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Of Innocence In 'AfricaAndIntroduction Of Songs Of Innocence'

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Soft coos bubble from the creature that lay within the mother’s arms and big, round eyes stare up through the folds of the blanket. The mother cannot look away from this creature’s guileless stare; her arms tighten around the swaddle of blankets. These eyes, holding only curiosity, are the eyes of a child; are the eyes of innocence. Here, innocence is easy defined and identified, however, the definition of innocence cannot be limited to children. Maya Angelo, a life-long civil rights activist, William Blake, blah blah blah, and Walt Whitman, a delegate for democracy, display the many layers of innocence in their own lives through their poetry. The rhyme and meter in “Africa” by Maya Angelou, “Introduction of Songs of Innocence” by William Blake, and “Had I the Choice” by Walt Whitman reveals each author’s desire for uniqueness on the theme of innocence.
In “Africa”, the author uses dimeter and then erratic meter in later stanzas to add onto the motif of stolen innocence. The author uses two feet per line, such as “sugar cane sweet” (Africa, 855) in the first stanza to display the childlike purity of the continent. The meter is uncomplicated and easy to identify reflecting the African way of life. Africa, before white exploration, was a joyful and beautiful place to live in. Equally important is the acceleration of the rhythm of the poem by the dimeter found in the first stanza. Through the speeding beat, Angelou displays the fleeting nature of Africa’s innocence. Africa

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