Operas of Mozart Don Giovanni Essay

Don Giovani Act I: Excerpt from Opening Scene, composed by Wolfgang Amadeus Mozart, and libretto by Lorenzo da Ponte. This opera appeared at the original National Theatre in Prague on October 29, 1787. Don Giovanni is a seductive but ruthless nobleman who will stop at nothing to satisfy his sexual appetite. Don Giovanni’s comic servant, Leporello, is a grumbling accomplice who dreams of being in his master’s place. In this excerpt the Don attempts to rape a young noblewoman, Donna Anna; her father, the Commendatore (Commandant), challenges him to a duel. Don Giovanni kills the old man. (Kamien, 2015)

Emilia acts similarly when she defies her husband in the final Act of the play. She is of a middle class and serves as a maid and a loyal friend to Desdemona. Her character is somewhat different as she follows her husband, Iago, diligently but speaks disparagingly of men and believes them to be foolish and perverse. This is particularly evident in Act 4 Scene 3 “let husbands know their wives have sense like them: they see, and smell, and have palates both for sweet and sour” and “what is it that they do when they change us for others? Is it sport? I think it is”. She expresses the inequality between men and women living in this time

marriage women should be innocent, pure and faithful. Don John's plan to make Claudio think hero is unfaithful is a success which then Claudio, Don Pedro and Don John perceives Hero is unclean and impure.

Her honor is disgraced for her “actions” and Claudio will no longer accept her as his wife because of the dishonor she has caused him.

Mozart died in 1791 and his widow, Constanze Mozart, sent the manuscripts of the canons to publishers Breitkopf & Härtel in 1799 saying that they would need to be adapted for publication. The publisher changed the title and lyrics of this canon to the more acceptable "Laßt froh uns sein" ("Let us be glad!"), similar to the traditional German Christmas carol, "Laßt uns froh und munter sein". Of Mozart's original text, only the first words were documented in the catalogue of his works produced by Breitkopf & Härtel.[3]

            Hero does not get a chance to mull over the idea of Claudio as a husband.  Even the audience knows little about her going into the now famous “shaming scene.”  Details about Hero’s virtues and personality are purposely left out, partially to satisfy the dominant male perspective in the play, but also to give more clout to the heinous claim that Claudio makes during the wedding.  The reactions of Hero’s father and others indicate that a woman’s virtues are only as good as a man says they are.

Wolfgang Amadeus Mozart and Ludwig van Beethoven are two of the greatest composers ever to write music. Both men lived in the early 18th and 19th century, but their music and influences are still felt today. The men faced similar experiences, yet they both lead very different lives. All together the pieces that these men composed amounts to over 300 published, and unpublished works of art. The people of their time period often had mixed feelings about these men, some “complained that Mozart’s music presented them with too many ideas and that his melodies moved from one to the next faster than audiences could follow, yet the ideas themselves seem effortless and natural, clear and

    In William Shakespeare’s tragic drama Othello, the wife of the protagonist, Desdemona, is the main female character. Secondly, there is the ancient’s wife, Emilia, who is morally ambivalent. Thirdly, there is the girlfriend of Michael Cassio, Bianca, who makes her appearance later in the drama. This essay will analyze the roles of these three women.

Elisabeth liked italian style when it came to her music. She was one of the most excellent baroque women

     My book report is from the biography of Mozart written by Robert W. Gutman. It was illustrated by the Jacket art courtesy of Music Lovers Society and was published by Harcourt Brace and Company. It was printed in New York City and the year of publication was 1999.

Opera in the Romantic Period was a time when opera changed drastically, especially in the country of Italy. The recognition of singers as being important, almost irreplaceable, in the art of “bel canto” opera changed the idea of a vocalist in opera forever. A singer’s voice was prized and Italian composers, like Rossini, Donizetti, and Bellini wrote operas and works to showcase the voice, it’s color, range and agility. These Italian composers were moving away from the normal style of composition of the time, and the composer Rossini, who set the stage for many other followers. Many of the operas written during this time are still performed today and are highly acclaimed. For the most part, before Italy became a main player, France

In Roman Catholic tradition, the requiem mass is a ritual celebration of the Last Supper within the context of a funeral. The requiem mass is distinguished from masses for other occasions by the presence of a specific text, laid out in the missal of Pope St. Pius V from 1570, and the absence of the more joyful parts of mass, such as the Gloria, and the Credo (Cave).

Due to having qualities that go along with both definitions of an opera buffa and opera seria, I would, personally, classify Don Giovanni as a successful combination of both. In addition, I accredit the mixture of both types of operas to its attractiveness and fluidity. This merger begins at the start with the initial orchestra music fluctuating between cheerful and creepy tones. Notably, the first scene includes Don Giovanni attempting to seduce/rape Donna Anna as well as the murder of the Commendatore. However, this tragic scene is mixed with Leporello's antics like griping about this servitude to Don Giovanni as well as directly questioning who died after the duel:

Several of his twenty-two operas gained worldwide recognition soon after his death, and they still please audiences all over the world. The Marriage of Figaro (1786) and Don Giovanni (1787) are operas he composed with words in Italian. The Magic Flute (1791) has German words. Each of these contains arias (beautiful melodies for singers), recitative (Rapidly sung dialogue), ensembles in which several people sing at the same time, and choruses. The orchestra provides an ever-changing expressive accompaniment. The drama ranges from comedy to tragedy. Mozart wrote over forty symphonies, many of which are performed today. Some originally were overtures (orchestral introductions) for operas, and last only a few minutes. His later symphonies, which are the most popular, are full-length orchestral compositions that last twenty to thirty minutes. Most of them consist of four sections. Mozart’s last and most famous symphony, Number 41 (1788), is nicknamed the Jupiter.

To look onto the plot of Don Giovanni in the point-of-view of the current 21st century, many people are angered by the character of Don Giovanni. He is a womanizer who takes advantage of women sexually and emotionally. By reason of, there is a growing trend of women in this century being valued as equal to men. Thus, they can make their own educated and responsible decision on promiscuity due to options of contraceptives and aws like child support. However, women in the time of Mozart did not have this same ability to be independent thinkers and these opportunities. Therefore, Don Giovanni is a predator who is only thinking of himself because he will not have to endure any punishment for his action, especially because he is an arrogant noble.