On The Dunwich Horror Summary

In his Philosophy of Composition, Edgar Allan Poe informs us that he begins writing with “the consideration of an effect” (430). Most of Poe’s poetry and fiction exemplifies his assertion that a preconceived effect upon a reader is undoubtedly fundamental to his creative work. Poe’s tales of terror in particular epitomize the supremacy of his craft in that each component of his narrative strategy functions to achieve the final effect of generating unmitigated terror in his readers. Focusing primarily on The Fall of the House of Usher, I argue that Poe employs a preconceived narrative

The Romantic arts capture the intense turmoil caused by the mind waging war on itself. The unsettled mind seeks out avenues of fulfillment, rationalization, confrontation and sometimes, self-destruction. In this essay, I will compare the works of Frankenstein by Mary Shelley with the following paintings: The Nightmare by Henry Fuseli, The Raft of the Medusa by Théodore Géricault, Seashore with Shipwreck by Moonlight by Casper David Fredrich, and The Death of Sardanapalus by Eugène Delacroix. The supernatural fulfills discontentment with life and symbolizes conflict within the human mind.

It is a well known fact that Edgar Allan Poe‘s stories are famous for producing horror or terror in his readers beyond description. However, it is one of this essay’s attempts to precisely describe these two characteristics present in The pit and the pendulum and The black cat. Horror may be defined as “the feeling of revulsion that usually occurs after something frightening is seen, heard, or otherwise experienced. It is the feeling one gets after coming to an awful realization or experiencing a deeply unpleasant occurrence.” On the contrary terror is described as “the feeling of dread and anticipation that precedes the horrifying experience” These two concepts are thought to be crucial when analyzing Poe’s writings. It is going to be

Unnerving, spooky, disturbing, frightful… All common characteristics of a hauntingly terrific tale by the famous Edgar Allan Poe. His story “The Masque of the Red Death” brought a grotesque taste to the horror genre throughout the 19th century with the use of literary devices. To summarize, Poe’s story discussed, in detail, the horrifying inevitability of death, which reveal the value of a device known as symbolism used by Poe in this literary work. As people are familiar with, Poe’s psychological weaknesses spurred his creativity to which he poured his problems into Gothic Literature, and he produced these unforeseen symbols as pawns of his life. In this popular short story, subtle objects are manipulated to reflect Edgar Allan Poe’s misfortunes. Symbolism is used throughout his short years of living as a narrative device for his eerie publications. Within this composition, I will be justifying how Poe’s influence on the use of symbolism constructed a disturbed and almost misleading

It is hypothesized that the two excerpts convey messages about the representation of goodness and evil attributes. An expository approach is essential to the study of this key idea, for the reason that no single punitive perspective can sufficiently address this issue. The research will be used to convey and interpret ideas from both passages. I will research the stories portrayal of wicked factors, while clarifying and expressing the importance within both accounts. By means of thorough investigation, the reader will apprehend the significance of why the authors included these themes within their stories.

Edgar Allan Poe is the most morbid of all American authors. Poe made his impact in Gothic fiction, especially for the tales of the macabre of which he is so renowned for. “How can so strange & so fine a genius & so sad a life, be exprest [sic] & comprest in on line — would it not be best to say of Poe in a reverential spirit simply Requiescat in Pace [?]” — (Alfred Lord Tennyson’s reply to the Poe Memorial committee, February 18, 1876). Poe’s own life story sheds light on the darkness of his writings.

The short story “The Rats in the Wall” by Lovecraft, told in first person narrative, gives the reader a strong sense of his feelings and emotions. The narrator is the last of his family lineage, having lost his father, wife, and son. This loss plays and influences the horrifying events throughout the story.

In these gothic literature short stories regarding romanticism the authors often use many elements that pertain to fear however, the most prevalent themes in “The Black Cat” by Edgar Allan Poe, “Prey” by Richard Matheson, “The Devil and Tom Walker” by Washington Irving, and “The Feather Pillow” by Horacio Quiroga are grotesqueness and violence. The authors utilize grotesqueness and violence in order to furthermore portray a dismal mood, foreshadow events to come, and to further entice the reader

This essay will discuss the themes in Poe’s writing that mirror his personal life and, in addition, the fear and supernatural motivators for his characters. First, I will discuss Poe’s background and explore how he became best known as a poet for his tales of mystery and macabre.

