One Punch Man

Their appearances can consequently be said to be greatly symbolic of their role within the narrative. The use of colour is also symbolic of character sexuality "Red hots!!" or "face and neck the colour of oxblood leather", Red is symbolic of passion and is connected to McMurphy and Stanley, whereas the colours "ivory"[5] and "pale blue"[6] are used in describing the weaker characters that deny sexuality. The individuals' role within the narrative is dependant on the conflict that arises, in these texts, due to variations within their own sexuality and society's subsequent reactions. Sexual imagery also surrounds the characters; McMurphey and Stanley further giving, once more, indication of their sexuality "big stiff thumb" or "having those coloured lights going", more subtly there is also animalistic imagery "Stanley stalks fiercely". The images constructed are emblematic of the characters sexuality in the same way as the physical descriptions previously.

In Understanding Comics, McCloud defines comics as, “Juxtaposed pictorial and other images in deliberate sequence, intended to convey information and/or to produce an aesthetic response in the viewer” (McCloud, 1993, p. 9).

Sol Lewitt uses lines, most of the time, to create a geometrical shape within his artwork. His paintings consist of lots of horizontal

It can be made out that the people have a dark Skin colour as well. The ideological perspective presented in the source is globalization of big European and American multinational companies. The presence of Micky Mouse, Goofys, McDonald's, Nike, Inc., Shell, IBM, televisions, Coca-Cola, and lastly Microsoft are all signs of globalization. In this cartoon irony is used since these objects cannot actually take over anyplace or anything but since people of other cultures are being attracted to the popular culture there are being controlled to some extent by these objects. The links between the principles of globalization and the ideological perspective is that everyone is being affected of these big multinational corporations to some extent while this is causing monocultures and cultural marginalization. This source is against the idea of globalization since all the symbols are shown as being mean and are taking over country after another without caring who these people are and their distinctive

The classic movie 12 Angry Men opens with clips of a courthouse, ultimately panning to a specific court room where an 18-year-old boy is on trial for killing his father. Despite the case being the central point which the story revolves around, the movie isn’t about the boy or even his father. The movie is about the 12 jurors who are in charge of the boy’s fate. If they decide he is guilty, he is sentenced to the death penalty, which meant death by the electric chair.

The use of line in this piece is also very interesting. The artist employs a high horizontal line to create a plunging effect giving the piece more depth. Another use of lines in the image is to create focal points to attract the viewer. Lines are also used to separate the different sections of the painting. Overall this painting uses lines in dynamic ways that vastly enhance the viewers’ pleasure and admiration of the piece.

their faces in a way that lights up their eyes so they seem more evil,

The movie “12 Angry Men” covers different negotiation and conflict resolutions. The communication is set in a jury room where people with different worldview are bargaining over the judgment of a murder case. Juror 8 is willing to stand alone with his vote “not guilty”. Trying to avoid the winner’s course, he demanded a conversation about the case despite the clear 11-1 vote on the guilt of the defendant. Juror 8 discredits his opponents’ arguments and uncovers their constraint thinking, he uncovering doubtful evidence, alienating hardliners and engaging in conversations. In the conversation it becomes obvious that not every juror bases his decision on the same facts, and

Colors hold an empowering significance over everyday life. In Louise Erdrich’s short story “The Red Convertible,” the pages bleed with symbolism to send unsettling reverberations brought on by experiencing war, which causes post-traumatic stress and suicidal tendencies. The color red is used to personify the setting so that the dye becomes its own righteous character with good and bad intentions. Lyman and Henry live with a double consciousness by being a part of Native American and American culture. Erdrich encompasses both camps to appeal to a larger and diverse audience.

One of the most noted being sunsets, mentioned multiples times in the story. In this book, all about conflict and classes, sunsets represent equity. Whether a Greaser or a Soc, sunsets look the same from everywhere. No one has an advantage; your money or fighting skills don’t get you the best view. And though many Greasers and many Socs may not care about sunsets, they have the opportunity to see the end of the day, to see the signal of a new day, a new slate, if they choose to see it that way. And while sunsets may be a more blatant example of symbolism in “The Outsiders”, there are definitely more subtle and deep symbolistic analogies. In the novel, the Greasers and Socs are not only separated by socioeconomic status or reputation, but also by colours. Throughout the story, S.E. Hinton uses colours to subconsciously enforce her descriptions. For instance, Hinton describes Dally and Darry as having eyes that were “pale blue-green ice” and “blazing blue”. These are the two characters in the book that Ponyboy identifies with the least and considers them cold or callous. Then, when describing Johnny and Soda with eyes that are “warm brown” and “wide and dark”. These are the people that Ponyboy identifies with the most and feels as though he connects with the most; hence the warm coloured eyes. The symbolism in this book hints at a

As indicated by the shape in the foreground, the lines that signify the contour of the rocks and freestanding structure merge. The lines lead the eye vertically as it meets the center. When looking at the painting as a whole, the viewer can see how the artist uses straight

Lines are paths or marks left by moving points and they can be outlines or edges of shapes and forms. Lines have qualities which can help communicate ideas and feelings such as straight or curved, thick or thin, dark or light, and continuous or broken. Implied lines suggest motion or organize an artwork and they are not actually seen, but they are present in the way edges of shapes are lined up.

Twelve Angry Men is about a jury who must decide the fate of an 18 year old boy who allegedly killed his father. The jury must determine a verdict of guilty beyond any reasonable doubt and not guilty. A guilty verdict would mean that the accused would receive the death penalty. After a day of deliberation and many votes, they came up with the verdict of not guilty. I believe they achieved their overall goal of coming up with a verdict they were all able to agree with. It seems there were some individual personal short term goals that were not met. One being that the one juror was not able to go to the baseball game. Another was that a juror was not able to take out the anger he had towards his son on the son accused of killing his

In this section, we’ll discuss line, color, texture, space and form. As far as line, this painting contains at least two types that can be analyzed, actual physical lines, and implied lines that move the eye around the composition.

The picture to the left is an example of using lines to lead the viewers eye. The actual line in the center of the page directs the eye up the picture to the mountains. The