Original Recordings Of British American Marchen Essay

Claude McKay was a black man born in Jamaica, he choose literature very on in life and kept with it. He moved to the United States at age twenty three to study at Tuskegee Institute and was immediately shocked by the blatant racism prevalent in Charleston, South Carolina. He moved to New York and shortly after became co-editor of The Liberator, a famous abolitionist newspaper, he wrote some of his most revered poems while working there. He was part of the Harlem Renaissance a movement that was a reawakening of artistic and cultural talents of African American people in the United States and helped to reinvigorate their pride in being black.

(Jack) “Jack himself shrank at this cry with a hiss of indrawn breath, and for a minute became less a hunter than a furtive thing, ape-like among the tangle of trees.” (Golding 49)

However, in contrast to this when Jack comes across a pig, evidentially to kill as he assigned himself the role of hunter, Jack is unable to murder the animal. Golding describes

After a few tries, Jack and the hunters finally catch a pig. The boys and Jack brutally attack it and kill it. This is the first step of Jack's decent to primitive savagery. We see the loss of innocence because Jack has killed his first living creature, and also had a loss of innocence sexually. Now we see Jack become very confident in his hunting ability and we start to see him act more like a hunter. He now wears a mask over his face and always wants to hunt. The author has this to say about Jack and his mask, "the mask was a thing on its own, behind which Jack hid, liberated from shame and self-consciousness" (62).  With the aid of the mask, Jack is now transforming into a different person. He seems to be happier as a hunter. The author also lets us into Jack's mind, for his thoughts on his first kill, "His mind was crowded with memories; memories of the knowledge that had come to them when they closed in on the struggling pig, knowledge that they had outwitted a living thing, imposed their will upon it, taken away its life like a long satisfying drink" (70).

Later, Jack and his hunters display another example of human evil with the gruesome slaughtering of a pig. They don’t just stab it to death and get it over with, but carry on deranged acts like taking a stick sharpened at both ends, with one side in the ground and the other for the pig to be impaled on. They take joy in the blood of the pig and show odd sexual hunger when they sodomize the pig with a stick.

She admits that a “lapsed pacifist” such as herself can be filled with “Darwinian pieties” to murder, specifically referencing the woodchucks destroying the landscape. Though the narrator may seem to simply realize her obsession with killing the woodchucks, her overall connotation leads readers to consider the possibility of a preoccupation to execute humans as well. This theme continues throughout the remaining stanzas in the poem, as the speaker utilizes phrases such as “the murderer inside me” and “if only they’d consented to die unseen.” These lines insinuate that the speaker represents one who murders people rather than a hunter of rodents. The use of violent, personified vocabulary throughout the entire poem also signifies the speaker’s focus on human violence. The strand of harsh and sometimes humanized words such as “beheading,” “gassing,” “nipping,” “killing,” and “bullets” inflict a negative connotation for the narrator’s actions. These words are not always used when referring to the woodchucks; the “beheading” refers to a patch of carrots, which signifies that this violent connotation is intentional. If the speaker simply aims to reflect an innocent woodchuck hunt, she should not use such violent or personal vocabulary. Therefore, the incorporation of this strand of words along with the narrator’s description of her own actions signifies the overall personification of the rodents in the speaker’s

Repeated onomatopoeic terms again set the scene. We are told that a hunt is in progress, and it is described in descriptive detail. Anderson does not romanticise the scene as the duckling cowers from a ‘fearfully big dog’.

… The madness came into his eyes again. ‘I thought I might kill.’”(Golding, page 51). If Jack were hunting exclusively for the purpose of food, his inner “compulsion to kill” as stated by the author would not exist to begin with. In fact, this statement appears to suggest the opposite—that his inner compulsion to kill is some kind of inner need rather than just an innocent venture to acquire food for the rest of the boys. Therefore, due to the wording of the author from the quote on page 51 as an addition to the quote on page 31 (which can be surmised as foreshadowing of evil) it provides the basis of Jack’s hunting proving him a symbol of evil. From page 134 onwards, this relationship is further solidified by the following few quotes: “A little apart from the rest, sunk in deep maternal bliss, lay the largest sow of the lot. She was black and pink, and the great bladder of her belly was fringed with a row of piglets…” (page 134), “She blundered into a tree… could follow her easily by the vivid drops of blood. …and the hunters followed… excited by the long chase and the dropped blood.”(page 135), and “Jack held up the head and jammed the soft throat with the pointed end which pierced through into the mouth (Golding, page 136 and 137). The first detail on page 134 indicates the pig they have their sights on is a mother of a few piglets. Quite

