Oral tradition is an important factor to storytelling in Native American cultures as it allows the story and its interpretation to be altered as needed with the changing times. In The Way to Rainy Mountain, N. Scott Momaday seamlessly incorporates the oral tradition with historical views and personal connections to tell the journey of the Kiowa peoples. Throughout the three sections—The “Setting Out,” “The Going On,” and “The Closing In”—Momaday fluidly connects the multifaceted views that display the sacrifices and importance of religious meaning and objects in the culture of the Kiowa people during their rise, domination, and fall in the Plains.
“THE SETTING OUT” Momday’s “The Setting Out” is centered on the creation of the Kiowa nation
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The oral story was about a young warrior—Quoetotai—who fell in love with one of Many Bears’ wives, another man of the tribe. Many Bears shot him with an arrow and the young man when back to camp where the arrow was pulled out of him. Quoetotai decided he wanted to take Many Bears’ wife away. Knowing this, before a raid, she sang about leaving their home behind. Quoetotai took her away and they lived with the Comanches for many years. When they returned home, Many Bears welcomed them, called him brother, and gave him six horses. This story portrays the young man, and the Kiowas, as resilient people. It also sticks to the culture that is centered on a community, welcoming the young man and the woman with open arms and magnificent gifts. As for the historical voice in Chapter Fifteen, it reported about a George Catlin description of the Kiowas from the 1830s. This account calls them “superior” (“The Going On” 53) to other tribes in appearance, describing them as “tall and straight, relaxed a graceful” (“The Going On” 53). Painting this portrait gives the stereotypical look at what Euro-American society believes to be a Native Indian. However, in reference to the Kiowa’s and the aforementioned story, it is the representation of Quoetotai, the handsome, young warrior that was able to return back to the Kiowa with open …show more content…
Later, smallpox broke out among the tribe. In exchange for him and his family to be saved from the sickness, he sacrificed one of his best horses. In an account from Momaday, he reflects on the historical account of the horse during the 1861 Sun Dance. The author believes he knew what was going on in the man’s mind when he decided to sacrifice one of his best horses: “If you will give me my life and the lives of my family, I will give you the life of this black-eared horse” (“The Closing In” 71). These sections may seem harsh because a valued animal was left to starve and die and another was sacrificed. On the other hand, this account demonstrates how desperate the people of this tribe were in the epidemic and how much horses meant to them. They were sacrificing one of the most valuable resources to their livelihood in order for Tai-me to spare them. Momaday further reflects by stating he knew how much the man loved the horse (“The Closing In” 71) and how difficult it must have been to go through with the task. Nothing was being killed in vain or for sport, but for the livelihood of this man’s family. In connection to the oral story, the Kiowa peoples were facing difficulties after becoming more advanced and were beginning to lose the life they knew. The culture—and people from sickness—were slipping through their hands and there
In Lakota Woman, a biographical account of Mary Crow Dog, there is established a reoccurring theme centered around Native American women and their outlasting strength as they play their roles of wives, mothers, daughters, and sisters. Especially so in trying times, which Crow Dog illustrates, that have spanned for centuries and are as inescapable as they have ever been. Remarkable are her feats of bravery fueled by strength she’s derived from other influential women in her life and her love for her people and their traditions. Without a doubt, Native American women had and always will play a large role in keeping the ardor behind their fight for equality and justice lit. Whether it be physically, such as it was in Wounded Knee, spiritually, in their participation in keeping up rituals and religion, or traditionally, as they help uphold old values beloved by their people for centuries.
