While “One O’Clock Jump” has more similarities to swing it is still an example of modernism. In Coleman Hawkins “One O’Clock Jump” one can notice the more similarities with swing, compared to “Body and Soul,” however, one can still hear a more detailed portrayal. The song has more flow and more beats than swing usually has. Thus, use of more beats is part of the new technique that Coleman Hawkins used. The use of the new techniques shows how one can see modernism in “One O’Clock Jump.” However, due to the similarities to swing one would not necessary have to see this song of Hawkins as part of bebop or modernism.
Another song of Hawkins that not necessary has to be seen as modernism is “Every Man For Himself.” In “Every Man For Himself” there is again a faster pace. While one could still call it swing one could say how the faster pacing made it part of modernism. Yet one can again argue how the similarities to swing, still made it swing and a new term as bebop would not have been necessary. Would “Body and Soul” not have been as different from swing as it was both “One O’Clock Jump” and “Every Man For Himself” would not necessary be part of bebop. So, both these songs are part of modernism
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As Hawkins went to Europe he did not experience the rapid urbanization that was happening in the United States. Although, he did keep several records of American artists, so he could still listen to the changes that were happening. As well as the techniques he learned in Europe, would eventually lead to the new techniques that he used in the United States. Thus, while he did not experience the changes in the thirties he did keep up to date to these changes, and was part of the changes that were made in the late thirties and early forties. That he was part of the changes shows how he is still an example of modernism. Even though he did not experience the rapid urbanization, he was the one who made the
Modernism opened up a window to a broad spectrum of new subject matter to paint, but women had to stay on one side of that window while men were free to move. Modernism built more barriers for women to withhold from, yet it connected society by integrating the classes.
Language is a remarkable thing. It can convey every thought, feeling, and emotion with perfect accuracy. Almost exclusively, language has taken awkward, unfit animals out of nature and made them rulers over the earth and many of its elements. When used well, it has the power to change an individual's view of the world, make someone believe they have seen something they have not, and even more astonishingly, look inside one's self and see what exists. If language is mixed with the tempo of music, something new arises; poetry is born. When words and ideas are set to a beat, they can far more subtly convey concepts that would otherwise need to be explicitly stated and the poem can be appreciated more as a whole,
Richard Blanco is a Cuban- American poet who was given the oppurunity to write an inaugaration poem for Barack Obama's second swearing-in. He wrote a poem titled "One Today" that praised the good and unique things about the United States and also the everyday people who's daily routines help to make America the proud country that it is.
"Modernism, like any other historical literary period or movement, ıs a crıtıcal construct- both of its own time and its own actors, and of the ensuing critical tradition. In their own day, the modernists especially the Americans expatriated to Europe-self-consciously responded to what they perceived as a spiritually bankrupt modernity by inventing new poetic and novelistic forms ... ".(Norris 329)
The poem "Clocks and Lovers" by W. H. Auden’s contrasts the idea of whether or not love will outlast time. Initially, the poem portrays a lover affirming the belief that love will triumph over time. The poem transitions and depicts the clocks' argument that due to time, love will eventually fade away. The narrator contrasts the two arguments with usage of imagery, personification, tone and diction. The argument that love will prevail over time is contrasted by the belief that as time goes by, time can never be stopped and love will not last. Overall, neither belief is represented as correct because the narrator contrasts the two opposing arguments by displaying that two arguments are incompatible. In regards to their following arguments, time is not as malicious or arduous to love but love is not impervious to time.
The Modernist movement began as America began to divulge from the ideals of the Victorian Period. Modernism was provided as a response to the ongoing WWI. New artists divulged into the new writings about rationalism and individualism. Modern artists Wrote about struggles and the conflict between fragmentation and order. As time progressed the modernist movement changed, one subsection of the modernist movement was the Harlem Renaissance. The Harlem Renaissance was influenced by the political, social and economic change of the United States during the early twentieth century and left an everlasting impact on African American culture.
Reflections Within is a non-traditional stanzaic poem made up of five stanzas containing thirty-four lines that do not form a specific metrical pattern. Rather it is supported by its thematic structure. Each of the five stanzas vary in the amount of lines that each contain. The first stanza is a sestet containing six lines. The same can be observed of the second stanza. The third stanza contains eight lines or an octave. Stanzas four and five are oddly in that their number of lines which are five and nine.
