Ordinary World Hero's Journey

It is evident that a hero’s journey contains twelve stages, however these stages can be divided amongst themselves into three sections that corresponds to the central aspects present throughout this hero’s journey. This three section division was created by Christopher Vogler, the first section being the commence of the hero’s story and journey that supplies the viewer or reader with the necessary background information. The stages that correspond to this section being stages 1-4, the hero’s ordinary world, call to adventure, refusal of such call and their gathering with a prominent individual that provides guidance throughout the hero's journey. These stages are summed up to be the hero’s “Ordinary World” and are done so through reason.

Two books can seem completely different from each other when judged by characteristics such as genre, plot, and theme. However, if people were to look at the books together and as a whole, they might notice one striking similarity between the two. That striking similarity is known as the hero’s journey. First observed and documented by Joseph Campbell, the hero’s journey is a concept in which heroes, or people who commit actions for the greater good, follow a three-step cycle known as departure, fulfillment, and return. At the first stage of the hero’s journey, the hero receives a call to an adventure that takes him from the comforts of his home. Next, at the most important stage of the hero’s journey, the hero begins to experience life

In the late 1940’s a man named Joseph Campbell shared his Mythic principal with the world. He explains that there is a three-stage formula that he calls a Hero Journey which is the structure of every story. Though most stories are completely different on the outside, the stories are almost structured around these three stages. Stage 1 is the hero leaves the everyday world and enters another world. While Stage 2 the hero is challenged by opposing forces and must pass a series a test throughout the movie. That will then determine who will be victorious, either the hero or the opposing forces. Stage 3 is tied into Stage 2 because if the hero is victorious, they will return to the ordinary world with a gift for the world.

It describes the typical adventure of the archetype known as The Hero, the person who goes out and achieves great deeds on behalf of the group, tribe, or civilization.” The 12 stages of this are ‘the ordinary world’, ‘the call to adventure’, ‘refusal of the call’, ‘meeting with the mentor’, ‘crossing the threshold’, ‘tests, allies and enemies’, ‘approach’, ‘the ordeal’, ‘the reward’, ‘the road back’, ‘the resurrection’ and finally ‘return with the

Taking the time to pick apart the hero’s actions and thoughts can make the journey much more interesting and easier to understand. By understanding the basic characteristics and the stages of the hero’s journey we can not only understand the story more but we can also understand ourselves more. We can learn new ways to relate to heroes and our peers we did not know of before. In conclusion, the hero’s journey is a great way to learn a new lesson or two, learn more about yourself, and be entertained at the same

The hero’s journey will cause the hero to act like a different person. The hero will usually return to where they started but their lives will

What images come to mind as you reflect on your childhood? Playgrounds, blackboards, and soccer balls may be among the warmest of memories. Yet for many mermaids swim their thoughts, princesses get swept of their feet, and lions roar to their loyal place in the animal kingdom. There is no doubt that today’s entertainment has most of its touch using classical influences. Walt Disney has produced animated films that have captured the heart and imagination of audiences of all ages around the world through the magic of storytelling and imagery. Many of us appreciate the imagination and magic that Disney puts into its animations with out knowing they are based off of classical and traditional storylines

The first phase of the hero’s journey archetype is called the “ordinary world.” according to Christopher Vogler, this is the stage in which “The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma.” In the beginning of the story, the author discusses how the story makes him uncomfortable:

The first stage of The Hero’s Journey is the ordinary world, which is essentially the part of the story in which the protagonist is

The night air was heavy with silence. Clouds drifted across a calm sky, and a full moon shone in the distance. In a small hut on the outskirts of the valley, an old man lay in bed, awake in the peaceful slumber of the village. His breaths came in rattling gasps, his forehead burned, and his joints felt stiff with pain. He shifted on the blankets, his withered hands clenched in fists as he tried to suppress the wave of bitter memories coming to him. His life had been nothing more than work, loss, tragedy. He remembered all of his hope, his ambition, in his youth, and he smiled bitterly. No one would remember him as the man that he had once hoped he would become. Now, as his breathing became heavier and he felt himself fading on the brink of

In life, heroes are everywhere. They fight crime, save lives, and basically just do good deeds. Heroes follow their journey, which, when written, is actually very cliché. A hero follows a set of events in their journey that are rarely changed. In this essay, two hero’s are examined, Santiago from The Alchemist, and Dorothy from The Wizard of Oz. These two stories seem very different, but in the end, are actually very similar. When examined closely, one may find that their journeys are very similar, following the events of a hero’s journey. This seemingly simple set of events is found in almost every heroic story. First is the problem. The hero is in a not quite perfect way of life, and needs to fix it. Then there is the refusal, the hero is called up to fixed the problem, but refuses for whatever personal reason. Then they are forced to go, and meet a mentor. This mentor gives them the wisdom that they need to get through the journey. It may even be what the hero is striving to be. Then they cross the threshold from their ordinary world to the new special world. The fifth and sixth parts can be interchangeable. Trials and allies/enemies, either can come first. Then they reach what they have been striving for, the liar, the cave, the final destination as a normal person. Once the hero reaches this part, they will be forever changed. At some point in this final destination, they will be killed and reborn, whether it is metaphorical or literal. After this they will fight

The hero’s journey can be found in ancient stories from thousands of years ago as well as present-day stories that may hit the big screen. The hero experiences a chain of events that gives he or she, typically a male, a title of “the hero”. The hero's journey begins with either an inner longing to go on a quest, or an exterior call that requires the hero’s help outside of the ordinary world. Heroes may, at first, refuse the call, or may respond to the call immediately. However, there is usually some resistance to the call because of the potential danger he or she could face from the unknown world. In most cases, a guide or a supernatural aid will direct the hero on the journey. In the hero's journey, one may encounter a threshold

One of the stages of a hero’s journey would be the Ordinary World. The Ordinary World is a setting in which helps the audience relate to hero and is usually seen in beginning of journey. The Ordinary World is hero’s home or seen as a safe haven, normally some force causes problem to Ordinary world that forces hero to leave. The Call to Adventure stage is when comfort of safe haven is off balance. The only escape would be the Special world. The Refusal to Call stage is when hero refuses to take on quest because of flaws he sees in him/herself and usually refuses because of known risks. The Meeting the Mentor stage is when someone experienced comes to aid or teach hero. Mentor is normally someone hero seeks wisdom or guidance from. Crossing the

However, since the hero is part of society, the journey is also one of personal development. On a more psychological level, one could suggest that the hero’s quest is symbolic of all personal conflict. Conflict begins when a problem arises that must be dealt with. Most people, at first, refuse to come to terms with whatever this problem may be, and attempt to ignore it. With enough mental determination and/or aid from an outside source, however, one can bring themselves to cross the first threshold, and begin their journey into the heart of the problem. For example, victims of rape or other types of abuse must face what is haunting them in order for it to be exorcised properly.

A Hero’s Journey is about the trials and errors that the hero must overcome to win whatever he or she is going through. A hero first has to get the call, meaning that he has to see that people need his help and that they need the help of a hero because they can not defend themselves. Second the hero might face some type of fear that the hero has weather it’s simply fear or some type of insecurity that they might have also they might see that they have a duty to stay and not go to what he needs to do because he might have some form of secret identity that he needs to protect or a family that requires him to stay. The hero has to cross a threshold to get to get to the foreign universe to defeat the enemy threatening the hero’s life or his friends and family, but before he goes to the enemies universe he has to get some training or has to meet their mentor to prepare for maybe the fight of their life because the hero can’t lose because he is going to let everyone down and can potentially can cause the world as we know it it’s very existence.