Openness: Destroying Society’s Moloch Essay

The Carleton University Art Gallery’s current exhibition We Are Continually Exposed to the Flashbulb of Death: The Photographs of Allen Ginsberg (1953-1996), is a linear timeline of the lives, romances, and works of the American Beat generation. The exhibition, curated by Barbara Fischer and John Shoesmith, is a survey of Allen Ginsberg’s photographs, which capture the freedom, artistic creations, and the open sexuality of this group. The organization of the exhibit, along with the added captions below each photograph, create a narrative of a past generation, both capturing and reflecting on an era.

Ginsberg describes Beatniks who ate, wept, coughed, plunged, cut, balled, hiccupped, howled, broke, burned, cowered, and sank, yacketyyakking, screaming, vomiting, whispering. These endless verbs range from ecstatic to violent and give the poem an almost frantic tone that reflects the lives of the oppressed. Ginsberg even titles his poem “howl,” a cry of emotion and sorrow. To howl is to wail in self-pity, to be helpless and alone. Hearing a howl is both frightening and piercingly sad. A howl is a perfect representation of the collective cry of the Beats; a people trapped like helpless animals with nothing to do but howl in despair.

Allen Ginsberg’s collection Howl and Other Poems is a collection of poems that exudes rebellion. Every word and every stanza that Ginsberg writes throughout every single one of the poems is fueled with intentionality, and is used very purposefully to achieve a greater meaning. The entire collection is an allegory, Ginsberg publishes it in 1956, a time period

Whitman’s speaker speaks in the voice of first person. Comparing Ginsberg with Whitman, he is possessed by Whitman who uses the personal pronoun ‘I’ more often, culminating in the hug between the body and soul, town and country, sexuality and spirituality, and science and mysticism – all-pervasive but Whitman’s ‘I’ is not completely identified in the absence of ‘you,’ who is not real; it is the imaginative audience of Whitman, which differentiates the poetry of Whitman, as he says, “You shall not look through my eyes either, nor take things from me,’ you shall listen to all sides and filter them from yourself,” (Whitman 26). The self of Whitman is all-encompassing; it absorbs all activities rural or urban. There is a unity in all diverse ‘items’ of the self and in the self. Ginsberg uses the same device in “Howl” to pay his

” Williams’ theory therefore suggests that the terms must necessarily co-exist in order to define each other. The “pervasiveness of consent ” therefore characterises the fifties, against which these Beat texts can be contrasted. Theodore Roszak’s 1969 article ‘The Making of a Counterculture,’ helps define beat ideology as “heightened self-expression and often a rejection of political and authoritative institutions… a negative spirit of the times coupled with a specific lifestyle .” Both On the Road and Howl and their author’s lifestyles of their writers reflect this criterion, in idiomatic and contextual terms, lending to the notion that they are, by the overall nature of their existence, countercultural texts. Roszak’s adolescent counterculture often seems the embodiment of Dean and Sal’s ‘beatitude’ in On the Road “when they pulse to music…value what is raunchy… flare against authority, seek new experience, ” but it is similarly descriptive of the naked, sometime vulgar language Ginsberg employs in Howl “who bit detectives in the neck… let themselves be fucked in the ass.” (13) The Beats admire the vibrancy naturally present among youth, and although this is a style for which their writing has been criticised, it is a move away from the traditionally

In Allen Ginsberg’s poem, Howl, we are exposed American culture and society in the 1940s-50s through the narrator’s eyes. According to the narrator, the society looks down upon those who don’t conform to its rules and culture. This materialistic and militaristic culture had destroyed and drove them with “madness” and starved with “hysterical naked” looking for “an angry fix”. Just like the title suggest, this poem is a loud cry for the generation oppressed by the conformed American society that didn’t value artistic creativity. He openly describes and discusses his experiences in drug uses and involvement in various of unusual incidents and how they could be associated with the search of spiritual/ religious madness. Right away, we get a religious sense from this poem through the words like “angel headed hipsters”, “heavenly connection” and “Mohammedan angels”. Ginsberg uses different religious/spiritual imagery and implication to portray the oppression his generation face. He calls for change in the current political and social system of his time.

In the poem Howl, Allen Ginsberg challenges the modernity of American culture, which enforces the “best minds” (1) to give up their freedom to conform to the desired sense of normality. Ginsberg states “I saw the best minds of my generation destroyed by madness, starving hysterical naked/ dragging themselves through the negro streets at dawn looking for an angry fix” (9). His expression of Moloch The angry fix is what all of these “best minds” look for after being stripped of their freedom to conform to the new American culture after World War II.

