Douglas Crimp

The Museum of Natural History is an enchanting place for children of all ages, but it is an especially important place for Holden Caulfield. The Museum is a known certainty in Holden’s inconsistent life, where the glass displays always remain the same. Holden has been relocated to many different boarding schools, and few things remain constant throughout his life. As a result of this he clings on to this one place, the Museum of Natural History, because even if Holden, himself, returns to the museum different, “the deers would still be drinking out of that water hole…and that squaw with the naked bosom would still be weaving that same blanket,” (Salinger, 157-158). In Holden’s ideal world, life should mimic the museum exhibits, where everything is simple, people never come and go, and everything remains frozen in time forever. In The Catcher in the Rye, one symbol J. D. Salinger uses is the Museum of Natural History to show how Holden’s fear of variation makes him hold onto the past, and how he fears mental change even more than just aging physically.

For this essay the works of Robert Draper, author of “Why Photos Matter,” and Fred Ritchen, author of “Photography Changes the Way News is Reported,” will be analyzed. Though both deal with the topic of photography, their take on the matter is very different. While Ritchen is a photographer who writes on “what professional photographers will be doing in the future,” Draper is a writer for the National Geographic writing on how the photographers of the magazine share “a hunger for the unknown.” Both writers, however, write on the topic of photographers having a deeper understanding of their subjects, Ritchen due to research and practice, and Draper because the photographers “sit [with] their subjects, just listening to them.” In both essays the need for a deeper understanding of the

Leila Aboulela writes “The Museum” in a way that can make the reader feel like they are connected and present with the characters. Held in a prestigious university in Scotland, the University of Aberdeen, “The Museum” highlights many difficult challenges that can be faced in a lifetime, and that makes the story even more relatable. Leila Aboulela really knows how to capture her readers, which makes her story so memorable. Aboulela uses explicit adjectives to describe common things that advance the story even more. For example the reoccuring color blue on page 372 that evokes the sad feeling that Shadia develops throughout the story.

Marilynne K. Roach is a resident of Watertown, Massachusetts. She went on to graduate with a BFA from MCA (Massachusetts College of Art) but she uniquely gives credit to the public library systems for the rest of her education. This is very interesting to me because she says that libraries are what she owes to her education to. Because of all the books she reads she later turns out to be a great book writer herself. The library system really did impact Marilynne’s life drastically. But besides illustrating other writers work in history she also has written and illustrated many books of her own, this including “Six Women of Salem”.

When a museum has prestige on a national level, they can be under high scrutiny of exhibits or objects displayed by the public. Controversial topics, for example, the Enola Gay exhibit, has left historians hesitant and confused on how to create exhibits with correct history, but also not upsetting any individual who were involved with said history. Historians have a trying task of addressing both sides of a historical event, even though it might depict individuals in an unflattering way. A historian is not allowed to have a bias for events, this could have an impact on the way an exhibit is created. Another point that was brought to light in Bunch’s article was museums have the ability to educate the public, so difficult topics should not be

The sounds loud, deafening even, as shots rang out. The fighting raged on, over to the left, an explosion went off, knocking a young man off his feet, pain stung his arms, legs, his body, as he fell to the ground, first to his knees then to his hands. His face hit the dirt. The sounds were loud, deafening even, as more shots rang out, and then the sounds were just in the background, a distant memory, the young man faded, but as he did, he did for his country. Before I walked into The Coles Museum, after I left, and during my time there, I had, and still am thinking and pondering greatly on what freedom is, and what it means to me. Freedom is a power, freedom is a privilege, and we have it because of our veterans and those who fight.

As a Chinese immigrant who moved to the US when I was in 5th grade, I have always been fascinated by the diverse backgrounds of people in the city. My interest in history was sparked at ten years old, on my first field trip to The Tenement Museum on the Lower East Side. I was interested in the culture and background of the families who lived in those buildings at that time.

The Heard Museum conveys the life and culture of Native Americans in the Southwest, with the help of pre-Colombian to contemporary art and a variety of traditional artifacts. Something that caught my eye was Rosie Yellowhair’s “Emergency Story” sandpainting. It depicts the Navajo creation story and how there were five worlds and what made the people move from the first world to the next. I thought that this was interesting because in class we talked about creation stories about Native Americans and I found those intriguing. So, seeing this sandpainting and knowing that its purpose was to tell its story of creation was astonishing because I’ve never seen a sandpanting that depicted a creation story.

De Young Museum located in the heart of Golden Gate Park, the landscape is rectangle. The twist tower is standing in the corner of the building. Adjacent is the pool of enchantment. Overlooking, we can see the white stone paves and green lawns, they formed a sharp contrast, the lines are combined to be a very distinctive form. One of the oval shaped lounges is deliberately split into two parts. It is staggered placement at two sites. It breaks the original space and the formation to be a

Abstract: This essay reflects on the relationship of photographs, history, and memory based on a found and mutilated photo album. Photographs provide opportunities for disrupting and restructuring history with their attraction to memory; they privilege the subjective, creative power of the personal explanation and provide an emotional and even ideological grounding for memory. Photographs as manifestations of memory assist in the process of understanding the present.

When staying in the area of Brentwood Los Angeles, you have parks, museums, beaches, and UCLA at your fingertips. The J. Paul Getty Museum will leave you feeling enriched as you visit exhibits such as Photography in Argentina or Giovanni Bellini: Landscapes of Faith in Renaissance Venice. The Fowler Museum on UCLA's campus will give you an opportunity to observe the craftsmanship of silversmiths when you visit the exhibit Reflecting Culture: The Francis E. Fowler, Jr. Collection of Silver. Go hiking, horseback riding, catch a movie and see late iconic western movie actor Will Roger's ranch home overlooking the ocean at Will Rogers State Beach. Then visit the Pier Shop, beach, and beautiful Ferris wheel at the highly recommended Santa Monica

Time had caught up to him. He thought he would be ready, thought by cherishing every tick of the cloak that when death came for him he was would be ready. But death was biting at his heels when he stood, draping over his shoulders when bent over his work table, and coating is every inhalation of air.

Jan van Eyck was active since 1422 and died in 1441. He was the most celebrated painter of the fifteen-century in Europe. One of his famous works is “The Last Judgment”. At first sight this work immediately attracted my attention. The painting’s stunning colors and the fact that it reminded me of a previous similar work I have seen, triggered in my mind. The material that is used is oil on canvas, transferred from wood. The size of this work is 22 1/4 *7 2/3 in. (56.5 * 19.7cm).

The Loma Prieta earthquake of 1989 damaged the old de Young museum building located in Golden Gate Park and uncovered severe seismic flaws in the building and hence a comprehensive plan to rebuild the building in stages was overtaken to make the de Young museum up to date. In January 1999 the Swiss firm Herzog & de Meuron were chosen to rebuild the De young museum, due to their willingness to engage in an extended process of architectural design and also because their prior work demonstrated a drive to explore new building solutions for each client. Each of Herzog & de Meuron’s prior buildings were known for their strikingly different façade treatments and the use of uncommon

This was actually my first visit to this museum since I have gone to Kennesaw. My expectations were pretty high initially upon going, because I have heard so many things about it from my peers. Just by their opinions, and my love for art I have myself, I was actually excited about going in to take a look. I must say, I was not disappointed by any of the art work I saw in there. I really enjoyed the exhibit of work from some students from a high school around this area. It really shows that the college really supports the youth of the future and their passion for art as a whole.