Although stories are a universal art form, they hold a more significant role in Native American culture, and literature. This occurs due to the millennia spent in isolation from the rest of the world, and having stories as the main source of entertainment. Thomas King’s statement, “stories can control our lives,” is an important notion, because it embarks on the idea of molding the diseased into more interesting versions of themselves. The statement is prevalent in many pieces of literature which fuse reality into the imagination, and cause people to lose themselves in the fictitious realm. Native literature is all closely related, and they all hold messages within their stories that show their great culture; both the good and the bad. Story
In Ceremony by Leslie Marmon Silko, Silko uses stories to tell Tayo’s journey of recovery after the war. In Pueblo culture stories are more than just memories and myths. Stories have a healing power and a strong impact on the lives of the members of the Pueblo tribes. The people use stories as tools to improve their lives and to understand the world around them. Silko uses stories in her book to not only tell Tayo’s story but to help the reader understand the psyche of Tayo and the Pueblo people throughout the book. Much of what makes up Tayo’s core beliefs are based off of old tribal stories teaching him the importance of the world around him.
In his story “The Lakota Way; Joseph Marshall III adequately convinces the reader to persevere through a series of stories that allows the reader to develop a personal connection with characters. Marshall achieves this by informing the reader and using formal diction. This allows his readers to experience how perseverance can have a positive impact on one’s life. Marshall teaches us that Perseverance represents a quality in human beings that allows us to be steadfast despite the difficulty. In the folk tale “The Story of the Giant,” perseverance is abundant; Marshall utilizes the skill of teaching to persuade his audience to persevere through the story. Marshall‘s unique way of writing allows the reader to take lessons from a story and influence them to use it in their own lives. From lya the giant terrorizing people to Indians having to leave their land because of the government to Marshall’s grandfather’s stories of hardship, Marshall shows his audience how the Native Americans have always had it rough but more importantly how they persevered.
“His jaw was in his throat, his upper lip and teeth were gone, his one eye was shut, his other eye was a star-shaped hole...,” writes O’Brien as he studies the deceased enemy (118). Throughout the novel, the author shows consistency with repeating stories and lines in a way to present a greater image. He reminds the reader of details the elaborate his larger view. When he writes of the man he killed, he wants the reader to imagine themselves in his shoes, as he imagined himself in the enemies’. As he carefully studies the dead man, he imagines how the boy found himself in the war. By relating American society to the boy’s village of My Khe, he bridges similarities connecting the two by a culture that promotes defending one’s land and ways of life. By saying, “he would have been taught that to defend the land was a man’s highest duty and highest privilege,” he shows there is minimal difference between how most Americans view the military and the duty of the villagers in My Khe (119). Although he had not known the exact history of the boy, he attempted to illustrate in his own mind what his life may have been like prior to the invasion. The inability for O’Brien to walk away from the body as Kiowa continued to pry him away says he was troubled by the similarities. Despite Kiowa saying it could have been him lying lifeless on
Throughout Ceremony, the author, Leslie Silko, displays the internal struggle that the American Indians faced at that time in history. She displays this struggle between good and evil in several parts of the book. One is the myth explaining the origin of the white man.
Throughout human existence, mankind has had to overcome difficult obstacles in order to prosper. In Diane Glancy’s “Pushing the Bear”, the reader discovers how the Cherokee Indians overcome their hardships and flourish into a new, thriving community. In this novel, the audience observe how these Cherokee Indians outlast the harsh environment during the Indian Removal Act. Additionally, Glancy creates a human experience during the Trail of Tears; giving a different perspective of various characters. Through the eyes of characters such as Maritole and Knobowtee, the reader is able to sense the desperation that the Cherokee endured. The upheaval of being forcefully removed from the land stripped the Cherokee of their identity. This disruption left the Cherokee confused, causing frustration to arise because they were unable to live their familiar roles. Men were no longer able to farm. Women had a loss of property and wealth. The bear symbolizes these struggles throughout this novel. Maritole explains, “The bear had once been a person. But he was not conscious of the consciousness he was given. His darkness was greed and self-centeredness. It was part of myself, too. It was part of the human being” (183). In other words, the “bear” is the personal dilemma each character is put up against during this removal. Furthermore, each character has their own personal struggles to overcome; whether that be Knobowtee’s loss of masculinity or Maritole’s loss of family. These struggles,
