Oppression Against Women Is Laden Throughout Monica Ali 's `` Brick Lane ``

It is presently common, to label women as inherently malicious and slanderous individuals. We see these stereotypes present, in today’s society. For instance, when two women get in an argument, others around them, tend to yell ‘cat fight’, declaring that because they are women, they presume them as ‘catty’. This scenario, can also be used as a parallel, that depicts what society does to women. Society sets women in opposition to each other, by elevating a male’s status, and forcing women to seek approval from men. In the book, A Tree Grows in Brooklyn, the main character Francie observes, a situation where, a woman is verbally and eventually physically assaulted, by other women, because she is not married (or really, she doesn’t care nor needs the

With these mediums of oppression, her first theory, referred to as the Matrix of Domination is brought up. Previous models of oppression were considered additive, or hierarchal, meaning that they must be ranked. Collins uses the experiences of black women to explain that all these modes of oppression, gender, race and class are interlocking and equally important when viewing domination. This bleeds mores into Part II, but the essentials are discussed in this section.

Women and men are born equal. However, females are receiving unequal judgement and unfair treatment in the society, and thus Marilyn Frye brings up the notion of “oppression”, claiming that women are oppressed. Throughout the essay, I will first give the definition of Frye’s oppression and then list 5 critical qualifications to be considered oppressed. After that, I will explain my appreciation on Frye’s perspective on elaborating oppression using the “bird cage” analogy. I will support Frye’s “double-bind” argument for sexism followed by flaws in the argument. Furthermore, I will point out some social group are mistakenly placed inside or outside the parameters of oppression, once the theory of oppression extends over other marginal groups.

Sexism is a challenge almost all women face. In a way, sexism can be beneficial because it can motivate women to defy society's standards and anything holding them back. However, in The House on Mango Street, author Sandra Cisneros, shows both sides of sexism, and how it can motivate women. Sexism can also make women give up and not accomplish anything. While Cisneros has the protagonist fight off sexism, Esperanza runs into many cases of sexism where the women just give up. Similarly, with The Help, author Kathryn Stockett, also shows both the positive and negative side of sexism. Skeeter, the protagonist fights off sexism to gain freedom, and in doing so she finds that all her friends don’t want to change the roles they have. Both

“Women like us. We endure.” (Hosseini, 19). For the female protagonists Laila and Mariam in the novel A 1000 Splendid Suns by Khaled Hosseini and the two unnamed female protagonists of the movie Osama, oppression is something they face and endure everyday. Both stories take place in Afghanistan around the 1990’s and 2000’s. In A 1000 Splendid Suns, the two female protagonists, Laila and Mariam, are wives to Rasheed, an abusive Islamic shoe maker (220). In the movie Osama, there are three generations living in one small home: a grandmother, mother, and a daughter. They have lost all of their male relatives who have died from fighting various Afghan wars (Osama). Osama and A 1000 Splendid Suns both display how women are oppressed and how it

This essay will critically analyze the various forms of oppression that are set out through Audrey Lorde’s concept of the “mythical norm” as discussed by Barbara Perry. Through the “mythical norm”, it can be seen that oppressions exists through the forms of racism and sexism which are exhibited through many scholarly texts and articles. Racism can be seen as a means of privilege and power that is given to individuals who coincide with the criteria of societies norm. In this case, these individuals consist of white, heterosexual, male beings who unknowingly oppress their racialized counterparts. Oppression can also be seen through the form of sexism. Sexism looks at the injustice and inequality of male dominance over female, which results to men being more privileged and advantaged in society over women who are disadvantaged. Therefore, privilege and power is obtained by those who coincide with the concept of the “mythical norm”, leaving minority groups who do not coincide with this conception oppressed through the forms of racism and sexism.

In the novel “The Brief Wondrous Life of Oscar Wao” by Juniot Diaz you start to notice a cultural gender role and how there is certain expectations of them. The novel is based on a young boy named Oscar Wao and the hardships that one event has caused to an entire family. Even though the novel is focused on Oscar the author always went back to his sister and his mother. The author described the women as “real, strong women, even though they were being filtered through a somewhat distorted male point of view” (Stevenson 1). These two women play an important roll in this novel, they ultimately don't show the cultural gender role and what is expected from them. All the important female rolls in Oscars life are independent and strong women but they all have one thing in common, being mistreated by men.

