Oranges are Not the Only Fruit and the two letters in The Color Purple The Chapter 'Joshua' in Oranges are Not the Only Fruit and the two letters in The Color Purple, where Sofia returns and later gets brutally punished for her confrontation, both explore fundamental issues that characterize a lot of the essence of both novels as a whole. At the heart of both of these two sections is the idea of fighting for the truth and facing the consequences. Although Oranges are not the Only Fruit is written in a retrospective light and The Color Purple in epistolary and consecutively in chronological order, there are similarities within the two styles, they use similar techniques in getting across certain issues. The novels use the …show more content…
She does not bow down to the white mayor's wife, she is as abrupt and bad tempered with her as she is with Squeak. Jeanette fights to invent stories that help to describe her continuing painful circumstances. In one allegorical section Jeanette enters the "city of last chances." She has already gone so far in pursuing her sexuality, and she ends up in the "final disappointment." She can not go back and has to choose. She controls this idea with "I'm about to become a buyer." i.e. She is going ahead with her truth and is purchasing herself, rather than letting others buy it and dictate to her. Sofia also went ahead with her fight, but came to a more tragic conclusion than Jeanette. Both deal with betrayal, in the sense that Janet's mother buries her belongings and that Sofia has to deal with racial hatred. Of course Sofia's is far more fundamental and it is more of having to deal with hate than betrayal. This is evident in that the white folk never liked her, although the mayors wife did speak more kindly before Sofia stuck up for the truth. Both sections also explore the comfort and protection Celie seeks and gets from Shug and Jeanette from Melanie. On page109, Jeanette goes back to Melanie to seek love. Celie also
She was attacked, called names, scolded at, ect. Though all of these things happened she never left her father's side when it came to what she believed. She knew that she was in danger but didn’t care. When Jeanette's mother pushes her to give her money she finally stands up to her and tells her no which none of her siblings would ever be able to do, “Jeanette, I haven’t asked you for a lot of favors, but I’m asking you for one now. I wouldn’t if it wasn’t important...
Angela McEwan-Alvarado was born in Los Angeles and has lived in many locations in the United States, as well as Mexico and Central America. She obtained her master’s degree at UC Irvine and since then has worked as an editor of educative materials and a translator. The story “Oranges” was the result of an exercise for a writer’s workshop in which the author managed to mix images and experiences accumulated throughout her life.
Orange can represent an energy or enthusiasm, which can bring about the willingness to embrace new ideas with enjoyment and a sense of exploration, as Sumita now attempts to “Americanize” herself with her jeans and orange tee shirt and later with her “cream-and-brown skirt set (color of earth, color of seeds)” (269). The new thoughts about being a working woman in America in her husband’s store are reflected in the earthy colors, which symbolize something new planted, as she is newly planted in America, trying to grow.
Brightness shows how much power the orange actually has. The references in the story build up the power of the orange.
As joel rewinds his memory clementine is shown to have orange hair,When Clementine’s hair is orange, she and Joel’s relationship is beginning to fail, Orange is symbolic of deceit ,distrust and danger.
In The Great Gatsby, being with Daisy is Gatsby’s goal. A daisy is a white flower, and this places the color white as a color that represents Daisy. This is ironic, as although Daisy is pure in Gatsby’s, she is in fact tainted by he marriage with Tom Buchanan. Furthermore, flowers are ephemeral, which suggests that the affair that Gatsby and Daisy have will be brief, and will eventually die. In Miss Julie, flowers represent sexuality and courtship. Lilacs are present on the set of this play, and symbolise youthful love. Lilacs bring Jean and Miss Julie together. However, just like daisies, lilacs are ephemeral and eventually die. This symbolises the death of Jean’s opportunity to climb the “slippery trunk” through Miss Julie. Gatsby and Jean’s dreams are destined to die from the very
Firstly, The Color Purple (1982) is written by the African- American novelist Alice Walker. For creating such an innovative novel, Alice Walker’s The Color Purple won both the Pulitzer Price and the National Book Award. Walker initiated her novel by a confession that The Color Purple is her spiritual journey and the female protagonist represents her during this journey. The novel is made up of 90 letters written by Celie to God and some of these letters are written by Nettie to her sister Celie. These letters are similar to a diary that Celie finds as a way to express her feelings , emotions and thoughts in a place she is not permitted to be free. Generally, the novel portrays a life and a journey of a young fourteen -year- old black girl who is persecuted throughout her life from her stepfather who repeatedly raped her and forced her to marry a cruel man who, in turn, oppressed her.
