Oresteia Compare And Contrast Essay

The women in Agamemnon are as powerful as men but slaves to the divine. Clytemnestra’s early sacrifices parallel her vengeful slaughter of Agamemnon. After Clytemnestra makes sacrifices in celebration of Greece’s victory, the chorus cries, “hope glows through your victims” (Agamemnon, 658). They reference both hope for Greece 's victory and hope for avenging Iphigenia 's death. Sacrifices of thanksgiving make Clytemnestra an ambassador of victory and the sacrifice of Agamemnon makes her an ambassador of Justice. Agamemnon’s slaughter is an act in the name of heavenly Justice; it is a retributive sacrifice to Fate. Despite its moral significance, the murder of the war hero invokes a cycle of death within the house of Agamemnon. Like the

In William Shakespeare’s drama, Othello, a reader does not need to search tirelessly to find one of the numerous victims of the tale. While it is true to state that many characters in this story endure great suffering and sorrow during their arcs, it is natural to wonder, “Who is the ultimate victim of this tragedy?” Is it the title character himself? Othello, mercilessly betrayed and emotionally tormented by his friend, Iago. Perhaps, it is Othello’s wife, Desdemona; she pays the ultimate price for Iago’s deeds at the hands of her beloved. Emilia, Desdemona’s handmaiden, could also be considered the most tragic character. Still, there is one man who rises above the others in his suffering; a man whose own daughter was stolen from him before he even knew she had been taken. Ultimately succumbing to his grief, only one character can truly be deemed the ultimate victim of this play, Desdemona’s father, Brabantio.

In the trilogy Oresteia, the issues concerned are the transformation from vengeance to law, from chaos to peace, from dependence to independence, and from old to new. These four significant changes all take place throughout the play and are somewhat parallel to the transformations that were going on in Ancient Greece.

Both Clytemnestra and Antigone are driven by their passionate transgressions and desires due to conflicts within their families, and they are incapable of bearing the consequences they bring upon their nations and societies. There are times when personal sacrifices are necessary to the greater social progress, and the death of Iphigenia is an example in which case her death contributes to the victory of the Greek army. Agamemnon, the commander of the Greek army, decides to sacrifice the life of his own daughter in exchange of the wind that carries the Greek army to the land of Troy, which eventually leads to a glorious victory. However, Clytemnestra is overwhelmed by the death of her daughter, and she is not capable of perceiving the death of Iphigenia as a sacrifice to secure the Greeks’ victory with help from the Gods. Her husband Agamemnon, who lies to Iphigenia and sends her

Clytemnestra is Agamemnon’s wife and has been ruling Argos while he was away fighting. With help from Aegisthus, Clytemnestra made a plan to kill Agamemnon. She killed Agamemnon for the political power, for the ruthless revenge and for the curses blame. (Core 22: Series of introductory phrases using the same preposition – phrases must have balance.) Clytemnestra murdered Agamemnon to avenge their daughter Iphigeneia. Agamemnon sacrifice her in order to have success in the war, but never told Clytemnestra. Clytemnestra, feeling fake sadness over her daughter’s death, felt that she was wronged and had to get back at her husband. Not only did she kill him, but she had an affair while he was away. The sacrifice is why she had the affair with Aegisthus.

Shakespeare is known for his use of recurring themes throughout his work, including love, death and betrayal. These themes are present in his work of Othello. However, the most fundamental issue is jealousy. The lives of the characthers in Othello are ruined by jealousy from the beginning to the end of the play. The telling of the story is carried out by passion, jealousy, and death. Shakespeare’s Othello reveals devastating tragic inevitability, stunning psychological depth, and compelling poetic depth; the fragility and mysterious power of love, as well as demons of doubt, and how suspicion can be triggered by manipulative villain (Barthelemy 12).

The relevance and significance of the revenge tragedy is in the way it explores human nature and forces audiences to evaluate ideologies such as revenge and justice. The concept of revenge is accompanied by moral conflict and Shakespeare demonstrates that by acting immorally society is likely to be riddled with corruption. Hamlet seeks to avenge the death of his father but struggles with the ramifications of seeking righteous revenge through an immoral act. The imposition of revenge instills the existential questioning on Hamlet as it contradicts his with his social expectation. His

The bad actions of Clytemnestra are immediately seen in a negative way but she, at first, has avenged her daughter’s murder. What the chorus thinks of her is that she is an imposing figure, she is not noble and her information is unreliable. She is kind of underestimated and misjudged. She is presented as the bad woman but it is clear that the aim of Clytemnestra is taking her revenge. Aeschylus’ portrait of Clytemnestra can be seen as negative and positive; on one hand she seeks justice for her daughter, on the other she is completely incurable for the act of murder. She does not hide from her actions, instead she freely admits her murder and embraces the power and authority. It is through the inversion of traditional gender roles, adopting masculine speech, behaviors and activities, that she achieves her revenge for the sacrifice of Iphigenia. On one hand Clytemnestra’s revenge may have been seen as an upsetting act but on the other hand it let people (the audience) reflect on the traditional gender role of women in society. The power of Clytemnestra can be also seen through the chorus speech. It highlights her authority even if the chorus

