Oppression Of Women In The Yellow Wallpaper

  “The Yellow Wallpaper” is a symbolic tale of one woman’s struggle to break free from her mental prison.  Charlotte Perkins Gilman shows the reader how quickly insanity takes hold when a person is taken out of context and completely isolated from the rest of the world.  The narrator is a depressed woman who cannot handle being alone and retreats into her own delusions as opposed to accepting her reality.  This mental prison is a symbol for the actual repression of women’s rights in society and we see the consequences when a woman tries to free herself from this social slavery.

She has been trained to trust in her husband blindly and sees no other way. He calls her “little girl” (352) and “little goose” (349) and states “She will be as sick as she pleases!” (352) whenever she tries to express her issues. Instead of fighting for what she thinks will make her better she accepts it and keeps pushing her feelings aside, while he treats her like a child. We get an instant feel for her problem in the first page when she says, “John laughs at me, of course, but one expects that” (pg 346). A woman shouldn’t expect her husband to laugh at her concerns. Even after briefly writing about her condition she remembers her husband telling her the very worst thing she can do is think about it and follows his instructions. This is when she begins to focus on the house instead of her problems and the obsession with the wallpaper starts. She has nothing else to think about alone in the home; they don’t even allow her to write, which she has to do in secret.

     The Yellow Wallpaper by Charlotte Perkins Gilman is a fictionalized autobiographical account that illustrates the emotional and intellectual deterioration of the female narrator who is also a wife and mother. The woman, who seemingly is suffering from post-partum depression, searches for some sort of peace in her male dominated world. She is given a “rest cure” from her husband/neurologist doctor that requires strict bed rest and an imposed reprieve form any mental stimulation. As a result of her husband’s controlling edicts, the woman develops an obsessive attachment to the intricate details of the wallpaper on her bedroom wall. The woman’s increasingly intense obsession with

Through a woman's perspective of assumed insanity, Charlotte Perkins Gilman comments on the role of the female in the late nineteenth century society in relation to her male counterpart in her short story "The Yellow Wallpaper." Gilman uses her own experience with mental instability to show the lack of power that women wielded in shaping the course of their psychological treatment. Further she uses vivid and horrific imagery to draw on the imagination of the reader to conceive the terrors within the mind of the psychologically wounded.

  The Yellow Wallpaper by Charlotte Perkins Gilman can by read in many different ways.  Some think of it as a tragic horror story while others may find it to be a tale of a woman trying to find her identity in a male-dominated society.  The story is based on an episode in Gilman's life when she suffered from a nervous disease called melancholia.  A male specialist advised her to "live a domestic a life as far as possible.. and never to touch a pen, brush or pencil..."   (Gilman, 669).   She lived by these guidelines for three months until she came close to suffering from a nervous breakdown.  Gilman then decided to continue writing, despite the physicians advice, and overcame her illness.

Every request the woman in the story has made to her husband has been dismissed and her depression continues to worsen because she has lost control of her own life. John fails to understand how it feels for his wife to be trapped in her room all day. “He forces his wife into a daily confinement by four walls whose paper, described as ‘debased Romanesque,’ is an omnipresent figuring of the

In the second part of the sentence, it seems as though the woman doesn't want to believe what her husband is telling her thus setting the stage for her rebellion. All her husband wants her to do is rest and sleep: he even suppresses her creative talent by not allowing her to write. She is in constant fear of being caught by her husband; "I must put this away, -he hates to have me write a word." It seems as though John is being more of a father than a husband and because of this, she feels that she should be a "good girl" and appreciate what he is doing for her even though she knows that his diagnosis is killing her. "He takes all care from me, and I feel so basely ungrateful not to value it more...He took me in his arms and called me blessed little goose..." This is a clear indication of someone trying to run another person's life. By him not allowing her to write he is causing her depression to worsen. If she had been "allowed" to come and go as she pleased, her depression may have lifted: "I think sometimes that if I were only well enough to write a little it would relieve, the press of ideas and rest me." Her husband is suppressing the one major outlet that will help her get better in her seclusion, "writing." By absolutely forbidding her to work until she is well again he is imprisoning her and causing her depression. John has made her a prisoner not only in their home but also in

