Opression Of Women In The Story Of An Hour

Throughout the story, Chopin adds bits of foreshadowing to hint at the demise of Mrs. Mallard. On the opening page of the story, the first sentence states, “Knowing Mrs. Mallard was afflicted with heart trouble, great care was taken to break her...husband's death” (6). This sentence leads the reader to believe that Mrs. Mallard is already gravely ill. On the final page of the story, Mrs. Mallard argues with her sister, Josephine, who fears that Mrs. Mallard is making herself sick from heartbreak. Mrs. Mallard shouts, “Go away. I am not making myself ill” (8). This foreshadows that she is already making herself sick.

Through Mrs. Mallard, we could see the social repression that women felt at that time. Therefore, in this story there is so much repression, Chopin said "They were locked into marriages" that probably loved. At least Mrs. Mallard says her husband "never looked at her save with love" (Chopin 34).

“But she saw beyond that bitter moment a long procession of years to come that would belong to her absolutely” (Chopin 157). She feels free from the obligations to her husband that was forced upon her during the Victorian era and she is looking forward to the years of independent freedom that are yet to come. “There would be no one to live for during those coming years; she would live for herself. There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow creature” (157). Mrs. Mallard did not want to submit to the oppressor, who in this case, was her husband. She wanted to make her own decisions and didn’t want to take orders from her husband. She was forced to live that way because her husband controlled her. Once she found out that he was supposedly dead, she felt free from the male oppression that she had been a victim of since the day she and her husband exchanged vows. Mrs. Mallard would rather live for herself and not have to live for her husband, and his alleged death allowed her to live for herself without getting a divorce, so her society wouldn’t look down upon her.

Mallard’s emotions towards the “death” of her husband because of outside inspiration that took apart in her epiphany. When she first discovered her new emotions and did not know that they were tied to how she had felt in her marriage, she had questioned what she was actually feeling “What was it? She did not know; it was too subtle and elusive to name. But she felt it, creeping out of the sky, reaching toward her through the sounds, the scents, the color that filled the air” (Chopin 476).The emotion that she had of the liberation her husbands “death” gave her was reaching out to her from the window and the forethought of a life where she lives as her own

Through Mrs. Mallard, we could see the social repression that women felt at that time. Therefore, in this story there is so much repression, Chopin said "They were locked into marriages" that probably loved. At least Mrs. Mallard says her husband "never looked at her save with love" (Chopin 34).

Although some people react dramatically when facing a situation, after reflecting on their initial reactions, their previous emotions may be affected by a previously unknown feeling of freedom. In Kate Chopin’s short story, “The Story of an Hour”, the protagonist, Mrs. Mallard, receives some sad news. Initially, Mrs. Mallard reacts with great sadness over the news of her husband’s death. As the story progresses, Mrs. Mallard begins to reflect on her previous emotions alone and begins to develop her true emotions towards her husband’s death. Finally, Mrs. Mallard realizes that the wonderful feelings of individual freedom overpower her feelings of sadness. Therefore, although Mrs. Mallard reacts with sadness over the death of her husband, Brently, after reflecting on her previous emotions, she discovers that the feelings of individual freedom overtake the relationship with her husband.

Mrs. Mallard’s heart trouble is symbolic of her broken relationship with her husband, Brently. Of all the possible health issues that Mrs. Mallard could have been battling, it is heart trouble that she if faced with. It is noted that Josephine speaks “in broken sentences; veiled hints” (Chopin, “The Story”), so that the news of Brently’s death is revealed to Mrs. Mallard as carefully as possible. However, the news of her husband’s death actually brings a new life to Mrs. Mallard: “Her pulses beat fast, and the coursing blood warmed and relaxed every inch of her body” (Chopin, “The Story”). Mrs. Mallard’s marriage has confined her to her home and has caused the loss of her freedom, which is represented by her heart trouble. Her death is not caused by the joy of seeing her husband like the doctors thought, but rather due to a loss of joy, as she loses her newly found independence upon seeing Brently walk through the front door. Chopin shares: “When the doctors came they said she had died of heart disease – of joy that kills” (“The Story”). The window in Mrs. Mallard’s bedroom also serves as an important symbol in the story, representing Mrs. Mallard’s freedom. Upon seeing the beauty throughout the streets as she looks out her window, Mrs. Mallard is finally able to realize that the rest of her life is full of countless possibilities (Rosenblum,

When she goes in her room alone, she unveils her true emotions. The setting shows comfort and indicates that she feels safe. The "open window" symbolises her new beginning and she fills her mind with fantasies of freedom. "She would have no one follow her" indicates that she had only her room to retreat to and it is from this place that she is able to look out at the world. The metaphor "delicious breath of rain", the "peddler", "a distant song" and the sparrows are all symbolical of spring which represents new hope for a better life for Mrs Mallard.