Tragedy can either be the darkest part of life for one person or it can be a learning opportunity for the other person. Of all the tragedies written in the literate, “Oedipus the King” written by ‘Sophocles’ is one of the oldest and the most prominent tragedy written till date. It is the story of the king, who is brutally left to die by his own parents, luckily survived, unknowingly killed his own father and married his mother. Although this story was written 2000 years ago, but it still has a great significance in the modern world. Of the most powerful tragedies of the time, “Oedipus the king” discloses such values and situations as parental aggression, child abandonment, self-confidence, ability to handle trauma, and parent-child intimate relationship that people are struggling with in today’s world. Sophocles reveals these behaviours and incidents through the actions of Oedipus.

Clytemnestra had to deal with things that a wife should not have to deal with. Was it him sacrificing his own daughter for the gods, or even him having a mistress while he was gone at war.Agamemnon's main goal was to show that he had dominance over her along with his kingdom. She envied the fact that he was able to make these decisions without any sense of sympathy for anyone. The death of Agamemnon was revenge for the death of her daughter. Agamemnon killed a deer in a grove sacred to Artemis so the gods did not provide wind for the sail boats once they tried to set sail to Troy to go to war. Then it is revealed

Clytemnestra’s reason is evident when she states, “[Agamemnon] sacrificed his own child, my labor of love,” and through this comparison, it can hint that Clytemnestra has a deep, loving motherly connection with her children (Agamemnon 1417). Agamemnon’s quick judgment to subject his own innocent daughter to death for his selfish needs, even when Iphigenia passionately sang to him and his crew for entertainment, angered Clytemnestra. Therefore, since Clytemnestra was unable to save her child from death, she pursued justice for Iphigenia by killing Iphigenia’s murderer, Agamemnon. While Clytemnestra may seem to have a strong motherly relationship with her children, her last interaction with Orestes proves otherwise. Before Orestes killed her, she states, “beware the vengeful hellhounds of a mother’s curse” (The Libation Bearers 924).

‘Othello’ was written between 1601 and 1603. It was first performed in the Elizabethan courts during the Christmas season. The idea of a ‘perfect’ tragedy is the idea that the tragedy is faultless; it does what is expected; so makes the audience feel empathy and sympathy for the characters who suffer. There are two different types of tragedy: classical tragedy and Shakespearean tragedy. The tragic hero in this play is the main character, Othello. Othello's misfortune comes about because of his jealousy, trust, and his pride. This essay aims to look at, and compare, how Shakespeare wrote his tragedy, and how other tragedies are written. I will mainly compare ‘Othello’, for Shakespearean tragedy, and ‘Oedipus Rex’, by Sophocles, for

In the first play, Agamemnon, Clytemnestra murders Agamemnon to retaliate for the sacrifice he made of their daughter, Iphigenia. Clytemnestra did this out of revenge, since the code of getting even demanded that someone’s murder must be avenged by their close blood relative. This called for torment at the hands of the Furies, who were female divinities of a terrible frightening aspect, that came upon anyone who murdered a close blood relative. In the second play, The Libation Bearers, Orestes kills Clytemnestra to avenge the murder of Agamemnon. This act is still maintaining the revenge principle, but it is committed primarily at the instigation of Apollo. Apollo takes center-stage in the third play, The Furies, to argue in defense of Orestes in a trial supervised by Athena. This ultimately leads to the end of revenge killing and the establishment of a new order of justice based on the laws of the

The first play, Agamemnon, tells about the return of the King from the Trojan wars and how his wife has chosen to react to the reunion. Clytemnestra is the queen who was angered by the fact that Agamemnon was away for a decade and that the King sacrificed their daughter Iphigenia to one of the gods. In one part of the play, the Chorus of Elders chants "Zeus who hath paved a way for human thought, by ordaining this firm law 'He who learns, suffers'" (Aeschylus, trans. 1893, 1.176-179) which speaks to the law that was formed by the words. The people of Greece followed the law that a person who commits a crime, whether that be a recognized law or one that the punisher deemed appropriate, is subject to some form of punishment. In Agamemnon's case, Clytemnestra believed that his actions justified his death. She did not believe that it was murder because his actions justified her actions.

Thésée’s accusation of “d 'inceste et d 'adultère” against Hippolytus triggered him to confess his love for Aricia as a defense. However, it enraged Thésée even more as he perceived it as his son’s atrocious attempt to cover up his “brutale insolence”. This scene helped to transit the play to the ‘falling action’ in which Hippolytus and Thésée unwittingly became the victims of Oenone’s perfidy.