Orson And Citizen Kane, Touch Of Evil, And Othello, Make Him A Great Auteur? Essay

Citizen Kane by Orson Welles is a story that was made for excellence. However, since it was about William Randolph Hearst, it did not do too well. Many movies didn't want to play the film because they were scared of Hearst and his power. Although, many could not see the movie it still became one of the greatest films ever made through its uncommon angles, montages, and lighting.

Citizen Kane also showed how the American Dream isn’t all that people make it out to be. The movie revolves around the life of Charles Foster Kane, a very wealthy entrepreneur. In the beginning of the movie, you see Charles as a young boy in a low class family. His family own some property but you can see that they want him to be removed from the

Orson Welles’s Citizen Kane is a revolutionary film. Although it might not look like much to the modern viewer, many aspects of the film were the first of their kind to appear and are still used today.

Orson Welles was passionate about film. By the young age of 25, he had directed, produced, and starred in what is today considered by most to be the greatest movie ever made, Citizen Kane. About a year later, Welles began work on his next film project, The Magnificent Ambersons. Based on the novel of the same name by Booth Tarkington, The Magnificent Ambersons tells the story of a falling aristocratic family in a

Why was Citizen Kane so different from the traditional Hollywood Films? Citizen Kane defies the traditional narrative and classic elements of Hollywood cinema by uniquely setting up the story in a different fashion from what the typical storyline would usually follow. It took on an approach of arranging the events of the story as it unfolds in a nonlinear pattern, while using multiple narrators while leaving the suspense of what did the meaning of a dying man’s last word open to the audiences’ interpretation.

The 1941 film Citizen Kane was written, directed, co-produced and starred by Orson Welles. The film won an Academy Award in 1942 for Best Screenplay and was also nominated for 8 other categories in the same year. The black and white movie was a hit for its time. The film challenged the traditional narrative and technical elements of the classic Hollywood cinema on multiple levels, especially for this time period in history.

Citizen Kane directed and co-written by Orson Welles, who also starred as the main character Charles Foster Kane, is considered the top movie of the top 100 movies. Citizen Kane starts with a newsreel that tells the life of Charles Foster Kane, who had just recently died. A newspaper team sets out to tell the real story of Charles Foster Kane and learn the truth behind Kane’s last words, “Rosebud” (Gottlieb, 1992). The reporter asked several prominent people in Kane’s life to give their story about the man and any information they would have about his last words. Although, no one knew why his last words were “Rosebud” and what “Rosebud” even was. The audience travels through Kane’s life seen through the eyes of other people, giving us details

Orson Welles’ 1941 classic film Citizen Kane tells the story of Charles Forster Kane. The turning point of the film is when Jim Gettys attempts to blackmail Kane. The scene demonstrates Kane’s fall from grace through pride. His reactions to the other characters in this scene (Mrs. Kane, Susan Alexander, and Mr. Gettys), the angles that are shown in his perspective, and the lighting of the scene helps to demonstrate this point. It is after the blackmail scene that, in desperation, Kane tries to regain his credibly with the public and

Orson Welles is commonly praised for his popular movie, Citizen Kane, but that wasn’t the only movie he has directed and acted in. In his career, Welles acted in several plays, used his voice on radio shows, created ten complete films, and acted in a number of movies himself. Even though, Citizen Kane was a major influence in the filmmaking world, it wasn’t all Orson should be remembered for. Welles was a dedicated director, producer,writer, and actor who always found a way to use his creativity and passion to create films. Welles got lucky and started peeking into the acting world at a young age.

     Citizen Kane is set at a time in American History where the world is changing and money is at the center of that world. For example, during this period of time wealth has become more important in America has more new money arrives. Kane is a part of this new money sweep across America and like everyone else is stretching his power and wealth. He stretches it so much that he loses sight of his objection, which is replaced by his obsession to be in control and make all the decisions, a power which he finds through wealth. But it is because of this obsession that his idealistic world is corrupted. Furthermore, the film revolves most around a newspaper. A newspaper reaches everyone and during this time one of the only few mass media. It is through the newspaper that Kane stretches his wealth and influence. He is corrupted by the power that the newspaper gives him. In addition, Kane is constantly surrounded by beautiful things and people, until the end of the movie when

In spite of his antagonistic personality, Welles indisputable is one notable filmmaker in our present time. Welles starts in radio show and theater before moves further to filmmaking, makes a footprint through his productions over his creative translations which make unique approaches that rarely been done by anyone else. Of all his expression in productions, it is suggested Welles uses the media as his platform to pour all of his sadness, rage, and rebellious transgression. His controversial behavior also well noted by former president Franklin Delano Roosevelt during the era when Welles siphoned the government money for the arts into Washington project.

Orson Welles had a long career full of unexpected rises and falls that was marked by his personal desire to wow audiences and habitual straying from conventional means of entertainment. From his The War of Worlds broad cast that caused audiences to fear for their lives, to his performance in The Third Man, Welles strove to be memorable and invite audiences to rise to his standards of entertainment. He fancied himself a magician; a theme that helped progress his 1973 film F for Fake. Starting with his explosive youth into his last years, Welles accumulated several habitual stylistic and narrative devices. Even as his films diversified his stylistic themes continued to be common throughout, and the release of his questionable documentary in last portion of life proved to continue this trend.

Success the first time around is very uncommon. Orson Welles's first feature film richly realizes the full potential of excellent craftsmanship. Citizen Kane is almost indisputably the greatest achievement in the history of filming. In 1941, this film was considered by many as the best film ever made. This film is about the enormous conflict between two twentieth-century icons, publisher William Randolph Hearst and the prodigy of his time, Orson Welles. The rather overwhelming beginning of an opening sequence is still as electrifying as any in the history of movies. That tarnished sign on a forbidding black wire fence

Citizen Kane figures in one of the most influential, and greatest filmography works of all time. However, the making of its fame was rather rough. Orson Welles and Herman Mankiewicz were the screenwriters for this movie, Welles was the leading director; therefore, he had the final saying in the contributions to the movie. Both writers worked separately when developing the story, only having the main character defined: Charles Foster Kane -it is pertinent to say that I think Foster is supposed to be ironic considering his morose childhood-. Welles had a rough childhood, which is portrayed in the film, since he came from a “broken home” and lost his hardworking mother when he was nine.

Auteur Theory is based on three premises, the first being technique, the second being personal style, and the third being interior meaning. Furthermore, there is no specific order in which these three aspects must be presented or weighted with regard to a film. An Auteur must give films a distinctive quality thus exerting a personal creative vision and interjecting it into the his or her films.