Many were forced to evacuate to other regions within the country and endure the infamous Trail of Tears. While Native Americans are not forcibly removed from their homes anymore, this story shows a modern-day example of mistreatment or borders that Native Americans deal with. While the mother faced many different conflicts, externally and internally, she readily accepts the challenge and is not willing to step down. She displays the pride of the Blackfoot Indians and is not willing to let the government tell her who she is and let them define her. She sets an example for Native Americans, standing up against a government that has held them down for so long. That they should always have pride in who they are, and where they came
Storytelling continues to be an integral part of Native American culture, providing us with an understanding of what was important to the Native Americans. Through their stories, Native Americans expressed an understanding of the environment, and the relationship that existed between themselves and their environment. These stories also provide us with a look at Native American legends, history, and a collection of knowledge critical to their survival. Native American stories are deeply rooted in their relationship with Mother Earth. Their many years connected with land, life, water and sky has created many stories explaining these important bonds with Mother Earth. From ancient times the Native Americans have looked to their
“The drink had me snared. I spoke less and drank more, and I became the Indian again; drunken and drooling and reeling, a caricature everyone sought to avoid,”(Wagamese,181). This stomach-turning quote displays what several First Nations thought their identity to be. With this in mind, to begin, “Indian Horse,” by Richard Wagamese is a somber and intriguing novel, with many thought-provoking points within the book. To illustrate this, the book follows a First Nations boy through his youth to adulthood. It is filled with traumatic events, depressing stories and even a few joyful moments. In addition, the novel takes place from around 1960-1980 throughout Ontario. Furthermore, this essay will explore several events and factors which impacted, Saul, the main character's identity.
Of all the features upon the earth there are some ascribed with special significance. These features, whether caves, lakes, deserts, outcroppings, or something else entirely, hold tremendous relevance for the groups that dwell near them. Such beliefs in the worth and importance of such sites are entrusted from one passing generation to the next. These beliefs, and the physical objects they rest upon, become increasingly vital to that group’s identity as a people. One such group is the Teton Lakota of the Sioux Nation in South Dakota, an area that has been home to them for hundreds of years and, while their entire homeland is precious to them, of particular importance are the Black Hills, or Paha Sapa as they are called in Lakota.
Once the men were ready, they all went walking towards the “whites village,” chanting our tribes incantation:''Tous des sauvages, des sauvages!" The whole tribe was chanting back and forth. While the tribe was marching their way over there, I tagged along but hiding behind them. In order for my father not to see me because although he is my father when it comes to choosing to be a commander and a father he will choose to be a commander instead. Then realized John was not with his people. He ended up finding me and explained to me what had happened, that his father was informed from one of his informers that John had fallen in love with a Native American and his dad then became furious. I explained what I told my dad and how I felt, after we united we decided to try to talk to our fathers while they were at
Like a coin dropped between the cushions of a couch, traditional oral storytelling is a custom fading away in current American culture. For Native Americans, however, the practice of oral storytelling is still a tradition that carries culture and rich history over the course of generations. Three examples of traditional oral stories, “How Men and Women Got Together”, “Coyote’s Rabbit Chase”, and “Corn Mother”, demonstrate key differences in perspectives and values among diverse native tribes in America.
Kiowa who was a devout Baptist carried an illustrated New Testament given to him by his father. Having this religious background, it allowed Kiowa a sort of comfort. With his and other religions, the thought of death is eased in near the same way by life after death. Another way Kiowa dealt with the war was through helping others get through their emotional stress. He especially helped O’Brien with his transitions of the war. Kiowa also brings along Native American things, such as his distrust for the white man, his grandfather’s hatchet, and a pair of moccasins that allowed him to walk silently during the needed times of war.
Native American literatures embrace the memories of creation stories, the tragic wisdom of native ceremonies, trickster narratives, and the outcome of chance and other occurrences in the most diverse cultures in the world. These distinctive literatures, eminent in both oral performances and in the imagination of written narratives, cannot be discovered in reductive social science translations or altogether understood in the historical constructions of culture in one common name. (Vizenor 1)