Mallard’s suppressed self that she has endured in the formalities of her life (1). Chopin continues to express how afflicted Mrs. Mallard is with her struggle to come to terms with her current state of emotions and her vision of self by describing Mrs. Mallard’s “dull eyes, whose gaze was fixed away off yonder on one of those patches of blue sky.” While Chopin depicts Mrs. Mallard’s glance as not being one of reflection “but rather indicated a suspension of intelligent thought,” it can be inferred that Mrs. Mallard is processing her self-being not on a rational level but more on her emotional stimuli.

I can infer from the text that the relationship between Mr. and Mrs. Mallard was abusive. In the text, after Mrs. Mallard hears of her husband’s death, she whispers “free, free, free” over and over, and also whispered “body and soul, free”. This action shows that she was freed of something by the death of her husband, which may be abuse that he inflicted on her. (Chopin)

Chopin includes that Mrs. Mallard tried to fight off these ideas with her will (Booth 307). Her embraced feelings of independence could have been viewed as forbidden. Although she is excited by these thoughts, she tries to resist the pleasure she truly feels when she realizes the freedom that she has gained. The words “free, free, free!” escaped from her mouth (Booth307). She attempted to hold back the overwhelming desires for her own life. Perhaps she is hesitant to welcome these feelings because of the public view on women’s rights, and the potential consequences for those who opposed such views. Despite the faithfulness and love Mrs. Mallard showed for her husband, the extreme relief she felt in no longer having a marital obligation overpowered her feelings of sadness and loss.

While locking herself away in her room, Mrs. Mallard stared out her window into the beauty of nature when she slowly started to get a feeling inside. “She was beginning to recognize this

Mallard should have been in tears but it did not bother her. “ She was young, with a fair, calm face, whose lines bespoke repression and even a certain strength.” ( Chopin, 4 ) . Her marriage aged her, she was no longer the young woman she once was. The news of her husband's death did not upset or make her mad it gave her a sense of peace. Mrs. Mallard had a taste of freedom which gave her strength.

Mrs. Mallard suffers from a heart condition; thus, her sister Josephine gently and carefully breaks the news of Mr. Mallard’s death. Richards, a close friend of Mr. Mallard, is the first to discover the news of Mr. Mallard’s railroad tragedy. When hearing the news, Mrs. Mallard collapses in grief into her sister’s arms and retreats upstairs into her room. While her sister begs Mrs. Mallard to open the door, Mrs. Mallard reflects on her feelings. She sinks into an armchair facing an open window noticing the “new spring life, the delicious breath of rain in the air, the peddler in the street crying his ware, the notes of a distant song which someone was singing and countless sparrows twittering in the eaves” (Chopin 556). This signifies a new blossoming life: a life that she would live for herself. Although her husband is loving, and she knows that she will weep again when she sees his dead body, she realizes how confined marriage is for her. Robert Evans, author of “Literary Contexts in Short Stories: Kate Chopin's “‘The Story of an Hour,’” claims that Mrs. Mallard looks forward to a bright future rather than a dreadful life. She becomes aware that she must live alone rather than being imprisoned by marriage. As these thoughts circulate in her mind, she keeps whispering, “Free! Body and soul free!” (Chopin 557).By conveying the story through Mrs. Mallard’s thoughts, Chopin portrays how women actually feel compared to what they present in society. While Josephine and society expect Mrs. Mallard to be grieving, Mrs. Mallard is actually looking forward to the days ahead of her: “Spring days, and summer days, and all sorts of days that would be her own” (Chopin 557). When Mrs. Mallard discovers that the news of her husband’s death was inaccurate, Mrs. Mallard dies from a heart attack after seeing her husband alive. The

Author, Kate Chopin, presents the character of Mrs. Louis Mallard. She is an unhappy woman trapped in her discontented marriage. Unable to assert herself or extricate herself from the relationship, she endures it. The news of the presumed death of her husband comes as a great relief to her, and for a brief moment she experiences the joys of a liberated life from the repressed relationship with her husband. Finally, she recognizes the freedom she has desired for a long time and it overcomes her sorrow: "Free! Body and soul free! She kept whispering." In her soul, the dark clouds are disappearing because she is illuminated. All the memories of her husband are now of the past. She is living in the present. At this point, she is no longer "Mrs.Mallard." She is Louise and is ready to welcome a new horizon of freedom : "Spring days, and summer days, and all sorts of days that would be her own." Overwhelmed with a new sense of herself, she feels as if she