Of One Blood Identity Analysis

De Beauvoir translates the idea of the Veil that Du Bois presents in The Souls of Black Folk in a way that applies to the oppression of women. Du Bois defines the Veil as the greatest problem to the liberation of black people because of the mental oppression it defines. The Veil symbolizes the way the black people see themselves through the white race’s perspective which causes self-hatred and a belief of inferiority to the white race. When arguing the cause of this mental oppression Du

The novel also portrays the extremes of black leadership through the characters of Bledsoe and Ras. Bledsoe shows the "Uncle Tom" end of the spectrum. He demeans himself before whites in public in order to get ahead. Ras exemplifies the other end of the spectrum. He is a militant separatist who resents any blacks that associate with whites.

DuBois's story "The Veil" shows a concept that is visible on many levels. The veil can be seen as the literal darker skin of the black people, which is an easy way to identitify any race from any other race. This physical trait allows for discrimination solely because it is the easiest thing to point out. The veil also explores the idea of the White's lack of acceptance of Blacks as Americans, let alone "real" Americans. The veil also covers the notion of the Blacks' inability to see themselves outside of what America (White Americans) had described them as.

The Souls of Black Folk by W.E.B Dubois is a influential work in African American literature and is an American classic. In this book Dubois proposes that "the problem of the Twentieth Century is the problem of the color-line." His concepts of life behind the veil of race and the resulting "double-consciousness, this sense of always looking at one's self through the eyes of others," have become touchstones for thinking about race in America. In addition to these lasting concepts, Souls offers an evaluation of the progress of the races and the possibilities for future progress as the nation entered the twentieth century.

The Autobiography of An Ex-Colored Man depicts the narrator as a liminal character. Beginning with an oblivious knowledge of race as a child, and which racial group he belonged, to his well knowing of “white” and “black” and the ability to pass as both. On the account of liminality, the narrator is presenting himself as an outsider. Because he is both a “white” and “black” male, he does not fit in with either racial group. In the autobiography of an Ex-colored man, James Weldon Johnson uses double consciousness to show the narrators stance as a person that gives up his birthright for the “privilege of whiteness”.

The next aspect of double consciousness consists of the rejection of African Americans by white Americans and institutions. Blacks are forced to live in America, but at the same time, are not considered “true” Americans and are separated by the veil that DuBois talks about. DuBois first feels this rejection when a little girl at his school rejected his card for no reason other than his skin color. He asks, “Why did God make me an outcast and a stranger in mine own house?” (Dubois 896). He describes opportunities for blacks as “relentlessly narrow, tall, and unscalable to sons of night” (896) giving the impression that a

   In his book The Souls of Black Folk, Du Bois says “The negro is a sort of seventh son, born with a veil, and gifted with second sight in this American world – a world which yields him no self-consciousness, but only lets him see himself through the revelation of the other world” (pg 348). He uses the metaphor of a veil to describe the social distance between people. However as I read through chapter one, it was interesting for

As DuBois looks through the veil, he can see a world that he loves, but cannot belong to because it belongs to the whites. The veil perpetuates the concept of alienation from the world to which he knows he will never belong. From the other side, whites look through at blacks, and construct their own opinions of the opposing race, and in doing so, create an opinion that is accepted by blacks themselves. The distortion created by the veil muddles the world of the whites and also the self-knowledge within each individual on the black side of the veil.

One of the most powerful messages encountered in the book is the importance of valuing yourself as a black being in a predominantly white and racially divided society. Coates explains how despite the fact that this nation has been built on the bones and bloodshed of blacks, the black body has lost almost all

In Dubois (1903) “The Soul of Black Folk” the ideas of double consciousness and the veil affect blacks. A veil is a piece of clothing that conceals a face. The veil is figurative and is presented in the film through Buggin outs questions Sal of the wall of fame. Even though it’s Sal’s pizzeria Buggin out raises a great point. Buggin out tells Sal that the clientele he attracts are black folk. While black folk are the majority of the customers they should have a say on the wall of fame. The veil is to conceal the importance of blacks. To Sal and his sons blacks are not important enough to put on the wall. The community is diverse but Sal’s son Pino view blacks with hate and resentment. Pino views blacks as apes and animals not people. Another example of the veil can be the conversation Mookie has with Pino. Mookie criticizes Pino for constantly critiquing blacks and questions his favorite entertainers. Pino’s

First published in 1979, Octavia E. Butler’s Kindred is a unique novel, which can be categorized both as a modern-day slave narrative, and as a science fiction time-travel tale. In the novel, Butler uses time-travel as a way to convey W.E.B. Du Bois’ theory of double-consciousness. Dubois’ theory is based on the idea that people of color have two identities, both struggling to reconcile in one being. His theory about the complex nature of the African-American experience directly relates to Butler’s use of Kindred’s protagonist, Dana, and her experience time travelling as a modern-day African-American woman, and her experience of a pre-abolition, nineteenth-century slave.

Through his work, “Of Our Spiritual Strivings,” W.E.B. Dubois takes the reader on a journey through the typical black man’s eyes. He creates a new meaning of the African American man as he shares personal experiences and stories of the past alike. He plays upon the heart strings of every reader, no matter the race, with his literary knowledge of words, use of pathos, and stories of his past experience to pull in emotional ties to his work. The application of dualism allows the reader, who is most commonly white men, to choose a side to sympathize with, for Dubois gives the sense of double consciousness as the African and the American throughout his entire work.

The first black character holding considerable influence introduced in the novel is the president of the narrator’s college, Dr. Bledsoe, who defines power as manipulating influential white men to achieve wealth. The narrator clearly admires Dr. Bledsoe’s position as “the possessor of not one, but two Cadillacs” and “influential with wealthy men” (Ellison 101). This description expresses Bledsoe’s preoccupation with wealth and material gain, but it also shows how Bledsoe has managed to achieve at least some semblance of power in a society that is stacked against him. The narrator admires Bledsoe for this accomplishment and, for the first part of the novel, models his own actions after those of Dr. Bledsoe. It is later uncovered, however, through the revelation that his letters of recommendation for the narrator are actually pointless letters of expulsion leading the narrator in circles, that Bledsoe uses his position only to further his own self-interest with no regard for how his actions affect the young black men who look up to him (191). This revelation exemplifies Bledsoe’s twisted definition of power and means of obtaining it; he appeases white men and takes advantage of the black community for his own gain, however insubstantial. Ellison himself revealed that, while writing Invisible

In this journey our main character also see’s the many faces of the black man, and how all of these faces where created in response to the actions of the white man never in response to one’s own actions. Towards the end of the novel the main character finds himself in a difficult predicament as he is being hounded by men who want him dead. Despite this, he manages to find a pair of glasses and a huge hat which he believes would disguise him just enough so that he can escape his potential murderers. As he walks around Harlem in his new guise, many begin to confuse him for someone called Rinehart who seems to be bookie, a pimp, and a preacher all at once. The ability to be so many things is at first attractive to the main character as he slowly begins to sink into the role of Rinehart, however he soon realizes that Rinehart’s multiple identities are merely a reflection of his inauthenthicity. Rinehart has no true self-consciousness and has allowed for others to create his image for him; Rinehart is only identified in the novel by others, never by himself. Rinehart’s character is representative of the notion of Double Consciousness as it shows the black men without the ability or better yet the privilege of self identity.

The Souls of Black Folk broadens the minds of the readers, and gives the reader a deeper understanding into the lives of people of African heritage. W.E.B. Du Bois articulates the true meaning of the problem of the color-line through his vast knowledge of American history and descriptive personal scenarios. Du Bois