Oppression, Suffering, and Poverty of Men in Jane Eyre Essay

Women who had no claim to wealth or beauty received the harshest of realities in America’s Victorian era. Author Charlotte Bronte – from America’s Victorian era – examines and follows the life of a girl born into these conditions in her gothic novel Jane Eyre (of which the main character’s name

John pushes against the society’s standards. He is against taking soma, a drug that puts you are peace and goes against the social means. John takes the soma from workers at the hospital receiving their pay. “’Free, free!’ the Savage shouted, and with one hand continued to throw the soma into the area while, with the other, he punched the indistinguishable faces of his assailants. ‘Free!’ And suddenly there was Helmholtz at his side —‘Good old Helmholtz!’—also punching—‘Men at last!’—and in the interval also throwing the poison out by handfuls through the open window. ‘Yes, men! men!’ and there was no more poison left. He picked up the cash-box and showed them its black emptiness. ‘You're free’” (213). John hates people taking soma because it takes away their freedom, which keeps them from thinking and speaking freely. He continues to fight the system when he isolates himself at the lighthouse because he is so against the World State. He ends up not wanting to be in the world. He hangs himself to show everyone how messed up it is and prove himself to the world controllers.

Jane Eyre's literary success of the time has been cheaply commercialized. In other words, Bronte's novel never got the appreciation it deserved, in the areas it deserved. Many 19th century critics merely assigned literary themes to their reviews to "get it over with". Critics commended Jane Eyre for everything from its themes to its form. However, their surface examinations amount to nothing without careful consideration of the deeper underlying background in Jane's life where their hasty principles originate. The widely discussed free will of Jane's, her strong individuality, and independence are segments of a greater scheme, her life. For example: Jane's childhood serves as the

Throughout the course of history, social hierarchies have existed across the globe, spanning from prince to pauper or business tycoon to lowly scrivener. Authors, in turn, have written works regarding social class, often examining the negative effects of societal structure on personal growth. Charlotte Brontë’s Jane Eyre takes place in Victorian England, in the age of industry and genesis of industrial capitalism. The novel’s protagonist, Jane, first lives a life of neglect, then a life in poverty, and eventually finds her happy ending. Through Jane’s personal experiences and interactions with fellow characters, Brontë analyzes the effects of social class. Professor Chris Vanden Bossche’s article analysis “What Did ‘Jane Eyre’ Do? Ideology, Agency, Class and the Novel” examines social inclusion and monetary pressures placed on the central characters during this pivotal era of English history. Through the Marxist lens, Jane Eyre can be understood in terms of complexity and character motives. Vanden Bossche effectively argues that external forces, like money and people, both motivate and repress Jane into choosing her own path. Thus, a more developed explanation is made for Jane’s various behaviors regarding social inclusion and societal rebellion.

The class of Jane also reflects how people who are considered lower are treated worse than the rich. Those who tend to be rich see themselves as much better and deserving of greater things. A character in the story named John Reed would always treat the protagonist, Jane Eyre, like she was garbage because of the fact that she was orphaned and had no wealth to her name. “You have no business to take our books; you are a dependant, mama says; you have no money; your father left you none; you ought to beg, and not to live here with gentlemen's children like us”. John had a part in his family’s wealth and saw himself as above attempting to assure everyone knew how important he was. Meanwhile, Jane being of lower class is much more humble and appreciative of the good things in life. Learning to live happily and patiently as a humble citizen making sure to never be snobby like her relatives. Jane makes sure to see the beauty inside of people rather than superficial, beautiful appearances. “The refreshing meal, the brilliant fire, the presence and kindness of her beloved instructress, or, perhaps, more than all these, something in her own unique mind, had roused her powers within her. They woke, they kindled: first, they glowed in the bright tint of her cheek, which till this hour I had never seen but pale and bloodless; then they

In the novel’s exposition, Jane Eyre, a ten-year-old child, begins to face gender injustice by his cousin, John Reed. In “In the Window-Seat: Vision and Power in Jane Eyre,” Peter J. Bellis states, “John Reed claims the house and its contents as his . . .” (641). He exerts authority on her simply because he is a male by abusing and bossing her, making it seem as if he owns her. The situation starts holding Jane back as a female, leaving her defenseless, as “the powerless victim of its oppressive force” (Bellis 641). John greatly contributed to Jane’s suffering as a child, by abusing the power he had over her. She speaks of how John harshly demanded of her, saying, “I want you to come here;’ and, seating himself in an armchair, he intimated by a gesture that I was to approach and stand before him,” referring to him as “master” (4). The simple act of her needing to call him “master” demonstrates the dominance he possesses. He deprived her of freedom such as simply reading a book by controlling her life at a young age, and it

John, the narrator’s controlling, but loving, husband represents the atypical man of the time. He wants his wife to get better and to be able to fill the role of the perfect wife that society expected from her. John, being a doctor, did not quite believe that her mental illness was out of her control and insisted on

Survival may be one of the natural instincts in human beings, but it can and sometimes will be overcome by other powerful emotions. John's initial struggle for survival is suppressed by his overwhelming love for his wife. He becomes involved when his wife's name is mentioned in court, and her life becomes endangered. John does a complete turn around on his perspective of the situation. He goes from being completely isolated, to attempting to take control of the situation. However, his initial failure to do the right thing from the start caused this plan to fail.

