Doyle sat with his back against a tree and his hands over his ears, it did no good, he could still hear her voice calling out to him to help her. He had been chasing that voice since he suddenly found himself alone, no matter how fast and long he ran, he never got any closer to it. He heard the everhungry roaring in the distance and then Ophelia's screams, he pulled himself to his feet, but before he took one step someone grabbed him by the arm. Doyle turned to look at the woman who held him, for a moment he thought it was Ophelia, because she wore the same clothing that Ophelia had donned back at the merfolk colony when she had reclaimed her human form. The woman said, “Come with me, Ophelia needs your help.” She pulled him in the opposite direction from Ophelia's screams and he pulled back. “It's not real, you'll never catch it, it's just a will-o'-the-wisp, a phantom voice to torture you, you must ignore it if you are to help Ophelia and Belinda, come, we must hurry.” …show more content…
Grunk held the everhungry on a thick leather leash as they walked down the hall to Belinda's suite, he expected her door to be locked and bolted, but when he pushed on it, it opened without resistance. The lights were off, but he could see the silhouette of a feminine form standing on the balcony looking down at the street below. Grunk grinned and let loose of the leash and the everhungry lunged forward, when it got to the door, it leapt through at the unsuspecting woman. Both woman and balcony disappeared before it made contact and the everhungry fell roaring through the sky, it hit the the pavement six floors below and the roaring stopped. Grunk walked over and examined the reality that had replaced the illusion. Instead of an open door there was only a broken picture window and no balcony at all, he glanced down at the everhungry and the pool of blood spreading out around
There are volumes of critical analyses devoted to William Shakespeare's Hamlet. As the title indicates, Hamlet is the main character of the play, but there are other characters who are also important to the plot. So much attention has been given to Hamlet's antics that characters such as Ophelia remain relatively unexamined. Ophelia is a key figure in the play, and to understand her reactions to the patriarchal society in which she lives through her relationships with the men in her life adds more depth to the play. Ophelia's character is revealed through her relationships with her father, Polonius, her brother, Laertes, and her lover, Hamlet, and their characters in turn are revealed through their
I thought I would be able to bottle up all of these emotions but it seems I cannot bear it any longer; I must let it all out. I must tell you, Hamlet, that living in this mad world is driving me to the brink of insanity. I am just so fed up with going about every single day persuading myself that I had ought to ignore it all and simply, sweetly smile. But why should I? Why should I sit around and let the likes of men like you order me around any longer? Yes Lord this, yes Lord that! Who do all of you men think you are? Being ordered around by my father, brother and you, my former lover, completely frustrates me every time. Am I your maid? Your slave? Your toy? You all speak to me with such
The character of Ophelia is an excellent element of drama used to develop interpretations of Shakespeare’s text. At the beginning of the play, she is happy and in love with Hamlet, who first notices her beauty and then falls in love with her. The development of Ophelia’s madness and the many factors that contributed to her suicide are significant parts of the plot. “Her madness was attributed to the extremity of her emotions, which in such a frail person led to melancholy and eventual breakdown” (Teker, par. 3). The character of Ophelia in Zieffirelli’s version is the personification of a young innocent girl. “Her innocence is mixed with intelligence, keen perception, and erotic awareness” (Teker, par. 13). This Ophelia is a victim
People have mostly seen women inferior to men because women have been thought of as simple-minded and could not take care of themselves. Shakespeare’s Hamlet shows how men treated and thought of women during the 1500s. There was an order most did not interfere with; however, some did. In the 1500s, women were supposed to conform to men’s wishes. Throughout the play, Ophelia first obeyed her father and brother’s wishes, ignored the social norms later, and then went mad, which caused her to never gain her own identity.
Denmark is in a state of chaos shown by the opening death of the true
In Shakespeare's tragedy, Hamlet, the audience finds a docile, manipulated, scolded, victimized young lady named Ophelia. Ophelia is a foil to Hamlet. Plays have foils to help the audience better understand the more important characters in the play. The character of Ophelia is necessary so that the audience will give Hamlet a chance to get over his madness and follow his heart.
Have you ever heard of the song “What is Love?” by Haddaway? The one that’s then followed by the line “Baby don’t hurt me! Don’t hurt me!” Well, in the movie Reviving Ophelia, Elizabeth has just gotten into her first “serious” relationship. The way she describes her new relationship with a boy from school, Mark, is as if she was discovering for the first time in her life what it means to truly have love. However, this quickly turned for her an illusion of an amazing relationship into one of an abusive relationship.
It is widely believed that “Living life without honor is a tragedy bigger than death itself” and this holds true for Hamlet’s Ophelia. Ophelia’s death symbolizes a life spent passively tolerating Hamlet’s manipulations and the restrictions imposed by those around her, while struggling to maintain the last shred of her dignity. Ophelia’s apathetic reaction to her drowning suggests that she never had control of her own life, as she was expected to comply with the expectations of others. Allowing the water to consume her without a fight alludes to Hamlet’s treatment of Ophelia as merely a device in his personal agenda. Her apparent suicide denotes a desire to take control of her life for once. Ophelia’s death is, arguably, an honorable one,
Poor Ophelia, she lost her lover, her father, her mind, and, posthumously, her brother. Ophelia is the only truly innocent victim in Hamlet. This essay will examine Ophelia's downward spiral from a chaste maiden to nervous wreck.
In William Shakespeare’s Hamlet, Ophelia is the most static character in the play. Instead of changing through the course of the play, she remains suffering in the misfortunes perpetrated upon her. She falls into insanity and dies a tragic death. Ophelia has issues surviving without a male influence, and her downfall is when all the men in her life abandon her. Hamlet’s Ophelia, is a tragic, insane character that cannot exist on her own.
Adolescent girls growing up in today’s society endure many more hardships than in previous years. Adolescence is no longer a time of endless sunny days spent on the back porch with a glass of country time lemonade and a smile extending ear to ear. Adolescence for girls is now generalized as a dark and depressing period of life that often seems hopeless and never ending. Mary Pipher PH.D tries to illustrate just how drastically life has changed over the years for teenage girls through her best selling book “Reviving Ophelia: Saving the Selves of Adolescent Girls”. Although Mary Pipher was once a clinical psychologist, she articulates very well for everyone to clearly understand her ideas and perspectives. One way
Mary Pipher, author of the book Reviving Ophelia, has made many observations concerning young adolescent girls in our society. She wrote this book in 1994, roughly eleven years ago. Although some of her observations made in the past are not still accurate in today’s world, there are many that are still present in 2005. The primary focus of Pipher’s comments is to explain how young girls are no longer being protected within our society.
This is the woman she might have become – warm, tolerant and imaginative. Instead she becomes jagged, benighted and imaginative. . . .Ophelia is made mad not only by circumstance but by something in herself. A personality forced into such deep hiding that it has seemed almost vacant, has all the time been so painfully open to impressions that they now usurp her reflexes and take possession of her. She has loved, or been prepared to love, the wrong man; her father has brought disaster on himself, and she has no mother: she is terribly lonely. (73-74)
Shakespeare’s Hamlet is by all means a troubled young man. He seeks revenge for the murder of his father and has to deal with the incestuous relationship between his mother and uncle. In order to hide his motives, he pretends to be mad. Is it under such circumstances possible for him to return Ophelia’s feelings for him? And in what way does Hamlet’s struggle with himself affect Ophelia?
character. Ophelia’s dependence on others is, sadly, what lead to her death. She could not