Poets have written love poems for centuries with the first said to be around 1000BC. But what is love? It is defined by the Oxford English Dictionary as ‘ to have attachment to and affection for’. However, after studying various love poems, I have found that love is portrayed in many different ways. It can be possessive, hateful and pure and the fact that William Shakespeare said ‘The course of true love never did run smooth’ suggests that love is more complicated than a simple dictionary definition.
Challenges facing the American people during the late 20th and early 21st centuries are diversity of races and nationalities racism and animosity is still a dominate thing in America today. Not just with the blacks but with the priests, whites, Germans the Muslims the gays the Jews and the French. So many that their starting to go disregarded which is explicated in the poem Blanco wrote “one today” (Paragraph six) Hear: squeaky playground swings, trains whistling,
I notice that Kay Ryan develops the meaning of the poem from literal to metaphorical. She does this throughout the stanzas. The first stanza says, “They are not imaginary but accessible only intermittently.” She uses language that leads the readers to believe that this poem is literal. In the second stanza, this is where the meaning of the poem shifts from literal to metaphorical. She says “Seasonal, shall we say, in the way of the exquisite high parts of Yosemite”. After reading and examining this stanza, the meaning of the poem opens up and changes from literal to metaphorical. What if “These places” weren’t actual places, they were a state of mind. This makes sense because a feeling or a state of mind is not imaginary, it’s real and certain feelings are accessible only occasionally, hence the word “Seasonal”. Plus, if the
“12 O’clock Boys” was released in 2014 by Lofty Nathan and “We Real Cool” was written in 1960 by Gwendolyn Brooks. After reviewing each of the works carefully, I noticed that they contained interesting similarities as well as major differences. "12 O’clock Boys" plays like two separate films that are joined. One of them focuses on a group of young African-American men (most appear to be in their late teens, 20s and 30s) who ride their motor bikes around the inner-city Baltimore. They are depicted as rebellious on their roaring motorbikes while ignoring the traffic laws putting the citizen’s life in danger.
“Down Times Quaint Stream,” in life all there is to do is ride with the tide as far as your quaint stream may be. In her poem, she stated that ¨What Skipper would Incur the risk, What Buccaneer would ride, Without a surety from the wind, Or schedule of the tide.¨ What pops out is the fact that she was very religious and that she always believed in god. With God being her Skipper the one that captains her through the rough tide of the stream known as life. Also with her the Buccaneer, the pirate riding on the ship to its destination. She is following God the Skipper to her end of her stream.
Modernism was a 20th-century literary movement that depicted a period of uncertainty and disillusion in the United States. The literary movement was marked by various culture shock caused by events such as both World Wars and the Vietnam War. Because of such shock, American culture and societal values changed as society began to focus more on the self and forgo the traditional Victorian values and virtues of the preceding Romantic era. During this movement, writer sought to write in a way that better suited the modern world and thus chose to focus on the decay of values and growing alienation of the individual. Writers and poets began using techniques such as streams of consciousness and writing with a sense of ambiguity. There was also the poetic movement, imagism during the Modernism era where poets became increasingly concerned with presenting a simple, clear image to their readers. Due to his use of modernist techniques and poetic devices such as the adoption of the stream of consciousness writing style, the use imagery, allusions, and symbolism, Don McLean’s song, “American Pie,” can be considered a work of modernist poetry. By way of his literary techniques and poetic devices, McLean is able to take his listeners through a pivotal decade in American history in just eight and a half minutes; however, it is what makes his lyrics a song that helps build “American Pie’s” tone and further develop the theme of a generation’s early loss of innocence, culture, and values that
The Modernist Period was first a reaction against the previous Victorian culture. Intellectuals and artists of the 20th century believed that the previous era’s way of doing things was a cultural dead end and they wanted to break away from traditions.
Theme is the significant idea of a poem. In all three poems, the themes are related to each other in various techniques. Gabriel Okara, Louis MacNeice and Rudyard Kipling are trying to empty their minds into their poems, there are some similarities and differences between the poems, but they all convey childhood as a time of innocence. “You’ll be a man, my son!’’ (line 32) expresses that the use of “If” constantly was to advice his son. The childish fears in “Prayer Before Birth” are displayed by the persona of “bloodsucking bats” (line 2) and “club-footed ghouls” (line 3) and the image of "white light”. In the other hand, the repetition of "me" gives the reader an impression of a person under threat. He then goes on to list the fears he holds of the human race changing, abolishing his identity, “I fear that the human race may with tall walls wall me,