Oriental Institute Museum Essay

In the beginning, the first milestone that was made by human beings were the Agricultural Revolutions that occurred several different times. Food gathering eventually changed into food production throughout hundreds of generations. This process may have begun through semicultivation that could have made it possible to gather food without the need for permanent settlement. Other families who dedicated their time and energy to the production of food had to settle close to their fields. This helped produce a more predictable and filling supply of food that stimulated population growth. Biologically, this new food production put early farmers in a lot of physical stress. Excavations show that farming actually deformed bones, especially in the foot, knees, and lower spines from being in a kneeling position over a long period of time. This changeover from hunting and gathering to food production is called Neolithic revolution, which means “new stone revolution”. The name of this

This paper is a formal analysis of the Marble grave stele with a family group relief sculpture. It is a pentelic marble style relief standing at 171.1cm tall carved by a master. It is from the Late Classical period of Greek, Attic which was completed around ca.360 B.C. . I chose to analyze this piece as apposed to the others because I’m mainly attracted to art and sculptures from the Greek era. The overall color used in this relief is ivory with a few cracks and pieces broken off. There is some discoloration which causes the color to come off as slightly light brown for most of the relief. The sculpture appears larger compared to the other sculptures in the art room. It represents a family which includes a man, his wife, and their

Over the course of human history, humans and our ancestors have made tremendous strides. From Homo habilis making the first stone tools to the Egyptians building The Pyramids of Giza, human history is nothing short of intriguing. If it wouldn’t have been for each stride made by our ancestors we probably wouldn’t live in the world that we live in today. When the Neolithic Era began in 9600 BCE, human civilizations gradually started to spring up all over the world. Humans set up civilizations from Mesopotamia in the Middle East, to China in East Asia, and all the way to Caral-Supe in South America. Although these ancient civilizations were separated by thousands of miles, they all share common patterns and

One pleasant afternoon, my classmates and I decided to visit the Houston Museum of Fine Arts to begin on our museum assignment in world literature class. According to Houston Museum of Fine Art’s staff, MFAH considers as one of the largest museums in the nation and it contains many variety forms of art with more than several thousand years of unique history. Also, I have never been in a museum in a very long time especially as big as MFAH, and my experience about the museum was unique and pleasant. Although I have observed many great types and forms of art in the museum, there were few that interested me the most.

The paleolithic civilizations the early period of human history from 2,500,00 through 10,000 B.C. Neolithic civilizations begun to

It was the day of April 13, 2000. I woke up at exactly 12 o’clock because my boyfriend was to pick me up at 1 like we planned the night before. The day looked quite nice, but I was in a fowl mood. I got into a car accident the night before and had a huge argument with my parents about the car. I finally dragged myself into the shower and got ready in half an hour. Then I went downstairs, sat on my couch, and repeatedly told myself the day would hopefully turn out better than last night. At around 1:15, my boyfriend came to pick me up. We took the 5 freeway to the 57 since it was the only way I knew how to get there. As we approached the 134 freeway, my girlfriend veered to the right,

In the book The Prehistory of Home Jerry Moore discusses the importance that home structures have had for humans over time in different places of the world. He says that “In addition to their basic and fundamental function of providing shelter from natural elements, dwellings are powerful and complex concentrates of human existence… our dwellings reflect and shape our lives” (Moore, 3). He believes that homes are representations of the existence of individual humans as well as their surroundings. Jerry Moore is successful in explaining the importance of home in archaeology throughout history with colorful examples as well as a comparison of the importance of the home in the past to the importance of the home in the future.

