Essay on Of Revenge: Francis Bacon’s Optimistic Tale?

The mistreatment that both receive from Jason and Agamemnon despite all that they do for them contributes heavily to their vengeful actions as well. Medea used her magical powers, defied her father, and killed her brother to devote herself to Jason, is still treated coldly and is neglected by Jason, who abandons her and their two sons and leaves her for Creon’s daughter. She realizes that “to annihilate the past is not possible: but its fruit in the present” can be used at her disposal to fulfill vengeance (Medea 1.364-5). She decides to channel the woe she

In Medea, a play by Euripides, Jason possesses many traits that lead to his downfall. After Medea assists Jason in his quest to get the Golden Fleece, killing her brother and disgracing her father and her native land in the process, Jason finds a new bride despite swearing an oath of fidelity to Medea. Medea is devastated when she finds out that Jason left her for another woman after two children and now wants to banish her. Medea plots revenge on Jason after he gives her one day to leave. Medea later acts peculiarly as a subservient woman to Jason who is oblivious to the evil that will be unleashed and lets the children remain in Corinth. The children later deliver a poisoned gown to Jason’s new bride that also kills the King of Corinth.

However, Bacon also goes into depth about revenge in general but goes farther more by stating that revenge dwells in the past itself. I believe this correct because in numerous occasions in my life when the avenger refuses to forgive someone from this. And because of this refusal, the avenger becomes rather corruptive than pure and equal like justice should and always will be. Therefore, Bacon’s argument is not only correct but it is rather informative on the ideal and action of revenge truly reprimanding against the idea and ideal of taking

Revenge is a recurring theme in Hamlet. Although Hamlet wants to avenge his father’s death, he is afraid of what would result from this. In the play Hamlet, Hamlet’s unwillingness to revenge appears throughout the text; Shakespeare exhibits this through Hamlet’s realization that revenge is not the right option, Hamlet‘s realization that revenge is the same as the crime which was already committed, and his understanding that to revenge is to become a “beast” and to not revenge is as well (Kastan 1).

From the beginning of the play the conflict between good and bad where Medea and Jason are concerned has been ambiguous. Both characters have done terrible things in order to attain what they want. Nothing could stand in the way of them including Medea’s father, whom Medea betrayed and to pile on the grieve she kills her brother and drops parts of him into the sea so as to delay her father thereby ensuring that Jason and his Argonauts could fulfil their quest to attain the Golden Fleece. When Jason betrays Medea and walks away from their marriage we immediately identify him as the villain, yet the reader fails to understand that during that time when this play was written it was still socially acceptable for the man to walk away from his marriage provided he gives back the dowry he attained from the wife’s father. In this case Medea did not bring any such items so it was even easier for him to leave her so as to empower himself. It was Medea’s role as a woman belonging to that age to accept Jason’s decision however she feels betrayed that he would break a vow made in front of the gods, and apparently she was not a regular woman even by the standards of that time as she had an intellect that could rival that of scholarly men. So to exact her revenge she destroys everything Jason loves leaving him to regret ever betraying the marriage.

<br>Medea seeks vengeance with the same forceful determination to rectify the situation as a man would. A woman seeking revenge challenges society's view of women as weak and passive. Medea will go to great lengths to hurt Jason for the wrongs he has done to her.

The story of Medea is about a woman named Medea who has just lost her husband, Jason, who went to go remarry with the king’s daughter. Medea gets furious and the king, Creon, banishes her from Corinth. Medea asks the king to give her one more day then she will leave. The king agrees. It is that day that she will plan on killing Jason, the king’s daughter, and the king himself. When she does this she will also get revenge by killing both her sins because they are the fruit of Jason and she will do anything to get revenge. That same day King Aegeus, king of Athens, arrives to Corinth and tells Medea that he will take her to Athens because she has medications for the Aegeus’ sterility. Now that she has somewhere to go she begins giving gifts to JAson and his bride which are a coronet and a dress which contain poison. After Jason’s wife dies her father , Creon, dies with her and Jason is left. Then Medea kills her two children and Jason is mad that he starts cursing Medea and she curses him back for remarrying. In the end Jason is devastated. In the end Jason wants to keep the bodies and bury them but Medea doesn’t agree and she

Once she learns that Jason has married another woman, Medea's personality turns completely around. The strong loving wife turns into a barbarian huntress in search of revenge. After plotting and changing the course of her revenge a few times, she perpetrates an attack that will certainly kill the new bride. Her method is focused on the woman, but it may or may not affect others around her target. Medea knows that the poisoned dress and head adornment will be lethal to Jason's bride, but she cannot possibly know what will come of Jason, their children, or the king. Her rage knows no bounds and she sends Antigone and Ismene on with the poisoned gifts. Weigel describes the revenge of Medea in his critique of the writing: "Jason becomes entangled with a force that crushes his dignity and detachment, that tears his successes to tatters. At the end he is in exactly the same position as Medea. Both are bereaved of mate, children, and friends. Both are free to grow old without comfort. And both are utterly empty inside, except that Jason is now filled with the same burning hatred that possessed Medea" (Weigel 1391).

