Omran Daqneesh Research Paper

Karim feels inferior to others because he never knew the free and safe life. This is demonstrated when he states to Milad,”the problem is that we who are young never knew before. We’ve only known after, which is not a pretty sight.”(74) Karim wants to have normal teenage years, although he knows he cannot because he lives in a war zone. He blames the older generation for stealing his life after causing a war to such a beautiful country as Lebanon. Moreover, Karim feels jealous of the people who knew peace and the ‘’before’’ because they had the chance to live a good life. Living in a country where a war is going on can cause a big trauma to children because they witness a great violence and they do not get to live a safe

“The community’s blunt outrage over the children’s arrests and mistreatment, the government’s humiliating and violent reactions to their worries and the people’s refusal to be cowed by security forces embolden and helped spread the Syrian opposition.” This notion demonstrates that the killing of the four protestors was only the first of many deaths to occur continuing into an on-going war that has: “…triggered nationwide protests demanding President Assad’s resignation.” Because of this, the Syrian government decided that in order to handle the issue they must crush this nationwide dissent. This in return only allowed the protestors to push harder for a change within the country of Syria, in hopes of it becoming the wonderful country that it was in the years prior to the war. “Syria’s conflict has devolved from peaceful protests against the government in 2011 to a violent insurgency that has drawn in numerous other countries.” “With neither side able to inflict a decisive defeat on the other, the international community long ago concluded that only a political solution could end the conflict in Syria.”

In the article, “Newest Crisis of the Syrian War: Traumatized Children”, Kareem Shaheen present a story of girl who face physical obstacles. Shaheen begins with, “The 5-year-old had watched an uncle bleed to death, seen her home shattered by shells, had her arm struck by burning shrapnel. The psychological toll was too much she stopped eating. Her muscles atrophied and her legs no longer were able to bear her meager weight.” This child had experienced so much trauma the it affected her physically which goes to show that there is a high chance of long term

After September 11, 2001 I’ve had trouble finding what makes me more angry; the way the authorities handled the hurricane of Katrina or the way the Arabs were treated. I have herd countless stories related to the 9/11 attack and until today I see the way that has affected the lives of many. Through Eggers story, I was able to comprehend more about the tragedy in New Orleans and even though I thought I already knew about the aftermath that Katrina brought, Eggers grabbed my attention by introducing me to the story of a Syrian-American middle aged man named Abdulrahman Zeitoun. He was a father of four, married to an American wife Kathy and owned a

In Part II of the novel, A Thousand Splendid Suns, Khaled Hosseini uses war, communion, and violence as symbols to portray how those most affected by war are the innocent. In addition to war and communion, Hosseini utilizes violence to depict the harmful impact that war has on innocent civilians. The first instance of violence in the novel demonstrates how a government uses propaganda as a tool to deface its people. While she looks at newspaper clippings under mammy’s bed, “One photo, . . . , showed a man in a long white coat handing a lollipop to a legless little boy. The caption below the photo read: Children are the intended victims of Soviet land mine campaign.” (109). The article from this newspaper displays the extensive violent effects of the war in Afghanistan.

They loosed a dog on him that went for his genitals.” Khalifeh deftly includes this grotesque imagery to open our eyes to the common brutality they now endure in Palestine under the Israeli’s and make us aware of the barbarity of the situation. It evokes not only a sense of poignancy in us, but outrage as well because his human decency has been violated with such nonchalance. As the audience, we grow to sympathize with the conquered Palestinians and support Usama in his quest to reclaim freedom for Palestine.

