Oscar Wilde Research Paper

Throughout mankind, there have been plenty of time where disobedience has lead to  greater changes for humanity. Author Oscar Wilde once stated “Disobedience, in the eyes of anyone who has read history. Is man's original virtue. It is through disobedience and rebellion.” Wilde’s statement claims that disobedience is a trait that every human possesses, disobedience is the reason society is so developed. As history has shown us, humans have never been satisfied when there is a higher power over them. For this reason, it is through disobedience and rebellion that social progress has been made.

Wilde also was famous for his leading of the aesthetic movement and his imprisonment for propagating homosexuality. The Picture of Dorian Gray tells a story about a degradation of a young man Dorian Gray. At the beginning, an artist Basil Hallward paints a portrait of the kind and innocent Dorian Gray and, after seeing the artwork, Lord Henry Wotton - a vain and snobbish class man - requests to meet him. Influenced by eccentric Henry Wotton’s philosophy, Dorian begins to become vain and cruel but while his external appearance remains unchanged, his appearance on the painting alters every time he commits a sin. The novel explores many issues, one of them is aestheticism - exaltation of art and beauty, leading to the eternal question - can a beautiful person be moral and a moral person be beautiful, which always have and will stir society’s curiosity. Oscar Wilde once said that "All art is quite useless" and in The Picture of Dorian Gray, he tends to juxtapose various expressions of art with the routine of Dorian Gray and a shallow life in the nineteenth century. As a tool to reveal the concept of a life at the end of the 19th century Wilde uses art of pretty - but meaningless - things used to please one’s vanity and create a mundane environment. This raises the question: what did Oscar Wilde want to imply by and how does he use art to develop the theme of morality in The Picture of Dorian Gray? It was impossible to avoid art in any of its expressions (parties, theatre, clothes, etc.) in even the most regular lives in the 19th century and of course it influenced the way of thinking, created the social status and the image of oneself, so, after all, art had a huge impact on the individuals of the 19th century. And, as often beauty does, art encourages greed and vanity, which Oscar Wilde demonstrates through the usage of art in the novel.

Finally, Wilde says that he would like to be Dorian but in another time. Dorian starts out as a handsome, wealthy gentleman that's innocent. He is quickly seduced by Lord Henry's words and starts to live life for all its pleasures. These acts are obviously not accepted by the public and with his picture taking all the flaws, his image is never damaged. In my opinion, I believe that when Wilde said he wants to be Dorian, it's because he wishes that he could "get rid of a temptation" by yielding to it,

The playwriter Oscar Wilde sexual philosophies are reinforced throughout his play, The Importance of Being Ernest. Wilde’s characters and choices of stage direction evoke a tone of sexuality and deviance. The characters’ social belief’s and identities are in parallel with the Literary Queer Theory on many key points.

At the time he delivered his lecture on Chatterton, Oscar Wilde’s career was transforming. He was transitioning from the performances he had honed during four solid years of addressing countless audiences and was developing, with greater energy than ever before, his profile as an accomplished author, critic, and editor. His discovery of Chatterton stands at the center of these changes. Paying close attention to Chatterton enabled Wilde to understand that the astonishing inventiveness of the Rowley forgeries evinced the imaginative impulse that inspired the finest forms of imaginative literature. Exploiting the links between imagination, authenticity, and truth, Chatterton’s artistic originality arose in fabrications that conjured a literary past that historically never existed.

Oscar Wilde’s The picture of Dorian Grey’s novel is about a young man named Dorian Gray, the subject of a painting by artist Basil Hallward. Basil is impressed by Dorian's beauty and believes his beauty should not be wasted and it is responsible for a new mode in his art. Dorian meets Lord Henry Wotton, a friend of Basil's, and becomes enslaved by Lord Henry's world view. He shows him a new hedonism, and suggests the only things worth following in life are beauty and fulfillment of the senses. When he realizes that one day his beauty will fade, Dorian feels a desire to sell his soul to ensure the portrait that Basil has painted would age instead of him. Dorian's wish

    "I turned half way around and saw Dorian Gray for the first time. I knew that I had come face to face with someone whose mere personality was so fascinating that, if I allowed it to do so, it would absorb my whole nature, my whole soul, my very art itself" (7). During the Victorian era, this was a dangerous quote. The Victorian era was about progress. It was an attempt aimed at cleaning up the society and setting a moral standard. The Victorian era was a time of relative peace and economic stability (Marshall 783). Victorians did not want anything "unclean" or "unacceptable" to interfere with their idea of perfection. Therefore, this quote, taken from Oscar Wilde's The Picture of Dorian Gray,

Oscar Wilde's background reveals how he projected himself through Dorian Gray, Henry, and Basil. Wilde was born October 16, 1854 in Dublin Ireland. He studied at Trinity College and Portora Royal school. As a result, Wilde took an interest in writing and soon developed The Picture of Dorian Gray, which was Wilde's first novel and where he reached the height of his fame. This book was profoundly criticized for its “scandalous and immoral”

In Nineteenth Eighty Four by George Orwell, Into the Wild by Jon Krakauer, and The Picture of Dorian Gray by Oscar Wilde, the three authors describe how all of the protagonists, Winston, Dorian Gray, and Chris McCandless undergo many circumstances in order to illustrate the impression the protagonists do not know themselves until they successfully pass through the obstacles to find their inner self.