In Euripedes’ play Medea, he depicts Medea as a woman who is consumed with vengeance and hatred after being betrayed by her husband Jason. This betrayal sparks a series of “unholy, horrible” murders. Medea’s actions can be justified through justice and revenge. Medea was motivated by Jason’s actions to pursue her own actions against Jason. Medea wanted revenge toward her husband for leaving her after she fully dedicated herself to Jason - and she also wanted to seek justice for the pain that he caused her. However, Medea went too far by killing her two children who were innocent in this matter. Ultimately, Medea’s final deeds are justifiable and outweigh Jason’s betrayal of his family.

The single most destructive force in this world is revenge. An immense amount of wars, murders, division, and hatred is due to the evil that is revenge. There are many famous forms of literature that discuss revenge. One is “Of Revenge” by Sir Francis Bacon. In this essay Bacon explains the evil of revenge and why it shouldn’t be taken. Also, down-playing revenge, Robert Kennedy gave a speech called “A Eulogy for Dr. Martin Luther King Jr.” Immediately following the death of Dr. King, Kennedy pleads with the African American community and America to forgive this offense instead of taking revenge for King’s murder. The final piece of media that discusses revenge does it in a different manor. Edgar Allen Poe writes about revenge in a short story called “The Cask of Amontillado.” The plot of this story is that of a man named Montresor desperately seeks revenge upon a colleague and eventually murders him by trapping him in catacombs deep underground. No matter what the circumstances, revenge should never be taken because men become controlled and destroyed by revenge, and revenge creates division among people.

Euripides also carefully reveals the elements of Medea's past that demonstrate her readiness to violate solidarity of family ties in order to pursue her intractable will; Jason and Medea's original tryst, for example, required that she kill her own brother, thus choosing marriage ties over blood ties. Secondly, Medea's selfishness provides power to her fatal flaw. Medea's selfishness and lack of humanity is displayed through the act of killing her own two sons. Medea understands that the slaying of her children will make Jason miserable. During this time, the chorus recognizes her self-worship and states, “But can you have the heart to kill your flesh and blood” (Euripides, The Medea, 816)? Medea does not stop to think what pain she may cause to herself by murdering them. She is only concerned about her happiness that will be derived from Jason's grieving. Medea comes to the conclusion that it is worth the suffering just to see her ex-husband unhappy. Medea states, “Yes, for this is the best way to wound my husband” (Euripides, The Medea, 817). This exhibits Medea's selfishness by the slaying of her sons just to cause sorrow to Jason for her own pleasure. Medea's rage also leads to her fatal flaw of excessive passion. Her excessive passion, fed by rage, leads Medea to do uncalled-for acts of violence and murder.

She helped him in every way possible in his quest for the Golden Fleece, “Her heart on fire with passionate love for Jason... But now there’s hatred everywhere. Love is diseased.” (1) However, in a tragedy, the hero is supposed to make a single mistake which ultimately leads to their downfall. In this case, Medea is not a heroic character as she is a sorceress, murders her brother, and her own children. The hamartia is intended to bring down a character of high morality, but Medea can be viewed as a wholly evil character who is not guided by any moral principles. She is also manipulative and deceptive in the way that she treats the men around her, Creon, Aegeus, and Jason, while involving them in her plan for revenge. Euripides has shown this aspect of her personality through lines such as “Do you think that I would have fawned on that man unless I had some end to gain or profit in it?” (12) and “by a trick I may kill the king’s daughter” (25)

“While seeking revenge, dig two graves - one for yourself”, as is what happens to those who take revenge, buried in their own unforgiveness. Francis Bacon’s idea of revenge attempts to bypass this problem of unforgiveness, with the forgiveness of the perpetrator. But not all revenge can be simply forgiven, which is the case in Hamlet; Francis Bacon also knows about this problem, but describes it in his own words with “The most tolerable sort of revenge is for those wrongs which there is no law to remedy; but then let a man take heed the revenge be such as there is no law to punish”(Francis Bacon 15). Sir Francis Bacon’s idea of revenge relates to Hamlet in how revenge is handled, the repercussions of acting in revenge, and its ability to change a person's thought process.

Medea was a troubled soul once Jason left her for a younger princess. When the nurse says “Rulers are fierce in their temperament; somehow, they will not be governed;”, it rings very true of Medea (Puchner 531). Someone so accustomed to getting her way will by no means let anyone, including her beloved Jason, treat her with any disrespect. She not only felt dejected by Jason, but she felt she could do nothing to change her circumstance but take out deadly vengeance against those that committed such a hiatus act towards her. With all things considered, Medea felt Jason took everything from her when he left. Jason became her everything. When she

Soon after this, Medea is able to manipulate Creon as well. When Creon banishes her, she tells him of her great concern for her children and eventually convinces him to allow her to stay in Corinth for one more day. This allows Medea to continue with her plan to take out revenge on Jason. Medea acts and speaks like a Homeric Greek warrior, but tricks Jason by acting submissively like the ideal Greek woman Jason wished her to be. Medea approaches Jason with gifts for his new wife, apologizes, and tells him that she realized he was right. This move allowed Medea to remove all skepticism from Jason's mind, and he willingly took the poisoned dress to his bride. In the course of a few hours, Medea's ultimate manipulation skills enable her to exploit four individuals who are crucial to her murder plot.