Oppression And Oppression In Antigone

Instead of considering the people's interests, he seeks vengeance towards those who have wounded his pride. In fact, he accuses Teiresias, the most insightful messenger in Sophocles' plays, of yielding to greed for material wealth when Teiresias warns Creon of the consequences of his actions. Creon's decision "to use any legal means...both about the dead and [living]" (168) demonstrates how his appetite for revenge ultimately transforms any of his noble intents to protect Thebes into a mere conflict for power, particularly worsened by Antigone's rebellious actions; instead of trusting the gods to punish Polyneices, he uses his authority to indulge in his vengeance.

Full of drama and tragedy, Antigone can be used to relate to current conflicts. One such conflict is that between Haemon and his father Creon. Haemon looks up to Creon with honor and pride, but as conflict arises, that relation is disassociated and new feelings grow. The first conversation between them is what initiates the downfall of their bond. While it seems that Creon is the most important person in Haemon’s life, Antigone is in fact the one that has won Haemon over.

     Finally, Creon is a dynamic character. He undergoes changes in emotion throughout the work. He realizes his mistakes when Tiresias forecasts the future. Thus, Creon attempts to correct himself by releasing Antigone. But he is too late. He is forced to live, knowing that three people are dead as a result of his actions. This punishment is worse than death. Although Creon’s self-righteousness and inflexibility did not change until the end of the play, his motivations traveled from patriotic ones to personal ones. This created a major portion of the

Haemon stated that his father had dishonored the gods by sending Antigone off to her death, but Creon responded by saying, “You, you soul of corruption, rotten through-/ woman’s accomplice!” (836-37) Creon refused to acknowledge his son’s point, therefore, not changing his mind on Antigone’s fate. In another scene, Creon showed his independence by refusing to listen to Tiresias’ prophecy. Knowing that Tiresias’ prophecies were never wrong, Creon still ignored him. Creon stated, “You and the whole breed of seers are mad for money!” (1171) He claimed that Tiresias was wrong, and he was doing the right thing. In this scene Creon showed his independence in a cruel manner by disrespecting Tiresias. Antigone and Creon both showed that they wanted to be independent. Antigone’s will to be independent ultimately caused her death, and Creon’s caused him to lose his son, niece, and wife.

In our society filled with social injustice and violence, is it safe to protest unjust actions by the public? As seen in many current events and fictional representations, the world around us still suffers many social issues. When people are faced with injustice, every individual has the should protest and fight for their rights, but not without considering the consequences.

In Oedipus Rex, Oedipus believes Tiresias and Creon are working together to overthrow him. During this time Creon gives a prolonged speech, how he doesn’t want to be the King, but in Antigone, Creon is seen as a unswaying sovereign, unwilling to listen to anyone. Creon is likewise blinded by his own corruption. His excessive pride gets the best of him. Antigone, Haemon, and Tiresias warn Creon

Creon’s was used to being the hero of Thebes after repairing the damage Oedipus’ horrifying end had caused, now he was faced with an uncomfortable choice. Being the new reigning monarch of Thebes, his morals were centered around keeping himself monarch. As a result, Creon’s selfishness tipped his internal scales3 of what was just and what was not. His pride was so great that he not only refused to bury the revolutionary, Polyneices, but declared, “he’ll have no burial mound, no

This quote explains the main conflict of the play. Creon has ordered that Polynices, Antigone’s brother, cannot receive a proper burial because in Creon’s eyes he is a traitor. Polynices fought against his brother to claim the throne of Thebes, the pair ended up killing each other. Tiresias tries to tell Creon that he is wrong to do this because it is angering the gods that he is denying them a body. Tiresias even warns Creon not to be stubborn, “Stubborness/ brands you for stupidity-pride is a crime.” (1137-1138). Pride in Greek tragedies is most often the cause of a characters downfall and Creon is no exception.

“The gods no longer will accept our sacrifice, our prayers, our thigh bones burned in fire.” (Lines 1133-35) Teiresias explained to the king that a mortal human being was no match, and should not try to match, against the glorious gods. Creon admitted that he stood firmly on the final decision of not burying Polyneices, Antigone’s brother, and that no god had the power to make him to do so. “Even if Zeus’ eagles should choose to seize his festering body and take it up, right to the throne of Zeus, not even then would I, in trembling fear of some defilement, permit that corpse a burial.” (Lines 1160-65) Teiresias, on the other hand, was continuously persuading for Creon to compromise with everyone else, to fix his egotistic actions, with his statement: “Men who put their stubbornness on show invite accusations of stupidity.” (Line 1144-45) To which Creon responds with an insult rather than

Even though Antigone exhibits a blamable pride and a hunger for glory, her disobedience is less serious than those of Creon. It is evident that Antigone’s actions are driven by a love for her brother, and a desire to please the gods. While Creon’s actions are

In addition, Creon also has an inaccurate view of his place in relation to the gods. He believes that man’s laws are more important than the laws of the gods. Antigone tries to defend her decision to bury her brother by proclaiming, “I do not think your edicts have such power that they can override the laws of heaven…If I transgressed these laws because I feared the arrogance of man, how to the god’s could I make satisfaction” (line 408)? Creon’s hubris causes him to think that he must put Antigone to death because she chooses to follow the god’s laws over his.

Antigone retaliates by saying that his law is not that of the Gods so it does not stand. He wants to have Antigone killed, but his son his her fiancé. He tries to explain to the king that the gods would have wanted Polyneices to be buried and that Antigone did the right thing that she should not be punished for it. Creon’s hubris however comes out yet again. He will not even listen to a word his son has to say; however now he does not want to kill her, but to send her away into a tomb, where the Gods can determine her fate.

Unfortunately, Creon does not always make the correct decision because of personality traits that he possesses. When Creon sentences Antigone to death, he is wrong. This decision is based on Creon’s downfalls. He has hamartia and he judges wrong, and he also suffers from hubris. He is excessively prideful and believes that his choice is the only correct one. Creon also has an inaccurate view of his place in relation to the Gods. He believes he is in a position to know what They want and know what They feel is best. No mortal truly knows what the Gods want, but Creon believes he does because he cannot imagine that what he believes is wrong, even to the Gods. Antigone’s death is a bad decision that Creon makes based on his beliefs that the Gods view Polyneices as a traitor and would not want him honored in death.

Antigone is a play about a woman who disobeyed the King's order to not bury her brother. The play was written by the famous Greek tragedian, Sophocles, in 441 B.C. The story took place in the city of Thebes and the time period is not mentioned. The main characters introduced in the play are of Antigone, Ismene, Creon, and Haemon. The primary focus was centered on Antigone and the consequences she faces after breaking the King's orders.

It is plain to see what about the character of Antigone it is that makes this a tragedy. Tragedy is defined as a dramatic composition dealing with a serious or somber theme, and this story fits all these criteria. First of all, it involves a tragic course of events that involved both of her brothers dying and then being completely disrespected even in death. She felt she had to rectify this mistake, even though it was against the law, and the opposition was too great. Because of her attempt to rectify the injustice, even more tragic things happened to her and her family. This is why she is a tragic heroine.