The building at 111 South Michigan Avenue, home of the Art Institute of Chicago, was opened in 1893 as the World’s Congress Auxiliary Building for the World’s Columbian Exposition. The building was passed on to the Art Institute after the end of the exposition. Designed in the Beax-Arts style by Boston firm Shepley, Rutan, and Coolidge, building has become an icon for chicagoans an tourists alike. The Modern Wing, the Art Institute’s latest and largest addition to date, opened on May 16, 2009, and was designed by Pritzker Prize-winning architect Renzo Piano. The 264,000 square foot addition now houses the museum’s collections of modern European painting and sculpture, contemporary art, architecture and design, and photography. The new

When I attend the Oklahoma Art Museum this morning, I was completely blown away by the different styles, technique, and artistic abilities that artist have. Art can come in many forms and can involve many different things. From paintings, sculptures, and abstract pieces of the modern world. Along with my visit, I got to experience a new collection of blown glass that was absolute remarkable. As I walked though the museum, it was as I walked though time and got to see how each period’s art changed throughout time. From the different shades of color to the different types of technique that filled the halls of the Oklahoma City Art Museum, each piece was genuine in its own way. I was starstruck as I witnessed Lowell Nesbitt’s Parrot Tulip, Richard Diebenkorn’s Albuquerque, and Dale Chihuly’s blown glass.

I visited the Vancouver Art Gallery to view the contemporary art exhibition by Takashi Murakami titled, “The Octopus Eats Its Own Leg”. This show holds more than presenting more than fifty works spanning thirty years of the artist’s career. Upon entering the exhibition, I was greeted by one of Murakami’s more recently completed works – an incredibly large sculptural piece titled “Chakras Open and I Drown Under the Waterfall of Life”, which is a piece made in collaboration with graffiti artists Madsaki and Snipe. It is nearly 20 feet tall and made out of Styrofoam, water-based urethane, wood, iron, and acrylic paint. The layout of the first room directs viewers to climb stairs that lead to the second floor which holds the majority of Murakami’s exhibition, and this allows for a better, more open, view of the first sculptural piece from all angles as well as a view of the colourful designs on the walls leading

The exhibit that I viewed at the Philadelphia Museum of Art was one about European Art between the years 1100-1500. This was a series of paintings, sculptures, architecture, and tapestry of the Medieval and Early Renaissance as well as objects from the Middle East. This exhibit was an important part of the history of the Philadelphia Museum of Art because for the first time, Italian, Spanish, and Northern European paintings from the John G. Johnson collection were shown. It gave me a good idea of what the paintings were like in these four centuries and reflected ideas of both the east and the west.

The Whitney Museum of American Art has often been referred to a citadel of American Art, partially due to the museums façade, a striking granite building (Figure 1), designed by Bauhaus trained architect Marcel Breuer. The museum perpetuates this reference through its biennial review of contemporary American Art, which the Whitney has become most famous for. The biennial has become since its inception a measure of the state of contemporary art in America today.

During the first week of September, I made a trip with a friend to the Asian Art Museum in San Francisco. Every first Sunday of the month, admission into the museum is free. It is my first time to visit there and I was most impressed with the huge number of Buddhas on display. Most of the pieces are in excellent condition. It is amazing 600-year-old pottery and all these stone statues of Buddha that looks like it was made yesterday. What really brings this place to life for me are the brilliant combination of social mixers and live performance events mixed with cultural education.

Volunteer opportunities at the MCA are very broad. Assisting the museum staff with tours, opening and closing, as well as greeting the guests are some of the many administrative options. This is a great way to get involved in the Chicago community as well as a good reference for those interested in recommendations for art schools. Workshops are provided for young adults interested in digging further into the art trade. These workshops focus on learning about and exploring art and its culture. General admission for these Workshops, are eighteen dollars, and for students is twelve dollars.

A group of us Arts and Music students used the day on Wednesday to go into the city to visit the Boston Museum of Fine Arts. It was a cold, breezy day so we were all bundled up in jackets and hats. As we got off the E train and walked toward the museum, its appearance was not what I expected it to be. The museum was an elegant, beautiful building made of what looked to be marble; not the big, brick monstrosity I had expected. Once we walked into the museum, it was even more elegant on the inside. The marble staircase had sculptures on each side leading up to the rotunda where white Christmas lights were strung around the banister in decoration for the Christmas season.