Century apart, Allen Ginsberg and Walt Whitman share similar cultural, political and moral values, which they express in their literary work. Whitman’s writing is considered controversial for the eighteen hundreds. He sets the stage for generations to come breaking way from the strict Victorian poetic tradition by writing in free verse. Ginsberg follows his footsteps when composing his poem “Howl” by writing in long lines almost resembling prose and subdividing the poem into several parts. Likewise, he uses numerous repetitions to achieve rhythmicity of his verse. Ginsberg’s poem is heavily influenced by Whitman’s philosophy. The works “Song of myself” and “Howl” are similar in ideas, structure and underling themes. The two authors protest against old traditions imposed on the individual by corrupt society, stand against conformity and put emphasis on the need for change. They identify with their generation and dwell on themes such as sexuality, religion and the state of American society.

Every revolution has begun with a vision. The beat poetry rebellion’s just happened to be opioid-induced. Picture this: the 1950’s. With the threat of nuclear war on the horizon during the Cold War, the citizens of the United States began to detest their government. In 1952, homosexuality was officially classed as a mental disorder in the Diagnostic and Statistical Manual of Mental Disorders. In 1955, Allen Ginsberg first performed Howl, which would soon become the most widely controversial beat poem, including scenes of illegal drugs and illegal sex practices. What is considered obscene when the government demolishes entire cities without blinking an eye? What are the limits? The beat poetry revolution of the 1950-60s was influenced by the New Vision, which compromised the current cultural beliefs of sexuality, religion, and drug use.

Ginsberg’s work often represents a struggle for spiritual survival in a dehumanized, repressive society. This can be seen in his writing of “Howl”:

The Beat Generation is a literary movement during the 1950s that consisted of male authors including the widely known Allen Ginsberg, who explored American culture in their poems. The Beat Generation could be described as misogynistic and patriarchal due to their exclusion of women and concerns confined to only male outcasts. In Allen Ginsberg’s 1956 “Howl”, he brings his audience’s attention to male outcasts in society. In her 2015 “Howl”, a critical response to Ginsberg’s “Howl”, Amy Newman explores the oppression outcasted women endure in a male-dominated culture through the allusions of an admired female poet, Ginsberg’s original stanza form, and utilizing diction to convey a woman's perspective antithetically to Allen Ginsberg's original.

Poet Allen Ginsberg composed "Howl" in 1955 and it was published by City Lights Books of San Francisco, CA the following year. He composed the poem in the middle of the 1950s, one of the greatest decades in history for mainstream America. It had been a decade since the American and Allied victory in the second world war. Numerous American men returned home to a country in much better shape than expected, with many women having entered the workforce to keep the economy and industry alive in their absence. The spoils of war were great and America saw a great era of prosperity and domestic, suburban bliss. More interstate highways were constructed. Many more cars were produced and bought. It was a classic era for mainstream American culture in the 1950s. Yet in the haze of the suburbs, expansion of television, growth of Hollywood, and cars, present here were the seeds of rebellion and counterculture that was more indicative of the following decade, 1960s. One such seed is the poem

There are many similarities between Whitman’s “Song of Myself” and Ginsberg’s “Howl”. Whitman’s influence can be noticed in Ginsberg’s work which range from a similar style of format, structure, a concern with the general population of America, and the impact that these two great writers had on the rest of the literary world. Another significant influence that Whitman has for Ginsberg is the fact that Whitman had been considered an outcast from the literary world of his era. Whitman appeared as a plainly dressed working man rather than a fancy high societal poet. His long winded style, free verse, and sexual exposure made Whitman stand out from the rest of the other poets. Ginsberg was also not accepted among the poets of his generation. His literary works were banned from the public’s eye. Another similarity was between the two was their subject matter. In the introduction of leaves of grass, Malcolm Cowley said, “Its subject is a state of illumination induced by two (or three) separate moments of ecstasy”.

The standard types of poems out there in the world doesn’t really define poetry but points it to a certain direction, from haiku to slam poetry to Shakespearean. The list could go on of the many types of poetry. Poetry was a way to tell stories or exaggerate cultural events. The poem “Howl”, written by Allen Ginsberg was written in the 1950’s and captures the many struggles in life that many people were experiencing during this time. There is no clear indication as to exactly what the poem was referencing to, but the reader can inference that the poem’s purpose was to rant about all the world’s wrongdoings – politically, socially, and economically. Especially focusing on America’s, Ginsberg expresses his discontent and disgust at the world and where it was heading. In the poem “Howl”, Ginsberg conveys the hardships, the struggles, and the horrors that were occurring throughout his journey of isolation by using rhythm and momentum in three different parts.

What Allen Ginsberg did in 1955 was unthinkable. In the midst of McCarthyism and severe anticommunist sentiment, he wrote a poem in which he admitted having belonged to the Communist party. Yet, even more surprising was that he didn't stop there. In his poem "America," Allen Ginsberg challenges the beliefs and values that the United States has always cherished, leaving no stone unturned, and no feather unruffled. Always the cynic and revolutionary, Ginsberg slaughters the sacred cows.