The Story “The Yellow Wallpaper” by Charlotte Perkins Gilman is a great expression of women’s oppression in the 19th century. The story introduces readers to a woman frustrating in her life and suffering from a nervous depression and her marriage as the yellow wallpaper is causing her a real insanity. Having a background about the timing and the setting that the story is written in helps the reader to internalize the whole meaning of the story and understand its important details. The story is told by a narrator using an anxious tone, and she is being angry and sarcastic at the same time. The woman mentions that her husband has taken her to a summer vacation. So, the story takes

The structure of the text, particularly evident in the author’s interactions with her husband, reveals the binary opposition between the façade of a middle-class woman living under the societal parameters of the Cult of Domesticity and the underlying suffering and dehumanization intrinsic to marriage and womanhood during the nineteenth century. While readers recognize the story for its troubling description of the way in which the yellow wallpaper morphs into a representation of the narrator’s insanity, the most interesting and telling component of the story lies apart from the wallpaper. “The Yellow Wallpaper” outwardly tells the story of a woman struggling with post-partum depression, but Charlotte Perkins Gilman snakes expressions of the true inequality faced within the daily lives of nineteenth century women throughout the story. Although the climax certainly surrounds the narrator’s overpowering obsession with the yellow wallpaper that covers the room to which her husband banished her for the summer, the moments that do not specifically concern the wallpaper or the narrator’s mania divulge a deeper and more powerful understanding of the torturous meaning of womanhood.

“The Yellow Wallpaper,” by Charlotte Perkins Gilman, depicts a young woman’s gradual descent into insanity due to her entrapment, both mentally and physically, in the restrictive cult of domesticity. Through the narrator’s creeping spiral into madness, Gilman seeks to shed light upon the torturous and constraining societal conditions in which women are expected to live, that permeates throughout all aspects of their lives. At first glance to an average reader unfamiliar with Gilman’s history, “The Yellow Wallpaper” seems to just provide a tale about the oppressive relationship between the man and the woman in a domestic environment, however, once Gilman’s own personal life is uncovered, the story takes on a new level of depth.

and "gates that lock". At the top of the stairs is a gate that keeps

“The Yellow Wallpaper”: The Epidemic of Female Oppression Neurasthenia is a medical condition characterized by lassitude, fatigue, headache, and irritability, associated chiefly with emotional disturbance. The disorder can cause tiredness, fatigue, and extreme stress or anxiety leading to oppression of a being. Oppression causes the separation of oneself from society due to large amounts of anxiety. In the story “The Yellow Wallpaper”, the protagonist is suffering from an illness that is said to be cured by her moving away from society and living in the country for a few months with her husband.

Women have always struggled to gain attention from men as well as equality with them. Charlotte Perkins Gilman's "The Yellow Wallpaper" has a dominant theme of feminine oppression. It is a symbolic work of literature because women in the era in which this story was published were treated in much the same way as the narrator was on a daily basis. Male dictatorship over women is rampant within the illness and treatment of the unnamed narrator, the characters in the story, and the many symbols that serve to confine the main character. They all work fluidly together to create a more tangible conclusion. A stand had to be made in order for women to achieve equality with men. Standing up to a man, however, was not permissible in nineteenth

One of the most interesting stories I read in high school literature class was The Yellow Wallpaper, by Charlotte Gilman, which tells of a woman suffering from post-partum depression who is kept essentially prisoner in her own home by her dominating husband. Overtime, the woman begins to see figures and shapes in the walls, which later transform into another woman trapped behind the wallpaper. She vehemently believes in this hallucination to the point where she rips up the walls to allow the trapped woman to escape. Although the story has deeper elements of female oppression, the hallucinations she experiences sound incredibly similar to the “prisoners’ cinema” described in Oliver Sacks’ Hallucinations. The students subjected to the sensory

Clearly, the narrator thinks that a life void of any work or excitement will not be helpful or aid her on the road to recovery.  The question she asks herself at the end of this paragraph, however, exemplifies her oppressed stature in society.  She asks herself not once, not twice, but three times what someone in her position is to do:  "And what can one do?" (1), "What is one to do?" (1), "But what is one to do?" (1).  Repetition of these questions demonstrates that the narrator cannot do anything to change her life because her husband - society - controls what she can and cannot do.  The narrator's writing also falls under this category because writing is looked down upon in society as a profession for women.  Because of society's oppressive nature, the narrator is unable to write in the presence of other people, especially John and Jennie, his sister, who are great products of