Olivia Benson: The Changing View Of Women On Television

Gender roles have been a hotly debated topic in the most recent years, especially the role of women in society. Women have had set expectations that they are believed to conform to, which is shown in many pieces of film and literature. The Great Gatsby by F. Scott Fitzgerald describes the life of a man in the upper class in the 1920’s, as well as women in the 1920’s. The movie The Princess Bride, written by William Goldman, visually explains the treatment and expectations of women, and especially focuses on the “damsel in distress” stereotype.. Roxane Gay’s “Bad Feminist” explains the stereotypes against women and ways women can come together and fight these constraints. Based on these sources, societal expectations take away from each individual’s identity, forcing women to conform to society's standards. In order to fight against these expectations, women have banded together and formed movements against these standards.

The most prevalent and popular stereotype of the post World war II era in America is one filled with women abandoning their wartimes jobs and retreating into the home to fulfill their womanly duties. In Joanne Meyerowitz’s Beyond the Feminine Mystique: A reassessment of Postwar Mass Culture, she shows how far women departed from this one dimensional image. While Betty Friedan’s The Feminine Mystique is reflexive and focused on the mainstream, Meyerowitz’s analysis is a broader and more inclusive exploration of media, as she draws upon multiple sources. Although Friedan effectively unveiled the thought process and reasoning behind society's belief that the message of media was to make women think that their place was to be the happy housewife, Meyerowitz expanded her media archives and found a differing message in analyzing both female responses to media and exploring their stories.

The woman’s role in society had many changes during the era of WWII to the baby boom era. It went from the strong independent woman that can work in a factory to a house wife that takes care of the family to the final slightly dominant, but still dependent female. All of these different feminine mystiques were changed because of society and through indirect propaganda in TV shows and

The quality of American television has become a national disgrace. Young women in America who are displeased with their appearance more likely then not can trace those feelings directly back to images from the mass media on television. The unrealistic representations of women that the mass media bombards young women with indicates that the television has become a source for a distorted understanding of gender roles among adolescent women. These images warp young women’s views of their own gender identity. The mass media on television should in an attempt to provide more positive gender identities for adolescent women depict women on television in more realistic ways, should stop

However, it can be observed and said that they have always lived up to the image of “housewife” material or as a constant collaborator of a male role, instead of being the main character. According to Elasmar, M., Hasegawa, K., & Brain, M, on their essay the portrayal of women in the US prime television, “TV has portrayed females in many ways, studies have shown that women have been underrepresented and stereotyped in TV programs.” Women have been living under that invisible stereotype that has cornered them and does not allow them to grow professionally or socially. TV has been the master-mind behind a stereotype that has left women without the chance of demanding equality or credibility on shows, a stereotype that will always be mentioned and enforce if TV shows do not start producing real-world programs based on true stories or true qualities of

The rise of enlightened sexism: How pop culture took us from girl power to girls gone wild

Society always keeps the idea of heroes alive through media. Girls inspired by movies or television shows dream of knights in shining armor saving the day. These same shows often represent the women as weak and dependent on men. Men fight the bad guys and save the day while the women work behind the scenes giving information to the men. The gender stereotype of men protecting the women often reveals itself in television shows, especially in one episode of a television show called The Flash. The episode from The Flash titled “The Flash Reborn,” illustrates the gender stereotype of men as the protector of women and this negatively shows a stereotype of beautiful women that cannot take care of themselves.

Mariska Hargitay plays the role as detective Olivia Benson on Law and Order SVU. While actresses usually get letters asking for a signed picture, or compliments stating they love their show/work, Mariska was receiving letters from survivors. She received letters from fans who were disclosing their stories for the first time. Receiving these letters urged Mariska to start the Joyful Heart Foundation. She created the foundation to help survivors who are deeply affected by the statistics. The foundation is also working to end the rape kit backlog. Joyful Heart Foundation opened their doors in 2004, while Mariska was in Kona District, Hawaii. This organization has a mission to transform society’s response to sexual assault, domestic violence, child abuse, while also supporting survivors’ healing, and end this violence forever. While doing their mission, they also strive to shed light on the darkness of these issues.

Today’s culture sees a gap between the male and female gender. This is evident in everything from the films we watch, music we listen to, and even in our everyday lives. Historically, this issue has seen an even larger gap, and can be observed in the films that were made during that time. Vertigo and Citizen Kane both show the objectification of women by controlling them, writing them in supportive roles, and placing their value in the way that they look.

During the 18th and 19th century, patriarchy has been responsible for designing women’s role in society. Throughout history, men have been deemed as superior while women have been regarded as inferior. Society has this ideology that women are the sole laborers of a household; they were not granted the same privileges as men. In addition, women have been negatively affected by stereotyping. Women have been portrayed on television as being submissive to men. The depiction of women on television portrays the implications of a societal view of women. From a man's perspective, an ideal woman is a housewife who does all the household duties herself. However, over the years, studies have shown that gender roles have slowly advanced. Women began

‘Wonder Woman’ And The Power of Watching A Woman Save The World, by Emma Gray is an article that argues the emotional impact of having a film about powerful women saving the world. There is a substantial lack of representation of strong, powerful women in Hollywood movies, until Wonder Woman was released into theaters.  Emma Gray discusses how Wonder Woman fills a hole that many women never realized they had.  She indicates how this film empowered many women and how it created this emotional outcry for more representation in superhero films.  Emma Gray uses personal story, repetition, and supporting details to effectively persuade women that Wonder Woman is a compelling example of how representation can make a large group of people feel strong, powerful, and beautiful all at once.

Women were now being portrayed as powerful, unpredictable, and possessing a mysterious sexual power, which they used to elude male control. The 1960’s also brought with it his tensions that resulted the escalating war in Vietnam, the assassination of John F. Kennedy, black ghettos going up in flames, the women’s liberation movement, the youth anti-war rebellion and free love theme, and the Civil Rights movement. It was safe to say that the American public had violence on its mind and the movie industry capitalized on the public’s apprehensions.

Frequently, most superheroes in cinema are portrayed by male characters rather than women, creating a distinction between gender roles. Indeed, through the passage, “These results may suggest to viewers that women are less important, knowledgeable, and capable than men – and less likely to be a hero” (Miller et. al) women are much less likely to be featured as the hero within the film, and more likely to be featured as the “damsel in distress” of the story. Furthermore, women are much more likely to be depicted in a sexualized fashion, even when displayed in the role of hero. This feature of women with a lack of dominance defies feminism, as they lack roles in superhero films and they are portrayed with the sole purpose of boasting

Filmmakers use traditional gender stereotypes to produce characters audiences can easily identify with by portraying conventional images of a person with identifiable characteristics. In previous years, the dominant representation of a women in film has been the passive, subjugated protagonist. However, through the development of female empowerment and added feminist representations of film, the female heroine transformed to become strong and independent women in her own right, as an individual character.

The roles of males and females in society have significantly changed, as opposed to the predominant roles in our history. In the modern culture of today, women have begun to break out of the mold that which society has placed her in. This much can’t be said when it comes to modern gender representation in mass media advertising. It can be safe to state that woman are seen as sexual, fragile, exotic—whereas men are portrayed as tough, in control, and aggressive. This trend can be one seen as an inhibitor to the advancement of our culture, because especially for women, it is hard to pull away from the stereotypes that are continuously represented. As examples of the given trend, the following