Opedipus, a tragic hero Essay example

1708 Words Mar 7th, 2014 7 Pages
Outline
Thesis Statement: Oedipus is the embodiment of Aristotle’s characterization of a tragic hero through his ability to preserve his virtue and wisdom, despite his flaws and predicament.
Introduction
I. Sophocles’ Oedipus: A Tragic Hero A. Definition of a tragic hero B. Oedipus Character as it relates
II. Tragedy A. Language of Tragedy B. Tragedy as it affects the audience
III. Plot A. Aristotle’s idea of a tragic plot B. Significance of the plot
IV. Virtue and Morality A. Identifying with Oedipus’ character B. Oedipus obtains virtue and wisdom through poor judgment
Conclusion

Oedipus, a Tragic Hero
Sophocles’ Oedipus is one of the most well-known tragic heroes in the history of drama. His strange
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“Aristotle believes that the language must be sweet in tragedy. The level of language used by different characters should differ to depict the social stands of the characters” (Adade-Yeboah, Ahenkora, & Amankwa, 2012 pg. 1). Additionally, he focuses on meaningful language reflected throughout the entire play, and stresses that tragedy must be taken seriously.
Aristotle presents that there is a complex relationship between tragedy and emotions. For him, it is expressed through pity and fear. Konstan argues:
The idea that the object of pity does not deserve his fate is present in the definition Aristotle offers in the Rhetoric; in the Poetics, however, Aristotle exploits the concept of similarity in order to explain the terror that tragedy induces. If the characters on stage are enough like ourselves-the context indicates that the sense is morally similar-then we will experience their fear as our own. (Konstan, 1999, pg. 1) Unquestionably, the audience reacts to the sequence of events in the play; feeling pity for Oedipus about his fate and the predicament he faces.
Aristotle praises a brilliant arrangement that makes the play more attractive and creates higher expectations:
The putting together of the separate actions is very crucial. The beauty of the plot therefore lies in the arrangements which must have magnitude and not be a matter of chance. Indeed, the subtle manipulation of the

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