When one first watches the movie, one may quickly judge that the characters are in direct contrast to the colors they represent. In the movie, Tangie (orange) which means vitality with endurance plays the part of a promiscuous girl whose hatred for her mother drives her to do what she does. On further look at her character, I realize she is a true reflection of the color orange. She endures sexual abuse from her grandfather and faces abortion at a tender age but is still strong enough to overcome it and bring out her true beauty. The text also employ poems and songs to show the intensity of pain and emphasize the strength of each character and women in general.
Jean must figure out how to grasp her mysterious powers with a specific end goal to prevent a desirous cousin from hurting those she cherishes and she should recover trust in herself so she can experience passionate feelings for once more. Jean Honeychurch is a ranch crisp and nation sweet young lady who has moved to the huge city keeping in mind the end goal to get away from a stalker from the place where she grew up. Contrasted with the residential area of Hancock, Iowa, Manhattan is a noteworthy culture stun for her. She moves in with her Aunt and cousins in their lovely brownstone house in a rich neighborhood and enlists at Chapman High School which her cousin, Tory, likewise goes to. Immediately, she feels clumsy and guiltless contrasted
Compiled upon the movie-galvanized image of the novel, the handiwork of ignorant critics cements Orange's reputation as a phantasmagoria of sex and violence. An anonymous reviewer for the Times Literary Supplement once labeled the tome "a nasty little shocker" (qtd. in Burgess, "A Clockwork Orange: A play with music"), and the pithy epithet now graces the cover of the novel's most recent American printing. Yet, through it all, the author maintains that he took no pleasure in documenting Alex's brutality and even invented Nadsat in an effort to make the violence symbolic (Burgess, Contemporary Literary Criticism 38). He never seeks to justify Alex's actions and believes that his crimes "must be checked and punished" in a "properly run society" (Burgess, Contemporary Literary Criticism 38). In addition, Burgess bases the most horrific scene in the novel -- the rape of the writer's wife -- on personal experience. During a
A Clockwork Orange demonstrates the philosophically issues of free will and determinism through how the main character was treated in the movie. It also addresses important issues such as ethics, philosophy of the mind, free will and determinism, and the problem of perception. Philosophers such as John Hospers, B.F. Skinner, and Jean-Paul Sartre have different views on the issue through their theories of how individuals are or are not responsible for the free will choices that they make in life. The main character in the movie was a very violent , and reckless person. He participated in sinful acts such as being a gang member, raping women, being involved in fights, etc. These actions resulted in him being sent to prison and eventually being brainwashed into doing things out of his character. The three philosophers have very different interpretations of how the main character should have been dealt with and the reasonings behind his actions.
When Clementine dyed her hair orange Joel gave her the nickname “Tangerine” which shows intimate emotions, but as the viewer, we see the downfall of the relationship. While Joel is in the process of erasing his memories, the audience can recognize that they are no longer living spontaneously and at the moment but settling down. Clementine brings up serious topics, as a couple should discuss, like having a kid. Yet, Joel persists on “[talking] about it later.” He starts commenting about minute details and things he doesn't like about Clementine, for instance, her drinking. The devaluation relationship comes from a "girl who's looking for [her] own peace of mind", what Joel cannot offer. “Red menace” is a fierce and passionate color. The red represents the brief but joyous and exciting parts of being with Joel. There is a lack of red throughout the movie, but all relationships aren't built upon the happiest moments of a relationship but the memorable and meaningful ones. Lastly, Clementine's hair is green. This signifies a fresh start, a time for growth and balance for
Samuel can be seen as positive male character as he is shown to be a
Alice Walker’s The Color Purple is an epistolary novel about a young African-American girl named Celie. Through her letters, Celie narrates the horrific situations and daily struggles that she endures as a young black woman living in the South during the racial unrest of the 1930s. Stuck between being a woman and being black, Celie overcomes her situations and eventually finds her place in society. The first thing that Celie had to accomplish this goal was to find her identity. Walker illustrates how Celie’s relationships with men, sex, women, and God help shape her identity.
Frivolity and immaturity are often negative associations to orange.(Wright) Yellow is the most emotional color. It can be an emotionally strong color or emotionally fragile color. Meaning it symbolizes optimism and can also symbolize depression.(Johnson)