Orphan Train By Christina Baker Kline

For example, Jimmy Cross utilizes Martha as a distraction to escape his responsibilities of leading the troop through the war. “And then suddenly, without willing it, he was thinking about Martha” (11). By slipping into frequent daydreams, readers realize how his desire for Martha prevents him from acting like a true war sergeant. For instance, when given orders to destroy the tunnels in Than Khe, Cross was thinking about Martha’s virginity. Furthermore it is implied, that Jimmy Cross feelings for Martha is unrequited love. As a result, he fantasizes of there being a relationship more than one-sided love. “...a poet and a virgin and uninvolved, and because she did not love him and never would” (16). His fantasies about her not only served as a diversion from the war, but it also prevented him from developing his leadership skills. While Martha’s primary role in Cross’s mind was to act as a diversion from the traumatic experiences of war, she is also characterized as a type of emotional baggage that caused the death of others. “ He had loved Martha more than his men, and as a consequence Lavender was now dead, and this was something he would have to carry like a stone in his stomach for the rest of the war” (16) The thoughts of Martha, was specifical the metaphysical item Cross carried heavily to war to serve as a diversion; however her role hindered him with his duties as a Lieutenant to keep his troop safe and

In Orphan Train, Christina Baker Kline weaves a strong friendship between two characters, Vivian and Molly, despite a lengthy list of differences. The most blatant contrast, and the root cause of many other differences, is age and the separate eras both Vivian and Molly grow up in. In the span of her life, Vivian Nielsen, a ninety-one year old widow, experiences the Great Depression, World War II, and a technology boom impossible to keep up with. On the other hand, Molly Ayer is a sixteen year old tech-savvy foster child who uses “her Goth persona like armor” against an unsympathetic society (Kline 4). Another dissimilarity is ethnicity. Vivian is a first generation Irish immigrant and in being a Penobscot Native American Indian, Molly is unable to be more different than Vivian. While these differences seem apparent, the

Vivian’s physical suffering is caused by her illness, which slowly deteriorates her identity. In W;t, Vivian’s physical character is enhanced by her power through Language and it’s discourse. As time progresses, cancer slowly cause’s her to suffer physically, and therefore inverts her powerful identity. On page 25, Vivian’s body is clinically deconstructed, the

The book "Train Go Sorry" was authored by Leah Hager Cohen it is a story of an unknown culture; the book focuses on hearing loss, both as a disability and as a culture. The book was written in the first and third person narrative and it follows the daily lives of Ms. Leah Cohen and several other students and staff at Lexington School for the Deaf in New York. Ms. Cohen’s Grandfather Sam was deaf and attended Lexington when it was first founded. This was "seen" as the foundation for Cohen’s father Oscar and finally Leah as well as their family (who are both able to hear) to build their lives at Lexington. Her father Oscar became the superintendent of Lexington school and Leah spent her childhood within the school's walls. By her father becoming superintendent of the Lexington school this resulted in the whole family becoming fluent in ASL. Ms. Cohen’s father Oscar spent his career trying the best he could to listen to the needs of deaf/hard of hearing individual's needs and doing the best he could to advocate for them. The book also follows the lives of several individuals who attended Lexington, some of the individuals who were in attendance were Ms. Sofia and Ms. Irina Normatov and Mr.

The poem “Mothers and Daughters” is written by Pat Mora. Pat Mora is a contemporary award winning writer, who writes for children, youngsters and adults. She was born in El Paso, TX in the year 1942. She attains a title of a Hispanic writer; however, the most of her poems are in English. In her literary work, one can observe the different aspects of the immigrants’ lives such as language issues, family relationships, immigrants’ experiences and cultural differences (1187).

Throughout the novel "Little Altars Everywhere", written by Rebecca wells, there are changes between the relationships of its characters. Viviane, the mother of Siddalee, Baylor and Little Shep, is one of the main characters, and most of the changes revolve around her. Throughout the novel, it is portrayed that Viviane has a closer relationship with her eldest daughter, Siddalee. Viviane has always been a distant mother, who is more worried with social things such as her "Yaya sisterhood", than developing a close relationship between her and her family. Viviane is not only distant with her children, but she does not have a solid relationship with her husband, Big Shep.

Through my understanding of the book, Homeward Bound by Elaine Tyler May explores two traditional depictions of the 1950s, namely suburban domesticity and anticommunism. She intertwines both historical events into a captivating argument. Throughout the book, May aims to discover why “Post-war Americans accepted parenting as well as marriage with so much zeal” unlike their own parents and children. Her findings are that the “cold war ideology and domestic revival” were somewhat linked together. She saw “domestic containment” as an outgrowth of frights and desires that bloomed after the war. However, psychotherapeutic services were as much a boom then as now, and helped offer “private and personal solutions to social problems.” May reflects her views on the origin of domestic containment, and how it affected the lives of people who tried to live by it.

