Ophelia's Disappearance Of Words In Hamlet By William Shakespeare

In the beginning of the play, Ophelia was like any other obedient young woman during the time. In Understanding Hamlet, Richard Corum shows that Ophelia is obedient. He writes, "Though Hamlet has been courting her, Ophelia willingly obeys her father when he tells her to discourage the prince's advances" (Corum 26). Ophelia obeys her father's demands because it was expected during that time of women to comply with men's wishes. In Hamlet, Ophelia disregards her own feelings towards Hamlet. Ophelia does as she is told:

Hamlet's attitude, after seeing the ghost of his father, to Ophelia suggests that he is not fully in control of his actions- even if he knows Polonius and Claudius are listening, and that Ophelia, like his mother, is faithless; it is still hard to explain that, if he loves Ophelia, why he is so cruel to her.  Ophelia's response to his harsh words are immediate, that he is mad- suggesting that their love does run deep, for she cannot bear to conceive that his words are from sanity and that he could be so cruel and unloving to her. 'Now see that noble and most sovereign reason, like sweet bells jangled, out of tune and harsh' (Act 3 Scene 1).

Before she knows it, she is placed in a predicament where she has to chose between her loyalty to her father, or her own feelings. She chose to lie to Hamlet rather than reveal her father. This is her fatal flaw. Hamlet, knowing she is lying to him, gets very angry and not only denys his feelings for her, he questions her integrity and refers to her as an impure woman. Hamlet is rude in his own day by asking Ophelia "Lady, shall I lie in your lap?" (Act 3, Scene II, Line 109) Ophelia had deserved the treatment she received from him. Hamlet was fed up with Ophelia ignoring him and always trying to stay away from him. From her betraying Hamlet and the denouncing of his love, this confrontation begins Ophelia true fall into insanity.

Ophelia, ever since her introduction, has been introduced to be a sweet and sympathetic person, providing the play with emotional moments, but her death was used as a bait and switch by Shakespeare towards audience members who had expected her to change the play’s somber mood to more hopeful one, which in turn makes the play even more tragic. After she had been visited by an apparently crazed Hamlet, she tells Polonius about the visit, prompting him to believe that the young prince is crazy in love, and goes out to tell the king. After it was explained to Claudius, and Hamlet’s former friends Rosencrantz and Guildenstern failed to find the underlying cause of his madness, Polonius makes Ophelia approach Hamlet while he and the king hide and monitor his behavior.

           Ophelia allowed herself to become a sort of marionette in Polonius' schemes toward understanding the seemingly mad prince. While her relationship with Hamlet was on the line, she allowed Polonius to commandeer the strings that determined her actions. Polonius was determined that Hamlet's supposed madness stemmed from lovesickness for Ophelia. He convinced Ophelia that her betrayal of Hamlet was a necessary evil and she began to relay all of Hamlet's messages and attempts at communication to him. He told the king and queen:

Ophelia is upset when she enters the scene because of Hamlet’s behavior. She tells Polonius what happened. She tells him, “He took me by the wrist and held me hard./Then goes he to the length of all his arm,/And, with his other hand thus o'er his brow,/He falls to such perusal of my face/As he would draw it.

Ophelia tries to obscure the truth because she is afraid of disobeying her father. It is obvious that Hamlet is already well aware that Polonius is watching after he states “Let the doors be shut upon him, the he may play the fool nowhere but in’s own house.”(3.1.132-133) Ophelia could have easily told Hamlet the truth, but due to her undying love for her father chooses to deceive Hamlet. Ophelia’s deceit leads Hamlet to start questioning her honest nature. Hamlet begins tearing apart by Ophelia because he is so irritated with her for being insincere to him. He states to Ophelia that “you should not have believed me: for virtue cannot so inoculate our old stock but we shall relish of it: I loved you not.” (3.1.117-119) Hamlet states that he does not love Ophelia because he believes that through this scheme, Ophelia will reveal the truth that Polonius is in fact behind their “unplanned” meeting. Ophelia had betrayed Hamlet by lying to him, thus Hamlet felt the need to betray her. If Ophelia had just been honest with Hamlet he would have not become so discourteous towards her, but she was not which resulted in him denying his love for her. Just as Hamlet was deceived, Ophelia was also because it was her lies that led to the ending of their love. Ophelia’s dishonesty resulted in her becoming a mockery of Hamlets antic disposition. Hamlet uses Ophelia to uncover

When Polonius tells Ophelia to repel Hamlet's advances, she promises to obey. And it is only after their fathers are killed that Hamlet and Ophelia begin to act mad.

