On The Waterfront, by Elia Kazan Essay

In A Place Where the Sea Remembers, Sandra Benitez invites us into a mesmerizing world filled with love, anger, tragedy and hope. This rich and bewitching story is a bittersweet portrait of the people in Santiago, a Mexican village by the sea. Each character faces a conflict that affects the course of his or her life. The characters in this conflict are Remedios, la curandera of the small town who listens to people’s stories and gives them advice, Marta, a 16 year old teenage girl, who was raped and became pregnant. Chayo is Marta’s big sister and Calendario is Chayo’s husband. Justo Flores, his conflict is person vs. self. One of the most important conflicts in this story is person vs. person, then person vs. supernatural followed by

"The Boat" by Alistair MacLeod is the story told from the perspective of university teacher looking back on his life. The narrator relates the first memories of his life until his father's death. The story focuses on the conflicting relation between the mother and the father, and their different perspectives on how their children should lead their lives. MacLeod uses features of setting to present the tension between tradition and freedom.

Terry’s guilt begins to be harder to bear as he gets closer to Edie. He is starting to look at Johnny Friendly as a criminal, a man that shouldn't get away with murder, instead of a powerful man in which he should fear. Terry’s values are shifting as he starts to ponder testifying. He sees the pain in Edie as she wants answers of who killed her brother.

Man is a product of two worlds— the one he inhabits and the one he strives to create. The fisherman in Lawrence Sargent Hall’s “The Ledge” is caught somewhere between the two. A calloused, hardworking man who lives in a cold corner of the world, he is a father, a husband, and a man. Hall uses the perception of others, the actions of the protagonist, and direct narration to ultimately expose the real, imperfect humanity of the fisherman.

In the story "The Open Boat," by Stephen Crane, Crane uses many literary techniques to convey the stories overall theme. The story is centered on four men: a cook, a correspondent, Billie, an oiler who is the only character named in the story, and a captain. They are stranded in a lifeboat in stormy seas just off the coast of Florida, just after their ship has sunk. Although they can eventually see the shore, the waves are so big that it is too dangerous to try to take the boat in to land. Instead, the men are forced to take the boat further out to sea, where the waves are not quite as big and dangerous. They spend the night in the lifeboat and take turns rowing and then resting. In the morning, the men are weak and exhausted. The captain

On the Waterfront is a film directed by Elia Kazan which illustrate the difficulties that the protagonist, Terry Malloy, has struggled in the early period of 1950s. Terry Malloy was a former prize-fighter who was bought up in a dark and brutal world of men. Since his career has ruined by the corrupted union which was controlled by Johnny Friendly, Terry was being recognized as a ‘bum’ within both the longshoremen and the mobs. This poor environment has created a false philosophy within Terry himself, ‘Do it to him, before he does it to you’. However, after he met Edie and Father Barry, Terry realized how wrong his philosophy was. Thus Terry, with his remaining conscience was able to stand up against Johnny Friendly and gain a new

This theme shows in a multitude of ways that the author utilizes throughout the story, but perhaps most significant is the central conflict

On the Waterfront is a film where a young man has to struggle between conflicting choices in the harsh brutal waterfront days of the 1950s. Director Elia Kazan chose to shoot the film in black and white, to use as a contrast between the obvious right and wrong state of affairs on the waterfront. However obvious it is, the decisions Terry Malloy must make are not so easy. Sticking to the waterfront ideals of being "D and D" and self-preservation, Terry is seen as selfish, uncaring and also as someone with no brains, no honour; essentially "a bum." Throughout the film

Smooth Sailing is a private company that operates one cruise ship. Recently, pirate activity in the area where the cruise ship operates has increased, thus affecting the cruise ship’s potential future cash flows. The cash flow decline has directly contributed to a decline in the overall fair value of the cruise ship.