Soon, Henry replaces Lloyd as her lover, inviting him into her life and creating something of a love triangle. The problem in this kind of relationship soon causes strain and tension that starts to rip away Mae’s world, while she remains oblivious to it. Henry, being there fuels her dissent into despair, becoming more vulnerable, when she reveals the effect he has on her, “I am a hungry soul. I am a longing soul. I am an empty soul. (She cries.) I cry with joy. It satisfies

One of his biggest fantasies about Martha was her being a virgin. In his mind, it was as if Martha belonged to him already from the way he fantasized about her. The way he fantasized about Martha can be described as “over the limit”. He often wondered who was taking pictures that Martha sent him because he could see the shadow of another person. All Lieutenant Cross wanted was to be with Martha on the shoreline of Jersey walking barefooted and caring about nothing but Martha.

This is portrayed in the scene in which Vivian goes back to her old college Professor, E.M. Ashford. Vivian’s fear is shown through the use of ellipsis’ as Vivian feels uncomfortable due to the fact that she can no longer hide behind words. Furthermore Vivian’s view on death is also conveyed in this scene as Vivian believes there is far more separating life and death than that of a comma, a breath, as said by E.M Ashford. Death, towards the end of the play, becomes an acceptance for Vivian as she finally embraces the true faith in which Donne had towards an afterlife and overcomes her salvation anxiety. Vivian begins to crave kindness and comfort when she never has before, this conveys Vivian’s change of heart. Through the quote ““It”: such a small word. In this case I think “it” signifies being alive” one can see that Vivian no longer feels the pull towards life as she did in the beginning of the play. The audience knows when Vivian is truly ready to die upon Vivian’s stage direction as she “attempts a grand summation” as if trying to conjure up her own ending. She then recites her original interpretation of John Donne’s “Death Be Not Proud” where only a breath separates life from death. Thus one can observe that through contextual connections that a greater understanding can be obtained in relation to the play Wit by Margaret Edson and the theme of death. Furthermore it is through these

In the “Invisible Child” written by Andrea Elliot, a lifestyle of a homeless girl named Dasani and her family is shown. Elliot displays Dasani’s culture, and some of the struggles that she and her family face daily because they are homeless. Dasani is very dedicated to her school work. She wants to be better than anyone in her family ever was so she doesn’t have to worry about being homeless for the rest of her life. In some ways I can relate to Dasani, I am very passionate about my school work as well. I want to excel so I can be my very best in the future. However, our reasoning’s for wanting to be the best we can be are a little different. She wants to excel so she no longer has to worry about being homeless whereas I’ve never been homeless so I cannot say the exact same. I grew up being a very privileged kid. Both of my parents worked full time good paying jobs. I’ve never had to want for much of anything. My parents have always spoiled me with nice things, they have always made sure my siblings and I had nice clothes and a decent meal to eat. They are even paying for me to attain a college education. Dasani and her family however are a lot different from mine. In the “Invisible Child” Elliot tells us how Dasani’s parents do not have legit jobs, instead they have side “hustles” that only bring in a few dollars. Elliot states (2013) that a lot of mornings Dasani was starving at school because she had no breakfast. Dasani and her siblings also had to wear clothes that were

In “Invisible Child,” a New York Times article written by Andrea Elliot, we follow a day in the life of a young African American girl, Dasani, growing up in New York City. However, instead of living in an “Empire State of Mind,” Dasani lives in the slums, growing up homeless with her two drug addicted parents and seven siblings. Dasani often finds herself taking care of her siblings, making sure they have enough to eat, tying shoelaces, changing diapers, getting them to the bus stop in time, and the list goes on. An 11 year old girl, essentially taking care of a whole family, as well as taking care of herself by going to school, receiving an education, and partaking in extra-curricular activities. Elliot captures the life and struggles of a family well under the poverty line, giving us an unprecedented look into what Dasani must do each day not just to grow up in New York City, but to survive.

Wild by Cheryl Strayed gives a vivid depiction of a young woman on her journey through life and over a thousand miles of rough conditions on the Pacific Coast Trail. Cheryl Strayed makes the spontaneous decision to hike from the Mojave Desert to Washington alone, in order to reinvent her life, and forgive herself and others for her troubled past. As her situation becomes more demanding, Strayed finds that she has been humbled by her past, and is able to guide readers across raging rivers and through scorched deserts, in order to free herself from the person she allowed herself to become. It is a moving story of a woman reinventing herself though beauty and suffering, and can teach anyone that they can navigate through the tough times that lie ahead.

Vivian recalls undergoing tests by various medical technicians and being the subject of grand rounds. She remembers sharing a love of language and books with her father. She flashes back to her experiences as a student of Dr E. M. Ashford, an expert on John Donne. Bearing later finds herself under the care of Dr Jason Posner, an oncology research fellow who has taken her class on John Donne. At the hospital, she recognizes that doctors are interested in her for her research value and, like her, tend to ignore humanity in favor of knowledge. Gradually, she realizes that she would prefer kindness to

It is that power which inevitably drives all those who love Viviane away from her. She must use her power to do the work of the Goddess, which is not always understood. Morgaine, who is raised by Viviane feels the power being used on her and leaves, as well as Viviane’s son, Lancelet, who is to afraid of his mother to see her. Viviane is a strong character who’s spirituality is thought provoking.