Essay on Origins and Explanations of The Sonnet

12. A Petrarchan Sonnet has two parts, one stanza that contains 8 lines and another containing 6. It “uses a rhyme scheme that ties the first eight lines (the octave) together, followed by a rhyme scheme that unifies the last six (the sestet)” (Foster

The poem is structured in a way which follows the proper metre for a sonnet, however, it is unusual in a sense that it is free verse and has no rhyme scheme. The sentences are broken to fit the iambic pentameter. This creates pauses, and a choppiness in the flow

Shakespeare follows the English style of sonnets, while Collins partially follows the Petrarchan style. Both sonnets include fourteen lines, a defining feature of the sonnet form. “My mistress’ eyes are…” consists of three quatrains that describes his argument on love cliches, and ends with a couplet, the turning point of English sonnets. The sonnet consists of ten syllables each line, following the rhythm of the iambic pentameter rule. Shakespeare’s sonnet follows the usual rhyme scheme of an English sonnet: abab cdcd efef gg. Collins attempts to stray from the general sonnet principles in contrast with Shakespeare. “Sonnet” loosely follows the Petrarchan style, as the lines are grouped into one octave and one sestet in structure. Collins’s “Sonnet” does not have a rhyme scheme, nor does the poem follow iambic pentameter. His sonnet does, however, present his turn in line 9, the beginning of the sestet. Collins begins poking fun at English sonnets in the octave, but then turns to joke at Petrarchan forms. Both sonnets have a lighthearted, humorous tone and parody classic styles of sonnets in different ways.

A sonnet is a poem of fourteen lines that rhyme in a particular pattern. William Shakespeare’s sonnets were the only non-dramatic poetry that he wrote. Shakespeare used sonnets within some of his plays, but his sonnets are best known as a series of one hundred and fifty-four poems. The series of one hundred and fifty-four poems tell a story about a young aristocrat and a mysterious mistress. Many people have analyzed and contemplated about the significance of these “lovers”. After analysis of the content of both the “young man” sonnets and the “dark lady sonnets”, it is clear that the poet, Shakespeare, has a great love for the young man and only lusts after his mistress.

In modern times, youth and beauty is an image seen everywhere. For example, a Versace billboard, magazine ad, TV commercial, all of which displays images of beautiful people. But what happens when this beauty fades? Shakespeare in his 12th sonnet talks about his experience and fading beauty. The purpose of this poem is to encourage a young man to not lose his beauty to the ravages of time. In order to do this, one must reproduce so beauty will live.

For this response I will focus on Sonnets 1, 18, and 130. In Sonnet 1, I noticed how the themes of beauty and human life and introduced. Sonnet 1 starts off by saying that no one lives forever, and in order to keep the beauty, people need to have children. It then continues to say that some people are obsessed with their beauty and keep it for themselves. These people are encouraged to change their ways or less their beauty will start to fade and eventually disappear. I believe that Sonnet 1 is urging people to help the world by having children.

       The sonnet, however, is not simply a fourteen-line poem having a prescribed rhyme scheme. Certainly most sonnets are fourteen-line poems, and most sonneteers do confine themselves to prescribed rhyme patterns (Bender and Squier xxii).

Edgar Allen Poe's "Sonnet- to Science" is an example of how the structure of a poem can both aid and hinder the poet in communicating his or her thoughts. Usually, when the poet chooses to structure his poem in the form of a sonnet, he is, through his speaker, asking a question and reaching an answer. In this poem, however, the speaker, probably a young poet, questions Science but reaches no conclusion. Poe uses the English sonnet to communicate his youthful speaker's feelings of disdain for science and facts as opposed to mythology and fantasy, which inspire poetic musings. He implores Science as to why "she" must impose her "dull realities" on the hearts of poets like himself, squelching their

the first of the two lines he uses the word ‘mark’ which means buoy to

In sonnet 95, the speaker depicts a paternal feeling while speaking to the addressee, where indeed the poet reminds his audience about way appearance can be so deceiving. The young man is relying on his good appearance to veil his sexual immorality. Being that he is handsome and attractive, people are reluctant to disapprove his behavior. In the first quadrant, the poet employs different stylistic devices, which include simile, as the young man is likened to a fragrant rose, and on the other hand, he is compared to a destructive worm, but all his dark side of life is hidden under his good looking and charming nature. What is important about this poem is the manner in which the speaker reminds the young man about his bad behavior and draws examples that makes him feel sorry about what he does behind his good-looking nature. By the use of diction, imagery, diction, images, metaphors and other figures of speech, such as tone of voice, allusions, syntax and structure of the speech, the speaker warns the young man against his sexual immorality, and reminds him that there are detrimental risks associated with his behavior if he does not change.

In the hands of a master such as Shakespeare, the conventions of the sonnet form are manipulated and transformed into something unique and originally emphasized. Both sonnets in one way or another subvert the conventions of the base Petrarchan sonnet; though they are about love, the traditional topic of sonnets, whilst in Sonnet 20 the object of desire is unattainable and there is no evidence of the level of affection being requited, the target is male, and the target of the poet's affections in Sonnet 130 is the poetic voice's current mistress. It also seems important to note that love in neither of these cases is of the generic youthful female Aryan stereotype, and

has the gentle heart of a woman but is not inconsistent as is the way

Donne even goes so far as to command God to destroy the person he has

Edmund Spenser’s Sonnet 67 is one of 85 sonnets from Amoretti which was written about his courtship of Elizabeth Boyle. Spenser and Boyle were married in 1594. Sonnet 67 uses a hunting themed metaphor common in 16th century England comparing the woman to a deer and the man to a huntsman in pursuit. Sonnet 67 appears to have been inspired by an earlier work by Petrarch, Rima 190, but with a different ending. In this paper we will take an in depth look at this work, also commonly referred to as “ Lyke as a Huntsman”.

During the Renaissance period, most poets were writing love poems about their lovers/mistresses. The poets of this time often compared love to high, unrealistic, and unattainable beauty. Shakespeare, in his sonnet 18, continues the tradition of his time by comparing the speakers' love/mistress to the summer time of the year. It is during this time of the year that the flowers and the nature that surround them are at there peak for beauty. The theme of the poem is to show the speakers true interpretation of beauty. Beauties worst enemy is time and although beauty might fade it can still live on through a person's memory or words of a poem. The speaker realizes that beauty, like the subject of the poem, will remain perfect not in the