Cinderella Man was an incredibly magnificent and uplifting film that followed the life of the “Bulldog”, later entitled “Cinderella Man”, starring Russell Crowe as James J. Braddock, the American heavyweight boxer. Primarily, Cinderella Man embodies strength and willpower as once-undefeated heavyweight fighter, Braddock’s loses started to rapidly accumulate, so bad that he was released from his boxing contract and was merciless impeded from fighting. Correspondingly, deprived of work the bulldog began to undertake hard labor during the Great Depression to counterbalance myriad bills and overdue payments. Moreover, Braddock and his wife Mae together had three children to nourish. Correspondingly, years later, Joe Gould played by Paul Giamatti, was Braddock’s old boxing manager and contracted him one last concluding fight, which he won. Hence, the Bulldog started to train again and James J. Braddock was reborn after countless winning comebacks. Ultimately, Jimmy undergoes a fairy tale rise from a poor local fighter to the heavyweight-boxing champion of the world.

Anton Chekhov's The Sea Gull is a Russian comedy, despite some tragedy, written in the end of the nineteenth century regarding the drama revolving around a group of people living in the countryside. The characters face the lack of satisfaction in their lives as they fail to achieve their desires. The characters desires are most about success; they desire success in love and art. Since these characters are lacking at least one of these desires, they are thus left to be loathing their lack of success in life throughout the play. Overall, The Sea Gull does exemplify the human disappointment through the characters which face disappointment or dissatisfaction with their lives and effectively portray disappointment through the characters’

“On the Waterfront” was photographed in such a captivating way. Boris Kaufman had a vision ahead of his time. Many scenes in the movie are understood, not just through the script, but from the cinematography as well. Three scenes in particular catch my eye. It is the artistic style and flare of conveying the same idea in multiple mediums. The first scene is when Terry and Edie are on the rooftop at Joey’s pigeon coup. This scene portrays the moment in which I believe was the catalyst for Terry that lead him to be truthful to Evie and stand up to Friendly. The second scene that I will speak about is when “Kayo” Dugan is killed. When the preacher is giving his speech to all the longshoremen. That speech was a testament of one man speaking out for what he knew was right. The third scene that I will choose for this essay is where Terry walks to Friendly’s dock office. After the fight, Terry’s march to work puts you on the edge of your seat. Each scene has depth that few movies achieve.

In Scott Fitzgerald 's short story, "The Offshore Pirate", he introduces the reader to the "larger than life" persona of Ms. Ardita Farnam. From turning a lemon into an object more risqué than a burlesque dancer at a speakeasy to heaving a novel at her uncle for urging her to conform to traditional Victorian mannerisms, Ms. Farnam, or should I say Ardita, appears to be a perfect example of what I define as an aristocratic product of rebellion in the 1920s, but I am not convinced that Ardita is what a historicist would refer to as a flapper. By definition, a flapper was a woman that openly rejected traditional societal norms in the 1920 's to grasp more from life than what was offered to their Victorian predecessors. From my understanding, flappers were women that fought against traditional expectations to destroy the hypocritical double-standard placed on women by the male dominated society. These women strived to attain equality through challenging the social norms that separated the rights of males and females.

Arthur Miller first heard the story of a Brooklyn longshoreman that would become the basis for his play, A View from the Bridge in 1947. He would not write it until 1955, when it was produced on Broadway as a simple, unadorned one-act. Miller would then develop and expand it into a full-length production with director Peter Brook in London in 1956. The incubation period of A View from the Bridge, spanning from 1947 to 1956, straddles and absorbs a host of major events both on the national landscape and in Miller’s own life. In his autobiography, Timebends: A Life, Arthur Miller defines the trajectory of this turbulent chapter of his life that began with his curiosity in a new longshoremen’s movement trying to clean up the corruption on the

The quote above shows the importance of the waterfront in shaping the city’s image. Therefore, there is indeed the need to upgrade the waterfront in order to attract people to go there and this also can contribute to the economy as well through a tourism industry.