was very important to the family’s frangible budget. Gregor’s mother was not initially concerned with her son’s well-being, but his absence from work disconcerted her. When initially encountering her son’s physical state, Gregor’s mom “slowly [backed] away as if repulsed by an invisible, unrelenting force” (16). She appears utterly repulsed at the sight of her son as a massive vermin and reacts accordingly- paying no attention to his feelings. The relationship between the two immediately alters in this moment because instead of stretching out her usual motherly love, she remains in limbo, and doesn’t want to be near him. At one point in the gripping novella, Gregor’s father attempts to afflict harm on him, and in response, his mother ‘[had her hands clasped around] father’s neck [begging] for Gregor’s life”
Imagine waking up as a bug, it would be terrifying to most. In The Metamorphosis, written by Franz Kafka, Gregor Samsa, the main character, transforms into a bug overnight. As the reading continues deeper within the novel, it progressively seems that Gregor’s life resembles Kafka’s life.
Family: If no one cares about you or treats you well are you still a part of it? The family pays attention to Gregor less and less through the book. They abuse him with violent abuse and verbal abuse. They treat him as if he is not a family member and as if he has always been a bug. Gregors family in the novella treats him better sometimes. What this claim overlooks is that the family does not care about Gregor or want to have anything to do with him. In Metamorphosis by Franz Kafka the treatment of Gregor deteriorated because he turned into a bug.
In the first part of the book, Gregor wakes up and has evolved into a huge bug, or so he thinks. Doubting his ability to get out of bed, he looks for answers for the cause, but can not find any. Then, his mom comes to his room and is only concerned at the fact he is late for work and does not ask if he is all right. As said on page 5, by Gregor’s mother, “Gregor—it’s a quarter to seven. Didn’t you want to catch the train?” This is the only thing she asks her son Gregor when he wakes up unusually late. Expectedly Gregor was looking for a careful remark but this shows us that his mom is only concerned about the money Gregor makes instead of his well-being. In accordance, Gregor is starting to feel ashamed of this condition he must deal with, “Just don’t stay in bed being useless” (Kafka, 7). This shows us, Gregor feels useless because he cannot work for his family and help them at all. He made a ginormous effort to get out of his bed to work and yet is family is only worried about him losing his job instead of his well being. As we see, his family doesn’t love him genuinely and do not love Gregor like they should, being his family.
Throughout the story there is a metamorphosis that is taking place in his home. He has traded places with the family and is now living the life they had previously embelished in. His father begins to work along with his sister and his mother must now work and do the cooking and cleaning. Gregor on the other hand does nothing but daydream, crawl, and nap through his days. One ironic statement from his sister “He must go, if this were Gregor he would have realized long ago human beings can’t live with such a creature, he’d have gone away one his own accord. This creature persecutes us, drives away our lodgers, obviously wants the whole apartment to himself, and would have us all sleep in the gutter.” How selfish of her, had he not taken care of them and he was not the only one working
Although Gregor’s mother defends him throughout most of the story, she starts to have her doubts once she sees how difficult Gregor has made life for the rest of the family. Before his transformation into this vermin, Gregor and his mother have a stable relationship. But, after Gregor’s metamorphosis is complete it was not until after “two weeks…[that] his parents could not bring themselves to come into see him,” (Kafka 29). The strength of the mother’s unconditional love for Gregor has diminished over the process of his metamorphosis, so much so, that she is repulsed by Gregor’s presence and is afraid to even be in the same room as him. The mother further rejects the physical state of her son by “pointing to Gregor’s room,” (Kafka 40) and telling Grete to “close that door,” (Kafka 40), therefore leaving Gregor in isolated and in the dark. Gregor’s mother has now caught on to the idea of distancing herself from her deformed son by
The Metamorphosis by Franz Kafka is a reflection on how alienation and isolation begin and develop in a society by employing the characters in his novella as a representation of society as a whole. Using Gregor’s manager to demonstrate the initiation of isolation and alienation of a person, Gregor as the person being isolated and the inhabitants of the Samsa household as the other members of society, Kafka creates an effective model to represent the hierarchically structured effect of isolationism and alienation in society on a larger scale.
Kafka’s The Metamorphosis, is the story of Gregor Samsa, a traveling salesman who is responsible for the financial well-being of his entire family, yet experiences an unfortunate metamorphosis into a giant bug. However, while Gregor undergoes a disturbing physical transformation, the family dynamic changes drastically as well. The family’s treatment of Gregor slowly deteriorates from them regarding him as the basis for their financial success and security to regarding him as no more than an extraordinary nuisance that holds them back from a brighter future.