He told Ophelia to distance herself from Hamlet and to not accept his calls because he felt that Hamlet did not truly love her. Ophelia’s rejection towards Hamlet leads Polonius to reason with himself that, that is the reason why Hamlet has snapped. After not hearing from Ophelia for some time, Hamlet went to speak with her. When she saw him, he was dressed in his undergarments without his hat and looked distressed. He took hold of her wrists and started to say something, but then did not.

In another scene, Polonius orders Ophelia to return the gifts that Hamlet gave her, and to make her rejection of him unmistakable and absolute. Polonius believes that if she is the cause of Hamlet’s madness, this would be the proof. “That Hamlet loses his mental stability is arguable from his behavior toward Ophelia…” (Foster, par.16) In Branagh’s version, we see how terribly this tears Ophelia’s heart. When Hamlet sees her, he walks up to her, telling her how much he loves her. After Hamlet kisses her, she returns the love letters that he wrote back to him. She sees how crushed he is, which makes her feel even worse; but she also believes she has to do this because her father ordered her to. Hamlet tells her “Get thee to a nunnery” (William

Ophelia is shortly affected by the protagonist’s mad conduct. And immediately she goes to her father, Polonius, to explain how she is “so affrighted” as a result of Hamlet’s visit:

Hamlet also uses Ophelia as a pawn, perhaps more than her family. Hamlet uses the court’s knowledge of his relationship with Ophelia in order to draw attention away from his real purpose of killing his uncle. In Act III, Scene I, Ophelia approaches Hamlet in order to return his letters and other pledges of affection for her, according to her father’s wishes. Hamlet appears to be very distraught, and accuses Ophelia of lying to him and being prostituted by her family. This outburst, however, is used solely to camouflage his real purpose-to have revenge of Claudius, his uncle, for killing his father. Hamlet is aware that Polonius and Claudius are watching this encounter between him and Ophelia, and uses the situation to his benefit- he can pretend to be heartbroken by Ophelia’s supposed

Polonius uses Ophelia as a pawn and manipulates her to get information from Hamlet. When Polonius sees that Hamlet has gone mad, he thinks it is the result of Ophelia’s lack of affection. Claudius says “We have closely sent for Hamlet hither, / That he as ‘twere by accident, may here / Affront Ophelia”(III. i. 32-34). He then says that Polonius and him are going to listen to the conversation. Polonius is hoping that Hamlet shows signs that his madness is due to Ophelia and being lovesick. Polonius is manipulating Ophelia to do whatever he wants. He doesn 't seem to care what she wants. He just wants to be happy. First he tells her to

First, Hamlet starts to go mad when he enters Ophelia’s room one night. Ophelia says, “My lord, as I was sewing in my closet, Lord Hamlet, with his doublet all unbraced; No hat upon his head, his stockings fouled, Ungartered, and down-gyvèd to his ankle, Pale as his shirt, his knees knocking each other, And with a look so piteous in purport As if he had been loosèd out of hell To speak of horrors—he comes before me” (2.1.87—94). Ophelia is explaining to Claudius that Hamlet showed up in her room one night as she was sewing in her closet. She describes him as looking pale and revolting. Why would a sane person show up to a young lady's room unannounced looking tattered? This is that begins to question Hamlet’s sanity. Then Ophelia states, “He took me by the wrist and held me hard. Then goes he to the length of all his arm, And, with his other hand thus o'er his brow, He falls to such perusal of my face As he would draw it. Long stayed he so. At last, a little shaking of mine arm, And thrice his head thus waving up and down, He raised a sigh so piteous and profound As it did seem to shatter all his bulk And end his being. That done, he lets me go, And, with his head over his shoulder turned, He seem'd to find his way without his eyes, For out o' doors he went without their helps And to the last bended their light on me” (2.1.99—112). Later in the same conversation with Claudius, the reader sees that Hamlet begins to act even stranger. When he grabs Ophelia by the wrist and begins to brush her face with the other hand, we can tell that Ophelia begins to get uncomfortable. She also states that he stays for a great deal of time without speaking a word. To the reader, this seems like what a madman would do. This instance, only furthers the

Midway through Hamlet, Ophelia is well under the control of Polonius and Hamlet. They are both manipulating and using her as a pawn as to get what they want and she has little to no say about it. Act 2, scene 1 serves as a turning point, as it is when Ophelia begins to realize the manipulation she faces at the hands of both her father and Hamlet, and that she can only truly gain her freedom when she herself descends into madness. Polonius’ manipulation, Hamlet’s control and Ophelia’s own thoughts and actions demonstrate her descent, and the aftermath.