Oscar Wilde, by Richard Ellman, is a biography that delves into the life of a genius. It takes us from his early years as the child of Speranza on a journey through college and his discipleship to Aesthetics and Epicurus. It brings us through his adulthood and marriage, to a victory and a defeat.

In Wilde’s The Picture of Dorian Gray, the character Dorian did not start out as a monster, but was created, by Lord Henry, who is the monster in the novel. Dorian Gray is very attractive and the characters, Basil and Lord Henry, took great interest in him strictly for his beauty and innocence. The two men both have totally different hopes for what the young Dorian will become. Basil is so intrigued by his pureness that he offers to paint a portrait of him, but while being painted, it is Lord Henry that Dorian takes a strong interest in. During this time is when one can see Lord Henry's obsession with beauty because he stresses to Dorian that his good looks will not last forever, which made Dorian quite

The reader comes to know Dorian as a delightful young man with a “simple and beautiful nature” (Wilde 16). He is described as looking like “one who had kept himself unspotted from the world” (Wilde 131), indicating the innocence of his spirit. Additionally, it is made clear that Dorian’s character is one of benevolence as Lord Henry explains the charity work he and Harry’s aunt, Lady Agatha, had done in the slums of London (Wilde 15). Within a short time, it is apparent to the reader that Dorian Gray is a man of goodwill and virtue, seeming practically perfect in every sense. This purity, although forever-lasting on Dorian’s appearance, is soon lost in his soul upon meeting with and talking to Lord Henry. Within their first conversation Harry familiarizes Dorian with the philosophy of Hedonism, urging him to live life to the fullest and always be “searching for new sensations” (Wilde 25). The introduction of this ideology to the unstained mind of Dorian marks the onset of his downfall and gives light to his inner narcissist. For example, upon seeing the portrait Basil painted of him, he exclaims: “How sad it is! I shall grow old, and horrible, and dreadful. But this picture will remain always young…If it were only the other way...For thatfor thatI would give everything!” (Wilde 28). Dorian is willing to trade his soul for eternal youth and beauty, putting his personal pleasures before his morality, and therefore revealing his arrogant and self-centered attributes. Along with his superficiality, Dorian’s hedonistic way of life leads him down a sinful path and ultimately to the murder of his friend Basil. For this reason, Dorian Gray represented the greater evil between the two characters because at this point it had been made clear that his innocent mind and

Throughout the novel The Picture of Dorian Gray, Oscar Wilde tells a tale about a young man named Dorian whose entire life changes after he meets Basil Hallward, who paints a portrait of Gray that ultimately leads to Gray’s demise. At the same time, Dorian also meets Lord Henry, who eventually plays a bad influence over Dorian. The portrait shows the man Dorian has become

However, in Greek days an intimate relationship between such a pairing was not uncommon. This idea is furthered by the way Basil speaks. On many occasions, he speaks to Dorian. On one such occasion, he says “It is quite true, I have worshipped you with far more romance of feelings than a man should ever give to a friend, somehow I have never loved a woman… From the moment I met you, your personality had the most extraordinary influence over me” (Wilde, The Picture of Dorian Gray). The subtext in Dorian Gray played a part in Wilde's lasting significance. The story is one that can be read and reread a million times. Some people identify with the characters; others are fascinated with the grim transformation that Dorian Takes throughout the story. No matter one's initial cause for reading the story one fact that is undeniably true is The Picture of Dorian Gray is a story that can be analysed in a million different ways to get a million different answers. This ability to be interpreted a million different ways from Sunday in the beautiful thing that helped Wilde create an influence after his passing on November 30, 1900. It helped turn him into the legend he

     Dorian Gray meets artist Basil Hallward in his aunt’s, Lady Brandon, estate. Basil was immediately inspired by the striking beauty of young Dorian Gray. Basil has Dorian sit for many portraits, quite a few of which depicted him as a hero from ancient Greece or a mythological figure. At the beginning of the novel Basil is finishing a portrait of Dorian in his true likeness. Basil shares with his friend, Lord Henry Wotton, his reluctance to show his painting because he was worried he had revealed too much about the way he felt for Dorian in painting it. Lord Wotton was known for causing scandals by his irreverent worshipping of youth and beauty and his selfish pursuit of pleasure. Lord Wotton, in true character, tells Basil that the portrait is his greatest masterpiece, admiring the beauty of the young man in portrayed in the painting. While Lord Wotton and Basil were discussing the painting, Dorian arrived at Basil’s studio. Basil did not want Dorian to meet Lord Henry Wotton because he was afraid the Lord Wotton would have a negative influence on Dorian.