Is there such thing as “unconditional love” where love will always be apparent despite how difficult the situation gets? In the novella, The Metamorphosis, by Franz Kafka, the protagonist unexpectedly and suddenly transforms into an insect. Through this transformation, Gregor Samsa, the protagonist, experiences a major change and finds himself struggling to make sense of the situation he is in while also trying to fit in with the rest of his family. Discovering Gregor’s new form, each of his family members immediately becomes disgusted. As the story progresses, the idea of family loyalty is tested as Gregor’s family begins to gradually build upon their hatred towards Gregor and accuse him of causing them hardships.With the family failing to recognize Gregor’s past efforts, the idea of how love never lasts is hinted at. Through the use of symbolism, irony, and metaphors, Kafka demonstrates how unconditional love does not exist, even in family relationships.
Have conflicts with others ever change how you feel about yourself? In 1915, Franz Kafka published the novella, Metamorphosis. He included many personal connections that can be seen through the character of Gregor. Due to the bad relationship that Gregor shares with his father, he possessed many conflicts within himself. His conflicts can be seen when he becomes a bug, when he starts to become distant from his family and lose the connections he once had, and when he begins to not eat.
In Franz Kafka's Metamorphosis, the nature of Gregor Samsa's reality changes insignificantly in spite of his drastic physical changes. Gregor's life before the metamorphosis was limited to working and caring for his family. As a traveling salesman, Gregor worked long, hard hours that left little time to experience "life." He reflects on his life acknowledging the "plague of traveling: the anxieties of changing trains, the irregular, inferior meals, the ever changing faces, never to be seen again, people with whom one has no chance to be friendly" (Kafka 13). Gregor, working to pay off his family's debt, has resigned himself to a life full of work.
It is the innate yearning of the human condition to belong. When we come into existence, this desire is satisfied by joining the orderly social structure of a family. Living in a moral, rational universe, leads us to believe that developing such fruitful relationships will grant us the support and resources to achieve success in other facets of life. But in an absurd reality where such beliefs are meaningless, collective pursuits are quite futile. Through an analysis of narrative perspective, character and atmosphere, the closing paragraph of Frank Kafka’s haunting novella The Metamorphosis reveals the superficial nature of the love and bond that holds a family together amidst an existential world.
In his novel The Metamorphosis, Franz Kafka describes his own life through the life of his protagonist Gregor Samsa. Careful study of Franz Kafka's life shows that Kafka's family, workplace, and reaction to the adversity in his family and workplace are just like those of Gregor. So we might ask why Gregor was transformed into a bug since Kafka obviously never turned into a bug. The absurd image illustrates how Gregor lacks self-respect and feels like he's a bug in the eyes of his family and society. Franz Kafka was unhappy and never found his place in life, either. Therefore, he might have felt just like Gregor, like a bug. Furthermore the novel describes Kafka's expectations of his own future and he was partially
Worried about their son, his entire family urges next to the door and demands Gregor to unlock it. At that moment, his manager angrily storms to his house and demands an explanation for his delay. His mother tries to pleads his manager by complimenting Gregor’s devoted and hardworking attitude. She didn’t want her son to lose her occupation as she still perceived him as the successor of the family, and if anything were to happen, it would only disrupt the sustainability of her family. Finally, Gregor opens the door and witnesses the repulsive and scared faces of his family and manager. The horrified office manager backs away, his mother who was "already in tears...yelling" (12-13) passes out, and the father cries. Nevertheless, Gregor “[filled with] assurance and confidence” continued to see himself as his human self, and tries to protect this identity by delivering a long explanation. However, he doesn’t realize that no one saw him as Gregor, and regardless of how strongly he believed in his perception of himself, his family simply saw him as a disgusting creature. Courageously, the father shoves him back into the room and isolates the hideous Gregor into the room.
Franz Kafka, in his novel The Metamorphosis, explores two conflicting ideas through his protagonist Gregor: unity and isolation. Gregor’s transformation created a whole life of distress for him, but on the other hand also formed a deeper and better relationship for the rest of the family.
During the time that Gregor was forced to live out the remainder of his existence in his now prison like room, many family matters occur. For one his younger sister whom he is used to taking care of now trades places with him as far as roles in responsibility go. She now after years of good loving and nurturing feels obligated to repay Gregor for all his years of dedication. Since Gregor in his current metamorphosed state cannot do his every day activities, she sees to it that he is feed and his room is kept clean though she personally finds it hard to look at him for undisclosed reasons. While she is doing this it is interesting to see how much utter disgust and loath his father looks at him with, and not for just physical reasons either. This after years of