Although it is culturally unacceptable for a girl to disobey a man, especially her own father, Shahrazad understands that her desire to save the town’s citizens, particularly the girls, is much stronger than obeying her father and adhering to the cultural norms. Holding strong even after her father, the King’s vizier, tells her “The Tale of the Merchant and His Wife” which implies that women are always lesser to men and should even be physically harmed in order to submit to them, Shahrazad establishes that “such tales don’t deter [her]” (417). Shahrazad even goes as far as to trick her own father into allowing her to enact her plan by mentioning “I shall go to him by myself behind your back and tell him that you have refused to give me to one like him and that you have begrudged your master one like me”

In “A Jury of Her Peers” by Susan Glaspell and “A Rose for Emily” by William Faulkner, both authors introduce female protagonists that are confined by men’s authority. By displaying the protagonist's transformation, Glaspell and Faulkner highlight the repercussions of gender roles, to show that when women are trapped, they will go to great lengths to retaliate against their oppressors.

Andrea Dworkin, a prominent radical feminist, tries to explain why women fail to put themselves out from where they are: “Women have been taught that, for us, the earth is flat, and that if we venture out, we will fall off the edge.” Women are often conditioned by different factors in their life to stay in their position, especially from societal norms and expectations of them from the men in their lives. However, over time, this could be emotionally and mentally burdensome to a woman’s state of mind, leading them to nowhere. This theme of oppression is prevalent in the feminist short stories titled “A Jury of her Peers”, written by Susan Glaspell, and “Sweat”, written by Zora Neale Hurston. In these works, Glaspell and Hurston elaborate on how powerful female protagonists are able to decide for themselves, but explain their mentally-taxing processes and reasons in accomplishing such a feat. In these short stories, women are able to rise over oppression, but primarily to overcome a grief or insecurity that stems from within and after being pushed to their limits and accustomed to their roles by men.

Audre Lorde once said, “I am not free while any woman is unfree, even when her shackles are very different than my own.” These “shackles” Lorde referred to are the almost inescapable gender constructs seen across society. The injustice women face affects all layers of their lives and freedom. In her novel, Sandra Cisneros, poignantly depicts the oppression women face by demonstrating their limited future opportunities, forced dependency on men, and aggressive sexualization from a young age.

Frank Heywood, a female crossdresser, proves that women can do the same work as men. However, she can only succeed in doing so by rejecting her birth gender. Instead of doing housework and aspiring to marriage, Frank states that her work “must be father, mother, wife and children to me” (p. 302). She claimed that by giving up her womanhood, “I could go about unquestioned. No man insulted me, and when I asked for work, I was not offered outrage…I resolved to carve out for myself a place in the world as a man, and let death alone reveal my secret and prove what a woman can do” (p. 366-67). While Mrs. Bludgett is beaten, Flora is trapped in a loveless marriage, and Laura is abducted, Frank is free to work and do as she pleases. Her success in doing so proves Blake’s point that “gender” is a socially constructed and ridiculous concept. Blake succeeds in portraying the constant battles of women and through her examples of heartless treatment and behaviors from men. It’s important to note that Frank is the only women who truly succeeds in beating the

Both Ernest Hemingway’s Hills Like White Elephants and John Steinbeck’s The Chrysanthemums portray oppressed female characters in the early 1900s. In Hemingway’s short, Jig is oppressed by her lover known only as “The American,” whereas, the main character in The Chrysanthemums, Elisa Allen, feels the weight of oppression from society (male dominated) as a whole. Although the driving force of the two women’s subjugation varies slightly, their emotional responses to such are what differentiate the two.

She comments on the oppression experienced by woman through three distinct lenses: that of biological differences, that of the psychoanalytical perspective, and finally through the lens of historical materialism.

The two heroines share a harsh background; they both have had a rough childhood and are searching for a way out of their misery. Their lives are centered around the strategies that contribute to their rise. When writing this essay I was mainly interested in exploring how even the characters with smaller roles could affect the outcome, could shape the path the heroines followed towards their rise, but also wanted to analyze all the aspects through characters contributed to the liberation of the heroines.