Expressions such as these only distance Tom from benign human tendencies, leaving him less worthy of receiving any compassion from his audience. By creating a character like Tom, Fitzgerald leaves the reader with the impression that one born into and consumed by wealth will become the most unappealing and bland character of all. In this way the author leaves a sense of emptiness associated with Tom and continues to sew the thread of emptiness in all other characters consumed by wealth in his story.

The only time that a member of the Reed family speaks to Jane is when they are belittling her, hoping to further assert their elite dominance over the lower class. In one particular quarrel, John Reed, the oppressive “Roman emperor” and “slave driver,” throws a book at Jane’s head to physically proclaim his dominance over her, to which Jane responds by verbally firing back at his elitist oppression. (Brontë 13) The battle between the social classes concludes with Jane being banished to the horrifying red-room as punishment for attempting to overthrow the elite power, John Reed, even though John was the clear instigator of the scuffle. Jane is later condemned by the house servants for her attempt to overthrow her “young master.” Jane and John are both children, but due to the wealth and status of his parents, John is allowed to rule over Jane, making Jane, as the Gateshead servants would describe, “‘less than a servant’” because she does nothing for her keep. (Brontë 15) Jane continuously faces this maltreatment at Gateshead until an outburst directed towards Mrs. Reed causes her to be sent away to Lowood school, a place where Mrs. Reed hopes Jane will perhaps be taught to conform to the societal norm of how a young girl like Jane should act in

Charlotte Bronte created one of the first feminist novels--Jane Eyre--of her time period when she created the unique and feminist female heroine, Jane Eyre. Throughout the novel, Jane becomes stronger as she speaks out against antagonists. She presses to find happiness whether she is single or married and disregards society’s rules. The novel begins as Jane is a small, orphan child living with her aunt and cousins due to the death of her parents and her uncle. Jane 's aunt--Mrs. Reed--degrades her as she favors her biological children. Jane 's aunt--Mrs. Reed--degrades her as she favors her biological children. Her cousin--John Reed--hits her and then Mrs. Reed chooses to punish her instead and sends her to the room in which her uncle

Throughout history and literature, men have been trying to make decisions for women and have also treated women as inferiors. Two books that do a superb job of demonstrating this theme are Jane Eyre by Charlotte Brontë and The Good Earth by Pearl Buck. Jane Eyre, set in the 1800’s, is the story of an orphan girl growing up and becoming a governess. All does not go smoothly when Jane falls in love with the master of the house. Drama ensues in this gothic classic as Jane decides how to handle her situation. The Good Earth, on the other hand, follows the life of Wang Lung from a young adult to a grandfather. Along the way, Wang Lung marries O-lan and together they

Throughout Jane Eyre Charlotte Brontë uses the character Jane as a tool to comment on the oppression that women were forced to endure at the time. Jane can be seen as representative of the women who suffered from repression during the Victorian period, a time when patriarchy was commonplace. Brontë herself was affected by the time period, because according to Wolfe, she was deprived “experience and intercourse and travel.” (70) Thus Jane offers a unique perspective as a woman who is both keenly aware of her position and yet trapped by it despite repeated attempts to elevate herself and escape the burden placed on by her different suitors. Although superficially it seems that Jane wants to break away from the relationships that further

The first passage is from when Jane Eyre is locked in the attic room by force by Abbot and Bessie. Despite her just being punished, along with her earlier treatments, young Jane sees this room as a “jail.” She feels trapped. Unable to express herself in the ways that she sees fit without being tormented by John, or scorned by Mrs. Reed, Jane is forced to accept and take the abuse. When she passes the mirror, she sees a tiny white figure. “All looked colder and darker” to her “than in reality.” She was looking at herself. It is a case of Jane’s internal feelings reflecting on her external appearance and situation. Jane wants to break free and express herself, but feels restrained by her body and her restrictions. The “glittering eyes” that she describes represent her will to be free. It shows a shimmering of hope that she holds on to. The description of “moving while all else was still” also shows how Jane is the only one in the house that is capable of this type of expression. Everything else in comparison to her

The director seamlessly weaves five separate plot threads throughout the main story, all involving their own social repercussions and the consequent changes in the lives of all those caught up in the dilemmas they face. The film is filled with a rich