As the new world struggled to gain impendence from its mother country, Britain, native authors also try to develop their own style of writings. It quickly became evident that the search for a native literature became a national obsession. Then with the triumph of American independence, many at the time saw this as a divine sign that America and her people were destined for greatness. Greatness came with a strong nation and thousands of poems and stories that still shape our nation. The recent revolution greatly expressed the heart of the American people. However, it would take another fifty years of development throughout American before it produced the first great generation of American writers such as, Washington Irving, Ralph

Jack’s hunters show the “darkness of man's heart” and the evil of killing when they start to brutally kill pigs and enjoy it. When the hunters successfully kill their first pig, they start to celebrate in a not so sane way. They start chanting “Kill the pig, cut her throat, spill her blood”(69). By the hunters chanting this, it shows that they enjoyed killing the pig. Killing the pig was a necessary task for obtaining food but it was turned into a form of bloody enjoyment. Later when Jack and his group stumble across another pig, they kill it in a not so quick and efficient way. They all jump the pig and “Roger ran round the heap, prodding with his spear wherever pig flesh appeared”(135). Jack helps out by repeatedly stabbing down on it with

Early National Era. In your discussion, include the changes in society and the motivations of territories to expand the voting franchise to free white males. Contrast free white male suffrage, and its motivating factors with attitudes and treatment of women and African Americans during this period. 20 points

After they kill the first pig, Jack embarks on increasingly frequent hunts to feed his hunger for blood, reflecting savage tendencies to kill. This contrasts with how he was unable to kill the pig initially because of the power it required, showing Jack’s metamorphosis into a more savage creature, desiring blood. In an attempt to kill a sow, Jack’s tribe is described “[following] [the sow], wedded to her in lust, excited by the long chase and the dropped blood… Robert stabilized the thing in a phrase that was received uproariously, ‘Right up her ass!’”(135). The imagery throughout the killing of the pig closely resembles rape. The boys being “wedded to her in lust” delineates that the pig is female and also emphasizes the Jack’s eagerness to kill the pig. Jack following the trail of “dropped blood” shows that he is torturing the pig by not killing it painlessly but instead harming it repeatedly. This shows a turn to savagery because it shows a lack of emotions and compassion for other beings. Jack inevitably turning to savagery is further proven by his increasing lack of identity as the boys continue to inhabit the

The sort of changes that farming brought were: people benefiting from a further steady and dependable food source, settling down and building vaster communities, concentrating on contemporary skills (architecture, arts and crafts, social organization), and elaborated societies eventually emerging.

Unity within colonies was extremely strong because it was assembled in a primal urge for survival. The colonists were in this entirely new land, so it was natural they would stick together to the familiar, and therefore build strong bonds and loyalty to their colony. Exclusion also excellently describes early America because of the way colonies expelled their own people if they did not follow the colony's strict ‘rules' of life. The primary source documents; "City upon a Hill", "Ann Hutchinson's Trial", "Founding Of The Iroquois League", and "The Mayflower Compact" are all brilliant examples of this contradictory yet surprisingly honest view of early American history. Early American History should be remembered as

Director Nicholas Ray was lucky to have a talented composer create an original score for Rebel Without A Cause. Leonard Rosenman was born in 1924 and studied music in New York and Europe. His work as a film composer and arranger is very traditional, and has been regarded by some music critics as "insignificant." However, Rosenman received Academy Awards and Oscar nominations for his work. Along with film scores, Rosenman wrote theme music and scores for numerous television shows. The score in Rebel Without A Cause is much like another film starring James Dean, East of Eden.