Howard Phillip Lovecraft was known after his death as being a significantly influential horror fiction writer. One of the works that Lovecraft is known for is the The Alchemist and it is one of the many stories he has written that has influenced many other writers like John Carpenter. Carpenter is the director for the movie In the Mouth of Madness which was influenced by the Lovecraft’s theme cosmic indifferentism. In both works one can see the development of a hero in a horror genre story.

Although now seen as the father of the modern horror story, Edgar Allan Poe was previously viewed as a drunken failure. Within Poe’s writings much of his own life riddled with guilt, anxiety, alcohol, depression and death shines through resulting in works that appear unrelated yet once dissected prove similar. This is true for Poe’s works “The Raven” and “The Black Cat”. Poe’s examples of gothic fiction share the use of the color black and a rapid digression of the narrator 's sanity while seemingly unveiling Poe’s internal pain. Despite these similarities, Poe’s works also differ immensely. “The Black Cat” focuses around death while “The Raven” is fixed around discovering the reasoning for a bird 's arrival. Moreover, gothic themes seen within “The Raven” do not necessarily remain constant when compared to “The Black Cat”.

All too often the gothic literature genre is reduced in its interpretation to gloomy weather and archaic haunted houses. These patterns do exist, but they do not define the genre. Gothic literature found its niche in the 18th and 19th centuries, and during the Victorian era it served a more nuanced purpose than simply to scare readers. Many gothic authors used a monster as a vessel to symbolize topics that the Victorian era sensibilities would label as “monstrous.” They are the incarnation of the taboo subjects society is trying to repress. In Bram Stoker’s Dracula and Edgar Allan Poe’s “A Tell-Tale Heart”, the authors use Freudian symbolism along with literary symbolism to demonstrate the repercussions of repressing “id” desires.

In “The Call of Cthulhu,” H.P. Lovecraft makes use of a more psychological horror path, which is a major aspect of Lovecraftian horror. Psychological horror uses more suspense build up and shock than blood and gore. H.P. Lovecraft accomplishes this by using a buildup of suspense, not revealing the ‘monster’ till the end while hinting at what the ‘monster’ is throughout the story. H.P. Lovecraft writes the main character following his great uncle's manuscript and piecing together the puzzle of “the Great Ones.” H.P. Lovecraft also creates the sense of suspense by making the main character’s inner dialogue contain the main characters emotions and thoughts of suspect. Another example of the use of psychological horror is when Henry Anthony Wilcox dreams of “the Great Ones,” and experiences a period of mental breakdown that physicians could not identify. Once Henry Anthony Wilcox came out of the episode he remembered nothing, creating a shock factor, and making the reader ask “how did that happen?”

Both Edgar Allan Poe and H.P. Lovecraft were known for their tales of horror, shocking discoveries and mysterious characters. Lovecraft was known to have mimicked Poe’s style in his popular horror stories of the early 20th century. Poe, one of the most famous writers of short stories and poems in the 19th century, amazed readers with his rich descriptions and chilling plots. Neither disappoint in two of their stories: Poe’s “Tale of the Ragged Mountains” and Lovecraft’s “The Outsider.” Although these are not the most famous of each authors’ works, scholars often debate over the meaning and themes of each story. One common theme in both the

The following piece of writing will explore factors of a gothic novel. It will exclusively do so in regards of the two novels Wuthering Heights and Frankenstein. These very famous novels will be looked at in a very in depth piece of writing. Each novels main themes and their background will be presented. The morality and the gothic novel with specific reference to Frankenstein and Wuthering Heights will be assessed. The second aspect will be the social and cultural of the genre, the genre being the gothic novel. Thirdly, the monster as punishment and the punishment of the monster in both novels. The final aspect that will be analysed is the constructed nature of boundaries in both texts.