The tears rolling down his face describes the innocence and what he is experiencing. The messy hair depicts that he is neglected for some reason. The shirtless body shows a sense of vulnerability, which helps add emotions to the image and situation at hand. Thus, every element used within this image shows a purpose, which is to help us feel sympathy for the poor child and makes us instinctually wish to comfort the

The village was very miniscule and when he arrived with several other men it was complete havoc. After a woman came up to Harrah asking to help find her child, he worked nine hours searching for a pin in a haystack. Feeling defeated, Harrah lied down to rest. At that moment, he heard the cry of a baby, and several hours later the ten-day-old baby was saved from under concrete. They referred to the baby as ‘miracle-baby”. Mohammed Farah, one of the men at the rescue scene emotionally describes the scene in a Netflix documentary, “And I started to cry. I couldn’t hold it in, and all my colleagues started to cry” (The White Helmets). This is a story of perseverance, to Harrah it did not matter if the child was ten-days-old or fifteen years old. He saw the opportunity to save a life and he took it. Today, the baby is alive and

As the people of Omelas continued to accept the truth of their city, some have begun to see the child as more of an it than a person and regarded the child similar to a wild animal. “One of them may come in and kick the child to make it stand up. The others never come close, but peer in at it with frightened, disgusted eyes” (245). Not only do the residents accept the child’s misery, they have also

Bahman Ghobadi’s brilliantly poignant film, Turtles Can Fly, defines the impact of the culture of war on children. Iranian cinema was defined by “rural settings and child protagonists to avoid the censorship from religious leaders that contemporary social themes would attract” from 1997 to 2005 (Corrigan and White 379). Ghobadi uses this censorship to his advantage in his film; the setting and characters he employs in the narrative shows the brutal circumstances that children of war are forced to grow up in. Turtles Can Fly obfuscates the boundaries between maturity and infancy through the social blocking of the children and the metaphorical props of water and mines.

As Gibreel and Burnat walk alongside the barrier, the scenes of dead bodies and pools of blood leave Gibreel extremely unphased. Any toddler, seeing such devastation and horror would normally be shaken, however, for Gibreel this is nothing new. Being born in this conflict has impacted his life, it has hardened him at such a young age. Burnat wants his audience to see the horrific scenes that Palestinian youth encounter on a daily basis as a result of this conflict, something that I hope few children should ever be exposed to during their

Men and women walk the streets, and weep at the fact of the child in the cellar. The child in the cellar is the existence of why the Omelas treat their children gentle but yet full of compassion and joyful love for happiness. The tearless rage, treatment, freedom, and acceptance of the Omelas to the child have long ever to be free and fearful.

only child from the horrors of war and the dangers of the Islamic regime. In one

The escalating sounds of frenzied footsteps and shrieks had begun to frighten me, as I was walking to my friend’s home. Out of nowhere, my eyes started to burn and a hysterical cough overwhelmed my entire body. I had lost complete awareness of my surroundings. The oxygen fleeing my body with every cough left me in a state of terror. A faded figure wrapped their arm around me and assisted me into the lobby of an apartment building. As I partially regained my consciousness, an overlapping group of voices said,”Iyi misin?”, “Are you okay?” in Turkish. I nodded out of habit, although all I could think about was when my cough was going to cease. Forcing my eyelids fully open, I saw two distinct figures; a man with a torn piece of cloth wrapped around his head, whom I presumed helped get me off the street, and a concerned young woman awaiting outside an apartment door. A mid-aged woman rushed out of the apartment towards me, with her hands full. She leaned over my head and gently poured milk over my face, assuring me that I was going to feel better. I enjoyed the soothing sensation all over my face, though it was brief. Then, the woman begun squeezing lemon juice onto a white cloth, and told me to breathe into it. After a short while, my mind had been freed from captivity of the tear gas, and I came to an inspiring realization. These strangers had helped me without question. At the time, it did not matter to them who I was, where I was from or what beliefs I held. They most likely

What offense, did the people of Ar Raqqah perform, to deserve this suffering and oppression and burying their hopes? It is the question the people of Ar Raqqah ask themselves every minute of their day and night when they see their loved ones drafted in long lines into the unknown! These children find themselves standing as human shields to protect people who are not their parents, families, neighbors, nor from their country, nor part of their faith. Da 'esh are people came to Ar Raqqa to sabotage, destroy and erase an extensive history of a country with an ancient civilization from thousands of years. Seldom recognized, is the number of those boys Da’esh turns them into executioners, thugs, criminals and murderers, and in the case of their disobedience, their fate will result in receiving torture, or being killed and beheaded!