Os Gemeos by James Rosenquist

In Larry Lankton’s text, “Beyond the Boundaries” we gradually enter an unknown world that is frightening yet filled with immense beauty for miles. Due to the copper mining industry, a gradual increase of working class men and their families start to migrate to the unknown world with unsteady emotion, yet hope for a prosperous new life. In “Beyond the Boundaries”, Lankton takes us on a journey on how the “world below” transformed the upper peninsula into a functional and accepted new part of the world.

In art, there are qualities that speak louder than words. It expresses many different messages and emotions and each person has an experience different from the next. In this paper, I will be discussing two artworks I encountered. The piece is a good example of how people can encounter different experiences in one piece. I attended the Orlando Museum of Art a while back with family and overall enjoyed my experience. On my visit, I found the museum quite impressive and felt a deep connection with specific pieces.

My analysis of how successful and how did this artwork affect the society and culture as its target

The novel, “Afterlife” by Gary Soto was mostly about how this guy named Chuy who was killed in a Club, Club Estrella to be specific. He was killed in the men’s bathroom for complimenting someone else’s shoes, which were yellow. He got stabbed 3 times, and was left there till dying. He then became a ghost, a ghost who couldn’t be heard, seen or touched. He could see everything that was going on, but couldn’t do anything about it. After the ambulance had taken him away, he was already dead, or i mean the body was already dead. When his parents got the news Chuy went to visit them to say one last goodbye, he also visited his school, and the girl he used to like for a long time. He then found this girl named Crystal, who had killed herself taking

The area immediately separates into two distinct sections. A sign instructs employees of the courthouse to keep right along a ramp that fast tracks them past security. The rest of the crowd is left to climb a couple of steps then proceed to sneak their way back and forth until they reach the guards at the security section. A recent addition, guards had to scan the personal belongings of individuals to ensure no weapon was being smuggled in. As you make your way past the security screening and towards the atrium, it makes an impression of grandeur as if the building and the machinery at work are supposed to make its own statement. The size, scope and design of the building point represent and is meant to impart the importance and seriousness of the law on our lives. The authority of the courts is ever present (Demers,

I earned critical praise for work that explored religious and classical themes. I was born in NY and was known for sculpting abolitionist leaders and civil war heros. In 1867 I moved to Rome and used the neoclassical style to voice my concerns about the revolution. My work over the next few decades moved between African-American themes influenced by Catholicism.

On Saturday, January 23rd, 2016, I visited the Bowers Museum in Santa Ana, California. I observed several exhibitions on display, and I ultimately decided to write my report on Fannie Eliza Duvall’s Confirmation Class. Confirmation Class is an oil painting on canvas, and measures 20 by 30 inches. The painting with origins in Los Angeles, California, was produced in 1897, and was one of the first paintings done by a local artist to adopt new theories of Impressionism through California themes. What attracted me to this painting was the selection of the warm color scheme used to create a relaxing and pleasant drawing to look at as opposed to the larger selection of abstract and non-representational art on display at the Bowers Museum. Another reason as to why I chose to write my report on this specific drawing was the fact that this drawing was from a small bunch produced in my home state of California on display.

The book I read for my Political Science class was In God's Underground, by Richard Wurmbrand.

Immigrating to America is a process in which many people all across the world entrust as their one way ticket to a better life. Whether they do so legally or illegally, coming to the United States ensures better opportunities, economically, politically, and so on, to people who would have otherwise been worse off in their countries of origin. Even so, the common understanding of being “better off” can be considered a misconstrued concept when it comes to living in the states. Many families that choose to immigrate to the U.S. fail to realize the cultural hardships that newcomers tend to face once on American soil. Anything from racial discrimination or bias at work, in neighborhoods, at school, etc., can all be challenges that people encounter when making a move to the U.S. Such challenges are described by Richard Rodriquez in his autobiography Hunger of Memory. In this passage, he explains how cultural differences between Mexican and American ways of life have shaped him into the person that he is today. He also chooses to highlights the problems that he faces growing up in a predominately white neighborhood, while attending a predominantly white institution. Much of his writing consists of the cultural differences and pressures he feels to assimilate to Western culture and how this process, in turn, changes him into the person that some may find to be unethical, but nonetheless, someone he is proud of.

The universe doesn’t owe you, me, or anyone a thing, except for death. Though as kids most of us were led to believe that with enough effort and hard work were going to become whatever we wanted to be, we were going to have whatever our little hearts desired, and we were going to do whatever we wanted to do. However, as we grew up we realized that this is not the case. There are millions of people who did not become professional athletes, models, or billionaires, people who never got to have the mansions, cars, and fame that they always longed for, people who never got to travel the world, cure cancer, or fly into space. These are all mostly childlike dreams, which were probably imposed unto us by either our parents or society. There’s nothing wrong with children having these sort of improbable dreams, however, there comes a time where we can no longer be children. In the story Tandolfo the Great, written by Richard Bausch, we are introduced to Rodney Wilbury aka Tandolfo the Great, who is a suitable example to demonstrate what life can be like for those who are unable to grow out of their childlike mind sets. In this analysis I will be inspecting how Tandolfo the Great’s childish mind set, from his strong sense of entitlement to his inability to let go of the past events, has almost destroyed his life and how it can destroy anyone else’s.

As a growing topic of discussion, privacy in our society has stirred quite some concern. With the increase of technology and social networking our standards for privacy have been altered and the boundary between privacy and government has been blurred. In the article, Visible Man: Ethics in a World Without Secrets, Peter Singer addresses the different aspects of privacy that are being affected through the use of technology. The role of privacy in a democratic society is a tricky endeavor, however, each individual has a right to privacy. In our society, surveillance undermines privacy and without privacy there can be no democracy.

When I attend the Oklahoma Art Museum this morning, I was completely blown away by the different styles, technique, and artistic abilities that artist have. Art can come in many forms and can involve many different things. From paintings, sculptures, and abstract pieces of the modern world. Along with my visit, I got to experience a new collection of blown glass that was absolute remarkable. As I walked though the museum, it was as I walked though time and got to see how each period’s art changed throughout time. From the different shades of color to the different types of technique that filled the halls of the Oklahoma City Art Museum, each piece was genuine in its own way. I was starstruck as I witnessed Lowell Nesbitt’s Parrot Tulip, Richard Diebenkorn’s Albuquerque, and Dale Chihuly’s blown glass.

In the book Revolutionary Characters by Gordan Wood, the degree in which he portrays the personality and personal philosophies that informed the politics of these early American leaders, especially Thomas Jefferson, shows that contrary to popular belief that these men were not some unflawed perfect beings, but they are just like us with their many fears and insecurities. These flaws appear in all of the founding fathers and this adds a level of realism to them. It also shows that flaws are a part of human nature.

This piece was created during a time of political and social change. Increased political awareness and a focus on celebrity demanded art that was more

Throughout his novel Everything Flows, Vasily Grossman provides numerous occasions for defining freedom. In the midst of attempting to give meaning to freedom, Grossman greatly invests in wrestling with the issue of why freedom is still absent within Russia although the country has seen success in many different ways. Through the idea and image of the Revolution stems Capitalism, Leninism, and Stalinism. Grossman contends that freedom is an inexorable occurrence and that “to live means to be free”, that it is simply the nature of human kind to be free (200-204). The lack of freedom expresses a lack of humanity in Russia, and though freedom never dies, if freedom does not exist in the first place, then it has no chance to be kept alive. Through Grossman’s employment of the Revolution and the ideas that stem from it, he illustrates why freedom is still absent from Russian society, but more importantly why the emergence of freedom is inevitable.