Ophelia in William Shakespeare's Hamlet Essay

In Shakespeare's play, Hamlet, the character Ophelia is very controversial due to the fact that Shakespeare places her as the focus inside the minds of all the men in her life such as Polonius, Laertes, and Hamlet. Although Ophelia may appear to just be a beautiful, weak girl, she has the ability to gain power and attention over all of the men in her life. Throughout the play, Ophelia does not have much of a voice while also being mistreated and emotionally abused by her boyfriend Hamlet. Although Ophelia does not express her opinions and emotions publicly, she propels the plot along by influencing major events. Ophelia’s weak, indecisive, and obedient personality allows her to progress the plot by Shakespeare making her the focus of the men in

The story of Hamlet is a morbid tale of tragedy, commitment, and manipulation; this is especially evident within the character of Ophelia. Throughout the play, Ophelia is torn between obeying and following the different commitments that she has to men in her life. She is constantly torn between the choice of obeying the decisions and wishes of her family or that of Hamlet. She is a constant subject of manipulation and brain washing from both her father and brother. Ophelia is not only subject to the torture of others using her for their intentions but she is also susceptible to abuse from Hamlet. Both her father and her brother believe that Hamlet is using her to achieve his own personal goals.

While Laertes and Ophelia are talking, their father, Polonius, enters the room, and after some words of advice to his son, not the least of which is to be true to himself, Polonius bids him farewell. Polonius then turns to Ophelia and asks what it is that Laertes has said to her (1.3.57-89). Ophelia tells her father that Laertes has spoken to her of Hamlet, and Polonius responds that he has been informed of the time she spends

In the life of Ophelia, it can be seen that she is very dependant on Polonius. She obeys him, even if she doesn’t want to. When she is told by Polonius, “I would not, in plain terms, from

After this conversation, Polonius talks to Ophelia about Hamlet as well. He tells Ophelia that Hamlet isn’t good for her. He says “Do not believe his vows, for they are brokers” (Shakespeare 1.3.127). Then, Polonius commands her to stay away from Hamlet. When this scene is acted in Zeffirelli’s version, Ophelia gets upset with Polonius and storms off after she says “I shall obey my lord” (Hamlet; Shakespeare 1.3.136). In Branagh’s version, Polonius is angrier at Ophelia. He pushes her into a confessional, and after he recites his speech, he walks away. Then, Ophelia says the line “I shall obey my Lord” in her head while she has flashbacks of being with Hamlet (William Shakespeare’s Hamlet; Shakespeare 1.3.115-136).

To stay in control, the men in Hamlet taught Ophelia to fear her every day, natural thoughts causing her not to think for herself. Gabrielle Dane's article, "Reading Ophelia's Madness," discusses Polonius and Laertes

This quote shows her being innocent because Hamlet denies ever loving her even though right before he said that he did love her at one point. She is innocent so she doesn’t think it through

Midway through Hamlet, Ophelia is well under the control of Polonius and Hamlet. They are both manipulating and using her as a pawn as to get what they want and she has little to no say about it. Act 2, scene 1 serves as a turning point, as it is when Ophelia begins to realize the manipulation she faces at the hands of both her father and Hamlet, and that she can only truly gain her freedom when she herself descends into madness. Polonius’ manipulation, Hamlet’s control and Ophelia’s own thoughts and actions demonstrate her descent, and the aftermath.

Polonius teams up with King Claudius and once again places demands on Ophelia which require her to disregard her own self to fulfill their wishes of deceiving Hamlet into revealing the cause of his erratic behavior. And once again, it is Ophelia’s duty to her father and this time to the king to be obedient. Disobedience to the king and his advisor are not an option. Polonius wants the king to look on him in good favor and he is willing to step on his daughter to get this admiration. He neglects Ophelia’s feelings by not even thinking of how his requests will affect her. He feels at liberty to request whatever he would like. He is purely worried about himself. Polonius holds a position of unquestioning authority over his daughter. He treats her as though she is not intelligent enough to make her own decisions and he knows that she will inherently obey him. To him her feelings are irrelevant and immature which he states when saying “Affection, puh, you speak like a green girl.”(1.3.101) Following her fathers instructions, she loses her lover and a piece of her happiness.

  In Shakespeare's tragedy, Hamlet, the audience finds a docile, manipulated, scolded, victimized young lady named Ophelia. Ophelia is a foil to Hamlet. Plays have foils to help the audience better understand the more important characters in the play.  The character of Ophelia is necessary so that the audience will give Hamlet a chance to get over his madness and follow his heart.

   Poor Ophelia, she lost her lover, her father, her mind, and, posthumously, her brother. Ophelia is the only truly innocent victim in Hamlet. This essay will examine Ophelia's downward spiral from a chaste maiden to nervous wreck.

The lack of women in Ophelia’s life deprives her from any influence in her life to help guide her. Gabrielle Dane says, “Motherless and completely circumscribed by the men around her, Ophelia has been shaped to conform to external demands, to reflect others’ desires” (qtd. in Brown 1). Since Ophelia has no woman influence in her life, Polonius is left as the dominant role in her life (Brown 1). She is an obedient daughter and abides by the rules her father gives her with no protest. She is seen as her father’s property (Maki 2). Her

When individuals lack the ability to defend their ideas and personal preferences to others, with confidence they will lose their identity and sense of self as they allow others to control their opinions and thoughts. Ophelia’s lack of confidence in herself solidifies both Laertes and Polonius into occupying a dominant role expected of men in the 16th century. Polonius assures Ophelia that her obedience is the best thing for her, and creates this illusion of himself as a crutch she needs to respond to competing demands. Subsequently, when Ophelia finds herself torn between two loyalties – her love for Hamlet, and her father’s expectations, Polonius sways her to compliance with his ideas. “I shall obey, my lord.” (I, iv, 145 )This complete obedience of her father ultimately eliminates Ophelia’s self-preservation that would ensure her best outcome. It is clear her father’s requests of her are not out of love and concern for Ophelia but for his own issues of vanity and securing his status. This can be seen in misalignments in Polonius’ claims, and the condescension in his words to Ophelia. As Laertes prepares to leave, Polonius grants him with advice, “This above all: to thine own self be true.” (I, iii, 84). He contradicts

           Ophelia allowed herself to become a sort of marionette in Polonius' schemes toward understanding the seemingly mad prince. While her relationship with Hamlet was on the line, she allowed Polonius to commandeer the strings that determined her actions. Polonius was determined that Hamlet's supposed madness stemmed from lovesickness for Ophelia. He convinced Ophelia that her betrayal of Hamlet was a necessary evil and she began to relay all of Hamlet's messages and attempts at communication to him. He told the king and queen:

Ophelia is shortly affected by the protagonist’s mad conduct. And immediately she goes to her father, Polonius, to explain how she is “so affrighted” as a result of Hamlet’s visit: