In order for women to acquire freedom and gain power, they must fight and emancipate every oppression they suffer from to prove that the once oppressed can and will become among the most successful. In her short fictional story entitled “The Story of an Hour”, author Kate Chopin gives the tragic death of Mrs. Mallard’s husband an ironic context in which she deals with moving from oppression to freedom. She brilliantly intertwines her themes with symbolism and situational irony to reflect the historical impact for her gender of the time.
In her story, Chopin mainly pools the themes she uses to shape her plot from the gender issues in a historical context about women’s lives of the time. She links events of her own life to her “Story of an Hour”.
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For instance, she explains freedom as a way of looking into a better future by escaping injustice and oppression. On the first hand, the “open square before her house” (Chopin 428) she refers to in the essay symbolizes the window through which she would let Mrs. Mallard escape from her painful past and bitter present into a future where she would think more about living for herself. Furthermore, Chopin employs “the notes of a distant song” (Chopin 428) as a symbol for the joy Mrs. Mallard would acquire by liberating herself from the bounds of marriage. The “countless sparrows … twittering in the eaves” (Chopin 428) show through the flying movement of the birds that Mr. Mallard’s widow would gain back the taste of life and fly with her own wings now that he died. On the other hand, emphasizing on the oppression Mrs. Mallard suffered from in her marriage, Chopin also uses imagery related to the human body. For example, she brings up that “the look of terror that had followed [her] went from her eyes”, “her pulses beat fast, and the coursing blood warmed and relaxed every inch of her body” (Chopin 429). By this brief description of the relief Mrs. Mallard feels in front of the window, Chopin intends to show the severity of the oppression, emphasizing on the personal victory she feels from becoming …show more content…
She illustrates the issue first through Mr. Mallard’s death that creates his wife’s mixed feelings of grief and happiness (Chopin 429). According to Mrs. Mallard, the positive part of the story resides in the fact that she acquires her freedom and self-esteem back long years after engaging in her marriage which she indirectly describes as a state of imprisonment with a person she has to be submissive to. The irony comes towards the end with the narrator mentioning “a joy that kills” (Chopin 429). When Mr. Mallard actually crosses the door, Chopin describes the wife so shocked by his return that she immediately surrenders to death from desolation and despair (Chopin 429). His sudden yet unexpected return washes away the brief moment of freedom she dreams of in front of the window, that leads her to take the initiative to strive for it after his death. Frustrated and determined to make a difference, Chopin’s intent for creating such a tragic story resides once again in her will to relate her personal struggles from being “restrained under Catholic dogma at home” (Snodgrass) to her writings about the “revolt against double standard” (Snodgrass). She also wishes to continue supporting women of her time by showing the struggles in their battles for freedom and independence from men’s
Written in 1894, “The Story of an Hour” is a story of a woman who, through the erroneously reported death of her husband, experienced true freedom. Both tragic and ironic, the story deals with the boundaries imposed on women by society in the nineteenth century. The author Kate Chopin, like the character in her story, had first-hand experience with the male-dominated society of that time and had experienced the death of her husband at a young age (Internet). The similarity between Kate Chopin and her heroine can only leave us to wonder how much of this story is fiction and how much is personal experience.
These thoughts were a bit suspicious and frightful to acknowledge. As Mrs. Mallard sits next to her window she begins to contemplate what feelings are emerging from her, “There was something coming to her and she was wanting for, fearfully. What was it? She did not know; it was too subtle and elusive to name” (Chopin 653). This depicts the anticipation of change that is about to come into her life. Chopin describes it not as a physical object, but something she internally knows when it fact it blossoms into a new realization. With all these perplexed emotions she encounters from looking out the window to “patches of blue sky showing here and there through the clouds” (Chopin 653), these thoughts become the factor of releasing herself from her forbearing attitude into the new impression of individualism and
The Story of an Hour by Kate Chopin is an immaculate illustration of how a short story can have the ability to make a considerable impact on an entire nation. Chopin manipulates her writing effectively with her outstanding applications of certain literary techniques. Moreover, these techniques such as pathos, irony and symbolism, amplify the intensity and overall impact women oppression had on Chopin and many other women during the late nineteenth century. In addition, the story overshadows the protagonist, Mrs. Mallard, and her persevering fight to overcome the mournful news regarding the death of her husband. She was informed about her husband's death by her sister Josephine, who told her in a rather gentle fashion which ultimately caused Mrs. Mallard to go to the hospital with an unfortunate affliction of heart trouble. Initially, Mrs. Mallard rhapsodically struggled in trying to cope with this news as it left her in a paralyzed state of sorrow but she then realized that she gained a great deal of freedom due to to her husband's death. Furthermore, Chopin leaves out many details within her text, which obligates the reader to fill in the gaps within Chopin’s iceberg imagery like writing and gain a perception of women’s mistreatment during the mid 1800’s.
Mrs. Mallard is, outwardly, a typical woman in the 19th century with a husband, family, and home. It is first apparent that Mrs. Mallard is not satisfied with her role as a wife when she receives the news of her husband’s death and begins to feel a sensation of joy that overcomes her. The wife’s unhappiness with her married life is enhanced when the narrator states, “She breathed a quick prayer that life might be long. It was only yesterday she had thought with a shudder that life might be long.” (Chopin 16) The reader infers that Mrs. Mallard was figuratively suffocating under the duties and stereotypes a 19th century woman was subjected to, such as caring for a house and family instead of pursuing a career outside of the home. Mrs. Mallard views her husband’s death as an escape from her role and a chance to have control over her life and choices, showed when she whispers “Free! Body and soul free!” (Chopin 16) In the final portion of the story Mrs. Mallard’s husband returns home, having never been in an accident, and she dies of what doctors determine is an overwhelming joy for seeing her husband alive. The reader infers that Mrs. Mallard has lost her chance of a new start and freedom from her role and dies of grief over her loss of freedom. The author contrasts Mrs. Mallard’s lack of control and freedom in her life to
Chopin’s use of figurative language allows her to subliminally interject her opinion on the treatment of women. Chopin says, “When the doctors came they said she had died of heart disease- of the joy that kills” (Chopin 2). Chopin says Mrs.Mallard’s death is the result of her happiness from seeing the return of
A Woman Far Ahead of Her Time, by Ann Bail Howard, discusses the nature of the female characters in Kate Chopin’s novel’s and short stories. Howard suggests that the women in Chopin’s stories are longing for independence and feel torn between the feminine duties of a married woman and the freedom associated with self-reliance. Howard’s view is correct to a point, but Chopin’s female characters can be viewed as more radically feminist than Howard realizes. Rather than simply being torn between independent and dependant versions of her personality, “The Story of an Hour’s” Mrs. Mallard actually rejoices in her newfound freedom, and, in the culmination of the story, the position of the woman
The story goes on to explain the emotions that Mrs. Mallard goes through when she is in her room alone, going over the news she had just received. This is the part of the story when the conflict turns from outward to in; a conflict with the character against the situation to a conflict between the character and herself, or the character and her emotions. The passage; “ She was beginning to recognize this thing that was approaching to possess her, and she was striving to beat it back with her will--as powerless as her two white slender hands would have been. When she abandoned herself a little whispered word escaped her slightly parted lips. She said it over and over under the breath: free, free, free,” possesses beautiful imagery that brings the reader into the emotional conflict Mrs. Mallard is experiencing. (Chopin)
There are myriad levels of symbolism which Chopin invokes in order to express the principle theme of this work. The very fact that the protagonist of the story, Mrs. Mallard, learns that her husband has died symbolizes the fact that she is now free from his will and influence upon her life. However, Chopin chooses to express this notion most efficaciously by expressing Mrs. Mallard's newfound liberty or what she believes is her newfound liberty through the symbolism of spring, as the
In paragraph eight, Chopin begins to use personification as well as imagery. Mrs Mallard “young, with a fair, calm face” (158) is sitting in the armchair with a “dull stare in her eyes” (158) which “indicated of intelligent thought” (158). Reading this, the reader can form an idea of what Mrs Mallard looks like, and we understand that there’s something going on in Mrs Mallards head, something changing everything in her mind. Mrs Mallard is still struggling to figure it out but “she felt it, creeping out of the sky, reaching towards her through the sounds, the scents, the color that filled the air”. From this we understand that she is beginning to realise it, and her soul is beginning to fill with happiness of freedom, which is in all the sounds, smells and things she sees. For one moment, however, she is somewhat afraid of feeling happy about her freedom and “she was striving to beat it back with her will” (159). This shows that Mrs Mallard is a “product” of her time, and is striving to feel what is socially accepted. She realizes that society would determine her thoughts of freedom inappropriate, but she can’t stop herself from feeling that way.
As her tears fade sitting in her comfortable armchair adjacent from the open window, she stares out into the new spring life. The four seasons spring, summer, fall, and winter are symbolic of the stages of our life. Chopin chooses spring as the season for this story to symbolize the new life that Mrs. Mallard thinks is awaiting her. Her husband’s death is no longer a burden to the life she will be living, but is key to the life she had been missing. “She could see in the open square before her house the tops of trees that were all aquiver with the new spring life.” She first weeps at the thought of living life without her husband, but when she stares out into the world she sees all that she has to offer and that the entire time her husband was holding her back. Now she has the opportunity to live her life to her fullest and is excited with
Mrs. Mallard suffers from a heart condition; thus, her sister Josephine gently and carefully breaks the news of Mr. Mallard’s death. Richards, a close friend of Mr. Mallard, is the first to discover the news of Mr. Mallard’s railroad tragedy. When hearing the news, Mrs. Mallard collapses in grief into her sister’s arms and retreats upstairs into her room. While her sister begs Mrs. Mallard to open the door, Mrs. Mallard reflects on her feelings. She sinks into an armchair facing an open window noticing the “new spring life, the delicious breath of rain in the air, the peddler in the street crying his ware, the notes of a distant song which someone was singing and countless sparrows twittering in the eaves” (Chopin 556). This signifies a new blossoming life: a life that she would live for herself. Although her husband is loving, and she knows that she will weep again when she sees his dead body, she realizes how confined marriage is for her. Robert Evans, author of “Literary Contexts in Short Stories: Kate Chopin's “‘The Story of an Hour,’” claims that Mrs. Mallard looks forward to a bright future rather than a dreadful life. She becomes aware that she must live alone rather than being imprisoned by marriage. As these thoughts circulate in her mind, she keeps whispering, “Free! Body and soul free!” (Chopin 557).By conveying the story through Mrs. Mallard’s thoughts, Chopin portrays how women actually feel compared to what they present in society. While Josephine and society expect Mrs. Mallard to be grieving, Mrs. Mallard is actually looking forward to the days ahead of her: “Spring days, and summer days, and all sorts of days that would be her own” (Chopin 557). When Mrs. Mallard discovers that the news of her husband’s death was inaccurate, Mrs. Mallard dies from a heart attack after seeing her husband alive. The
“The Story of an hour” a complex piece of literature by Kate Chopin, has various interpretations to it. This story has, one definite interpretation, which is the following: life has to go on no matter what is happened in the past. In this story, Chopin implies Ms. Mallard’s husband has been very cruel to her in her lifetime. However, she never lets her husband get in the way, finally he dies, and, she thinks she is free although she really is not.
Mrs Mallard's awkward attitude after learning of her husband's death establishes an irony- somebody who is really happy in marriage will not enjoy nature in peace and have mixed emotions; the person will feel genuine grief upon hearing of the death of her husband. Here, Mrs Mallard's reaction portrays the extent to which her thirst for freedom was strong. Kate Chopin allows us to visualise the moment that Mrs Mallard is able to shed the bondage of marriage: "free, free, free!." She feels liberated through her husband's death. Much emphasis is laid on her joy upon finding freedom- "there would be no one to live for." The author also points out that "she knew that she would weep again.....folded in death." This only highlights the fact that it is not an expression of love but seems more like a duty that
Mallard should have been in tears but it did not bother her. “ She was young, with a fair, calm face, whose lines bespoke repression and even a certain strength.” ( Chopin, 4 ) . Her marriage aged her, she was no longer the young woman she once was. The news of her husband's death did not upset or make her mad it gave her a sense of peace. Mrs. Mallard had a taste of freedom which gave her strength.
The use of imagery is displayed heavily throughout the story to reflect the feelings of Mrs. Mallard following the news of her husband’s abrupt death. The setting outside her window is very descriptive and allows the audience to connect this imagery to the future that Mrs. Mallard is now seeing opening for her. As she is looking out of the window in her bedroom, she sees “trees that were all aquiver with new spring life” as well as sparrows “twittering in the eaves” (Chopin). This represents the joy and realization of a new life for Mrs. Mallard. She can now start over as a free woman instead of living as a man’s property trapped inside the house; this is where the woman’s place was during this period while only